Crazy
- Episode aired May 4, 2015
- TV-MA
- 41m
IMDb RATING
8.3/10
1.7K
YOUR RATING
Norman spends the day with a surprise visitor; Norma attempts to keep secrets from being revealed.Norman spends the day with a surprise visitor; Norma attempts to keep secrets from being revealed.Norman spends the day with a surprise visitor; Norma attempts to keep secrets from being revealed.
Nicola Peltz Beckham
- Bradley Martin
- (as Nicola Peltz)
Featured reviews
"Crazy," the ninth episode of Bates Motel's third season, directed by Tucker Gates, is a psychologically intense and emotionally charged installment that delves deeper into the fractured minds and volatile relationships of the Bates family, while advancing the season's dark narrative with a mix of suspense, family drama, and unsettling revelations. Despite some critiques about its pacing and narrative progression, the episode stands out for its strong performances and thematic depth.
The episode opens with Norma Bates (Vera Farmiga) grappling with the increasingly invasive and threatening presence of Bob Paris, who orders a construction crew to dig a suspiciously deep hole on the motel property-a "pool" that becomes a symbol of looming danger and buried secrets. Farmiga's portrayal of Norma's mounting frustration and determination is compelling, capturing a woman fighting to protect her family and legacy amid external pressures. A standout moment is Norma's confrontation with Sheriff Romero (Nestor Carbonell), where tensions flare over trust and deception. Carbonell's nuanced performance highlights Romero's conflicted loyalties and the moral ambiguity that defines his role.
Norman Bates (Freddie Highmore) continues to spiral, his psychological instability manifesting in disturbing behaviors and violent impulses. The episode explores Norman's complex relationship with "Mother," his internalized persona, and his struggle to reconcile his own identity. A particularly unsettling scene involves Bradley Martin (Nicola Peltz), who, feeling rejected, tries to bond with Norman in a way that triggers visions of "Mother" joining them-an eerie illustration of Norman's fractured psyche. Highmore's performance remains a highlight, conveying Norman's vulnerability and menace with subtlety and intensity.
Dylan Massett (Max Thieriot) and Caleb Calhoun (Kenny Johnson) engage in a dangerous gun-running operation that culminates in a violent shootout, underscoring the perilous criminal underworld that encroaches on the Bates family's life. Thieriot and Johnson bring gritty realism to their roles, portraying characters caught between loyalty, survival, and moral compromise. Caleb's swift and brutal handling of Chick, ensuring Dylan receives his money, adds a layer of tension and foreshadows further conflict.
Emma Decody (Olivia Cooke) provides moments of emotional grounding, particularly in her interactions with Norman and Dylan. Her subplot involving her father's financial struggles and Dylan's efforts to help adds humanity amid the darkness. The episode also touches on Emma's candid confrontation with Norman about boundaries in their relationship, highlighting themes of consent and self-awareness.
Stylistically, Gates employs a muted color palette and atmospheric lighting that reinforce the episode's mood of claustrophobia and menace. The cinematography contrasts the motel's decaying charm with the stark violence and psychological turmoil unfolding within the family. The editing balances moments of tension with quieter, character-driven scenes, maintaining a deliberate pace that allows emotional beats to resonate. The sound design subtly amplifies the episode's unsettling atmosphere.
Thematically, "Crazy" explores motifs of madness, denial, and the corrosive effects of secrets and repression. The episode's title reflects the characters' struggles with their own sanity and the blurred lines between victim and perpetrator. The narrative probes the destructive cycles within the Bates family, where love, control, and violence intertwine. Norma's fight to protect her family paradoxically fuels the chaos, while Norman's descent embodies the tragic consequences of unresolved trauma.
Critically, the episode received mixed to positive reviews. Praise centered on the strong performances of Farmiga, Highmore, and Thieriot, as well as the episode's atmospheric tension and psychological depth. However, some critics noted that the episode's narrative felt somewhat inconsequential, with certain plotlines, such as Caleb's departure and the romance subplots, advancing slowly or feeling muted. The tease of Norman blaming Norma for his killings was highlighted as a potentially significant development, though it remained underexplored in this installment.
