What Happened, Miss Simone?

The documentary does a great job of telling the story of Nina Simone, though archive footage and interviews by those close to her, like her own daughter.

The documentary seems to focus on her erratic behavior, which caused her career to take a downfall.

I thought the filmmakers did a great job of actually expressing her behavior. It really captured the changes in her life from moment to moment. The way it just cut from one time to another made me feel the passion and understand how Nina must have felt when she got into the Civil Rights movement.

I did not know much about Nina Simone before the doc, only that people would tell me she was great, but the documentary showed me how great she was. It did a good job of connecting her with the viewer.

Catch it on Netflix.

Two of the 2015 Academy Award nominees for Best Documentary Feature dealt with artists (specifically singers) who were ultimately undone by their self-destructive tendencies. "Amy" told the sad story of Amy Winehouse, whose struggles with addiction and eating disorders cut her life and career tragically short. "What Happened, Miss Simone?" is about Nina Simone, who used her music to fuel the anger of the civil rights movement until her flame burnt out. Both women changed the nature of their art form; both women were taken from the world much too soon.

But for all the similarities, the stories of the two women are quite different. Amy Winehouse is a pathetic figure. We watch as she passively lets fame destroy her. Nina Simone, on the other hand, is full of rage, rage that vents itself through her music. If Winehouse lets strife happen to her, we get the sense that Simone brings it on herself. It's as if she can't handle the anger that a sense of injustice toward the world stokes inside her and destroys herself as a way to be rid of it.

Watching Simone sing "Mississippi Goddamn" while seeing images of the Civil Rights movement, images evocative of the recent violence toward blacks perpetrated by law enforcement officials throughout the country, brought home to me how far we still need to go in our efforts toward racial equality and why the slogan "Black Lives Matter" should be heeded by all.

Grade: A-

Nina Simone was an extraordinary artist, a singer with an amazing, androgynous voice, a pianist from the age of four, a master of many styles (yet each one made distinctively her own), and a performer who put an amazing amount of herself into every song she sang. But she was also a frequently unhappy woman, a sufferer from manic depression, and while she was involved in the struggle for black civil rights in the United States, she did not allow herself the indulgence of viewing the outcome of that fight with satisfaction. 'What Happened, Miss Simone?' tells the story of her life and career with songs, comments from friends, and extensive excerpts from interviews she gave. It's fascinating, but also overlong, and while many assert the Nina was a difficult woman, few actually describe the reality of living with her in detail, which is a bit frustrating: she was a private person when not on stage, and the frailties hinted at in her public performances are never completely explained. You finish this documentary wanting to know more; but also, perhaps, feeling you could have been told what you've just learnt in a little less time.

(Rating: ☆☆☆½ out of 4)

This film is highly recommended.

In brief: A documentary that expertly shows the rise and fall of a gifted performer.

GRADE: B+

A riveting documentary entitled What Happened, Miss Simone? by Liz Garbus shows the tragedy of a singer-songwriter through her journals, interviews, and rare archival footage.The film covers similar ground as we watch the downward spiral of yet another gifted performer.

Talented at a young age and trained as a classical pianist, Nina Simone fought against poverty and prejudice to make her mark in the music industry. Like Ms. Winehouse, Miss Simone was a manic depressive performer on the road to fame and fortune. She too dealt with an abusive family member, her husband and manager Andrew Stroud, had numerous bouts with alcohol and violent mood swings amid her frequent mental disorders. At the peak of her career, her finances were a shamble as was her marriage and she became an advocate for the civil rights movement, although her methods became extremely volatile and radicalized in her later years.

This documentary (never distributed in regional movie theaters and available now on Netflix) uses her concert performances and more archival footage from famous celebrities like Hugh Hefner, Dick Gregory, and Stokely Carmichael to narrate Miss Simone's turbulent life. But the most effective interview comes from her daughter Lisa Simone Kelly who narrates the film with a grace and understanding that is genuinely moving. She eloquently reflects back on her life memories about an unhappy home and a mentally ill mother incapable of loving her unconditionally.

Ms. Garbus, the director, offers numerous songs from her repertoire that highlight the talented jazz vocalist, but too often the filmmaker sacrifices these vivid live performances and never plays out the entire concert piece which undercuts the essence of Miss Simone legend. (There is a segment with Miss Simone singing Janis Ian's Stars that is so visceral and raw in its brilliance.) There are also some gaps about certain times in her life that would have been more riveting if the filmmaker have been granted more access to the early archives of this singer. Nevertheless, the film tells a gripping story of a woman who found fame and fortune but lost her way to find real happiness.

Ms. Garbus' tribute to one of the greatest jazz vocalists is worthy of your attention.

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Greetings again from the darkness. Classical pianist, extraordinary singer, highly sought after live performer, Civil Rights activist, and inspiration to so many … it's only fitting that Nina Simone is now the subject of an Oscar nominated documentary. Talented filmmaker Liz Garbus (also Oscar nominated for 1998's The Farm: Angola, USA) provides a biography that is both a deep-dig and somewhat gentle look at this fascinating and troubled woman.

Born Eunice Waymon in North Carolina during the Jim Crow era, she was the church pianist at age 4, and later studied classical piano with the dream of becoming the first black female classical pianist to play Carnegie Hall. While attending Julliard, she worked at an Atlantic City bar where, in an effort to hide the gig from her parents, she created the stage name Nina Simone (after the popular French actress Simone Signoret). It was also at this bar where she was first forced to sing … a step that changed the course of her life.

The film begins by showing her return to the stage at the1976 Montreaux Festival in Switzerland after a seven year self-imposed exile (most recently in Liberia). We then head back to her humble childhood and follow her progression as she blends her Bach-influenced piano style with an expressive vocal style in jazz, gospel, pop, R&B and soul … resulting in the nickname "High Priestess of Soul".

What we see is a woman with remarkable talent and ferocious drive who just never is satisfied with society or her place in it … despite the positive impact she had as a musician and activist. Ms. Garbus uses some rare archival performance footage … such as her singing "I Loves You Porgy" while appearing on Hugh Hefner's "Playboy Penthouse TV show and "Mississippi Goddam" during the march with Martin Luther King. We also hear Nina telling her own story through previously unheard audio recordings, and we have access to diary entries and personal letters. These are combined with insightful interviews from her ex-husband and manager Andrew Stroud, collaborators like Al Shackman (her guitarist) and George Wein (founder of Newport Jazz Festival), and her daughter Lisa Simone Kelly.

What we soon see is a combination of other-worldly talent and a woman filled with rage and depression, and who is isolated inside her own uneasiness. Her later diagnosis and medication for bi-polar syndrome allowed her to better function in those last years. Her lack of attentiveness to her kids is kind of glossed over, but we understand how it made sense for her kids to spend more time at the home of the Shabazz family (Malcolm X) than with their own parents.

It's a shame that Ms. Simone could never appreciate her achievements, the impact she had in the Civil Rights movement and the inspiration her music brought to so many. Even playing Carnegie Hall was not enough for her as she wasn't on stage as the classical pianist of her dreams. Her biggest mainstream musical recognition stemmed from her song "My Baby Just Cares for Me" being used for a1987 Chanel No. 5 advertisement, but fortunately the rest of us can understand her place in history as a rare talent and societal influencer. She truly put a spell on us.