IMDb RATING
6.6/10
1.1K
YOUR RATING
The story follows Anton, whose top priority is to complete his training as a cavalry officer. During training he orders his platoon to help a local Baron and he meets the Baron's daughter Ed... Read allThe story follows Anton, whose top priority is to complete his training as a cavalry officer. During training he orders his platoon to help a local Baron and he meets the Baron's daughter Edith, who has been in an accident.The story follows Anton, whose top priority is to complete his training as a cavalry officer. During training he orders his platoon to help a local Baron and he meets the Baron's daughter Edith, who has been in an accident.
- Director
- Writers
- Stars
- Awards
- 3 wins & 2 nominations total
Klaus Søndergaard
- Josef
- (as Klaus Tilsted Søndergaard)
Henrik Blauner Clausen
- Hardenberg
- (as Henrik Blauner)
Jarl Forsmann
- Blomsterhandler
- (as Jarl Forsman)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
6.61K
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Featured reviews
Poetic, beautiful and quite melancholic.
Anton Abildgaard is a young and handsome man. He fills his days, shortly before the First World War, with cavalry training. He tries to make everyone around him satisfied.
One evening, Anton is invited to dinner by Baron Løvenskjold. Edith, the baron´s daughter, became paralyzed after a tragic riding accident. She and Anton soon form a friendship. But can their friendship grow and blossom into love?
I honestly don´t regret watching "The Kiss". Yes, in my opinion, this movie is quite melancholic. But I also think that it is poetic and beautiful. The cast and crew should be very proud of this movie. If the movie had been less melancholic, I would have given it 10 stars.
One evening, Anton is invited to dinner by Baron Løvenskjold. Edith, the baron´s daughter, became paralyzed after a tragic riding accident. She and Anton soon form a friendship. But can their friendship grow and blossom into love?
I honestly don´t regret watching "The Kiss". Yes, in my opinion, this movie is quite melancholic. But I also think that it is poetic and beautiful. The cast and crew should be very proud of this movie. If the movie had been less melancholic, I would have given it 10 stars.
A very deserving film
To be honest, I wasn't expecting much, based on the trailer I thought that it was going to be a dull love story. But it turned out to be quite a special story without any love, really, without cliche-d characters. It stayed interesting for the whole duration of the film, it was filmed nicely, it got me involved in the plot. I have very strong opinions about Edith and her family, it was also interesting to see Anton as the victim of the situation and to see how (badly) he handled it. It was very human and very unexpected for a melodrama. I was very satisfied with the ending, because it seemed most plausible and believable. Just all in all a very good film that deserves more than 6,5 rating that it currently has.
gets pretty dark
A danish soldier meets the daughter of a baron in the days leading up to world war one. She clearly has some psych issues, but of course, there were no meds to treat it in those days. She also has a physical injury, which she may or may not ever recover from. Will this relationship work out? Will she be cured? Will the soldier go off to war? If so, will he return ? It's good. A bit slow at times, as we repeatedly watch the girl treat the soldier quite badly, with her words and actions. She keeps promising to behave herself, but then she does more passive aggressive things to him. The soldier is so young and awkward, he isn't handling the situation well himself. Directed by bille august. I have seen several of this other works, and enjoyed them! This one is pretty long, at almost two hours.
Temptation, Duty, Vanity and Lies
Bille August adapts Zweig's Beware of Pity with The Kiss (Kyssen), a handsome period piece set on the eve of the Great War.
Anton, a young cavalry officer, stumbles into the gilded orbit of a baron's household and finds himself caught between temptation and duty: Anna, the alluring cousin, and Edith, the baron's crippled daughter whose infatuation soon binds him in a web of pity, vanity, and lies.
The film doesn't romanticize Edith, she's needy, irritable, and not the tragic angel we might expect, and this sharpens the drama. Anton is weak, even cowardly, but not dishonorable; he simply lacks the strength to navigate desire and social expectation without collapsing under both. The ending, as Zweig promises, is inevitable.
What lingers is the contrast: opulent settings, soft golden light, and a story built on humiliation, shame, and the slow tightening of a trap. It's a film about pity as a poison, beautifully shot and quietly cruel.
Anton, a young cavalry officer, stumbles into the gilded orbit of a baron's household and finds himself caught between temptation and duty: Anna, the alluring cousin, and Edith, the baron's crippled daughter whose infatuation soon binds him in a web of pity, vanity, and lies.
The film doesn't romanticize Edith, she's needy, irritable, and not the tragic angel we might expect, and this sharpens the drama. Anton is weak, even cowardly, but not dishonorable; he simply lacks the strength to navigate desire and social expectation without collapsing under both. The ending, as Zweig promises, is inevitable.
What lingers is the contrast: opulent settings, soft golden light, and a story built on humiliation, shame, and the slow tightening of a trap. It's a film about pity as a poison, beautifully shot and quietly cruel.
Interesting plot that could have been explored more deeply
This period Jane-Austen-like drama set in Denmark on the brink of World War One brings us a different point of view at romance faced with obstacles. In contrast to other period romantic dramas our protagonists are not judged because of their social status or by their family, but instead one - Edith is judged by the other - Anton, who is not sure if his feelings are the product of love or pity. This puts a spin on the historical-romance genre and at the same time gives it a modern feel thanks to exploring behaviours towards people with disabilities (as Edith is paralised from the hips down), which we don't see in cinema too often. On the other hand I thought the story could have been a bit more complex, particularly in dealing with the character of Anton, who is (apparently) torn between his feelings and his reputation - at times it felt a bit shallow and superficial. Eventhough the runtime is quite long (my opinion is that 90 minutes would be enough time for the story to be told), the colour palette is pleasant to the eye, acting performances are decent and the ending is quite touching.
Did you know
- TriviaThe small railwaystation is Bandholm Railwaystation
Details
Box office
- Gross worldwide
- $15,125
- Runtime
- 1h 56m(116 min)
- Color
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