Sunstroke

I won't give away the "key" -- that's for the viewer to discover -- but until I figured it out for myself, about 2/3 of the way through, I was so exasperated by this movie that I was tempted to just give up on it and quit. I thought it was incoherent and disjointed, and actually got peeved since I thought it was screwing with me.

But THEN... I figured out who/what the young officer in white, and the various appearances of the attractive woman, represented... and my whole experience changed. By the end of the movie, I was devastated. The lingering final image and text -- and the song sung over it -- left me trembling and weeping. The whole thing haunted me for days, then weeks, afterward.

I intend to watch it again from the beginning, now that I know what it's about. But I am waiting a bit, since I still haven't recovered from that first experience.

This is a very different kind of movie. It's NOT a straight story/narrative, and expecting such will just leave you frustrated. Mikhalkov is a sort of poet, who has used seemingly unconnected images to evoke feelings and impressions. He uses visual/emotional images to conceal deep realities of history. And, for this viewer at least, realities of humanity in general. For though the movie is concerned with 20th-century Russia/USSR, it speaks to me, as an American in 2022, of a more general truth, one we should all take to heart as our own glittering Western consumer culture heads for collapse: Concealed beneath superficially beautiful things (and hoo-boy, are the "in-color" parts of this movie a sensual feast for the eyes!) can lie the ugliest horrors of which humans are capable.

Excellent movie, excellent direction and acting, fantastic scenaries and photograph. Unfairly Underrated in IMDM probably by American pie watchers

Sublime fusion of two of Bunin's works, with beautifully achieved juxtaposed cinematography. The viewer is put in the shoes of the protagonist's plight while bitterly recollecting the most hopeful moment in his past.

How can you include the magnitude of the beauty, cinematography, sweeping epic settings, historical detail, artistic touches, acting nuances, and encompass the soul of the Russian experience? This director has done so with this movie. From Eisenstein's stairway scene, to peasant life touches, to the death of aristocratic Russia, the rise of automatomic socialism, timeless romance and human connection, he covers it all with in depth captures of each moment in detail. I have watched thousands of movies. The masterpieces stand out, the movies that perfectly express a point of view, a story, an idea, a character, or the actor becomes the character so convincingly that the movie becomes a classic. Sunstroke is a masterpiece-Bravo.

Drags on and on and onnnnn. No reason for this to have been a three hour movie. The storyline of the tragic fate of Menshevik/White Army prisoners during the 1920 Red Terror is diminished by the lead character's recurring, saccharine reminiscences of a one night stand in 1907. That plot line could have been reduced to three short memory flashbacks and been just as effective. The war plot line suffered, as it was not given enough depth; unless you really know your Russian history, the nuances of who the prisoners are, what this mixed group of officers, soldiers and Cossacks represents is otherwise lost on the viewer. A single poignant gesture by one of the Bolshevik characters has no meaning, based on how this story has been told, alone. Three hours. Three hours of predictability. And Sunstroke? Yes, we get it - you did Burnt by the Sun. Bravo. Too bad about this latest effort, Nikita.