"Crazy" is a psychologically rich and emotionally intense episode that deepens Bates Motel's exploration of family dysfunction, trauma, and identity. Through compelling performances, evocative direction, and layered storytelling, it immerses viewers in a world where madness and love are inextricably linked, and where the past's shadows threaten to consume the present. While the episode's pacing and plot progression may divide opinion, its thematic resonance and character work ensure it remains a vital chapter in the series' dark saga.
The episode opens with Norma Bates (Vera Farmiga) grappling with the increasingly invasive and threatening presence of Bob Paris, who orders a construction crew to dig a suspiciously deep hole on the motel property-a "pool" that becomes a symbol of looming danger and buried secrets. Farmiga's portrayal of Norma's mounting frustration and determination is compelling, capturing a woman fighting to protect her family and legacy amid external pressures. A standout moment is Norma's confrontation with Sheriff Romero (Nestor Carbonell), where tensions flare over trust and deception. Carbonell's nuanced performance highlights Romero's conflicted loyalties and the moral ambiguity that defines his role.
Norman Bates (Freddie Highmore) continues to spiral, his psychological instability manifesting in disturbing behaviors and violent impulses. The episode explores Norman's complex relationship with "Mother," his internalized persona, and his struggle to reconcile his own identity. A particularly unsettling scene involves Bradley Martin (Nicola Peltz), who, feeling rejected, tries to bond with Norman in a way that triggers visions of "Mother" joining them-an eerie illustration of Norman's fractured psyche. Highmore's performance remains a highlight, conveying Norman's vulnerability and menace with subtlety and intensity.
Dylan Massett (Max Thieriot) and Caleb Calhoun (Kenny Johnson) engage in a dangerous gun-running operation that culminates in a violent shootout, underscoring the perilous criminal underworld that encroaches on the Bates family's life. Thieriot and Johnson bring gritty realism to their roles, portraying characters caught between loyalty, survival, and moral compromise. Caleb's swift and brutal handling of Chick, ensuring Dylan receives his money, adds a layer of tension and foreshadows further conflict.
Emma Decody (Olivia Cooke) provides moments of emotional grounding, particularly in her interactions with Norman and Dylan. Her subplot involving her father's financial struggles and Dylan's efforts to help adds humanity amid the darkness. The episode also touches on Emma's candid confrontation with Norman about boundaries in their relationship, highlighting themes of consent and self-awareness.
Stylistically, Gates employs a muted color palette and atmospheric lighting that reinforce the episode's mood of claustrophobia and menace. The cinematography contrasts the motel's decaying charm with the stark violence and psychological turmoil unfolding within the family. The editing balances moments of tension with quieter, character-driven scenes, maintaining a deliberate pace that allows emotional beats to resonate. The sound design subtly amplifies the episode's unsettling atmosphere.
Thematically, "Crazy" explores motifs of madness, denial, and the corrosive effects of secrets and repression. The episode's title reflects the characters' struggles with their own sanity and the blurred lines between victim and perpetrator. The narrative probes the destructive cycles within the Bates family, where love, control, and violence intertwine. Norma's fight to protect her family paradoxically fuels the chaos, while Norman's descent embodies the tragic consequences of unresolved trauma.
Critically, the episode received mixed to positive reviews. Praise centered on the strong performances of Farmiga, Highmore, and Thieriot, as well as the episode's atmospheric tension and psychological depth. However, some critics noted that the episode's narrative felt somewhat inconsequential, with certain plotlines, such as Caleb's departure and the romance subplots, advancing slowly or feeling muted. The tease of Norman blaming Norma for his killings was highlighted as a potentially significant development, though it remained underexplored in this installment.
"Crazy" is a psychologically rich and emotionally intense episode that deepens Bates Motel's exploration of family dysfunction, trauma, and identity. Through compelling performances, evocative direction, and layered storytelling, it immerses viewers in a world where madness and love are inextricably linked, and where the past's shadows threaten to consume the present. While the episode's pacing and plot progression may divide opinion, its thematic resonance and character work ensure it remains a vital chapter in the series' dark saga.
Did you know
- TriviaThe license plate on Bradley's (Nicola Peltz Beckham) old car (NFB 418) is the same as the one on Marion Crane's (Janet Leigh) car in the original Psycho (1960).
- Quotes
Emma Decody: We come into the world the way we come into the world. It's not our choice, but at least we're here.
- ConnectionsReferences Psycho (1960)
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