Kalinka

"In Her Name" ("Au nom de ma fille") is a very difficult film to watch. It's about a child who was raped and murdered. Amazingly, the German legal system seemed to do its best to prevent a thorough investigation and prosecution of the perpetrator...and ultimately the father of the dead girl felt compelled to take justice into his own hands. Worse yet...it's a true story. So, think about this before you decide to watch the film...it's a tough film to watch even though the filmmakers were exceptional in presenting the story well and without showing or sensationalizing the sexual violence.

The story begins with the arrest of Andre Bamberski (Daniel Auteuil)...so there's no suspense in the story. You KNOW he broke the law and was arrested....and what drove him to that is then shown through the course of the movie.

Andre and his wife split up early in the story. She's having an affair with some doctor and so the marriage is dissolved. Years later, Andre is shocked to hear that his now teenage daughter has died. And, when there's an autopsy, there's clear indication her step-father, at the very least, killed her through incompetence...but there's also indications she was raped! Amazingly, the prosecutors in Germany (where the ex and her family now live) refuse to do anything. Years later, he is able to get a court order for a new autopsy...and when the body is examined, the genitals are MISSING!!! Clearly this is some sort of attempt to hide the crime. But again, nothing really happens...the German officials stymie Andre's attempts at justice. What's next and why was Andre arrested? And, how long, if ever, will he see justice?!

See the film.

As I expected, Daniel Auteuil was excellent in the lead. He's a truly gifted actor...one of the best French actors alive. It also seems that the people making this film had a real passion to bring this case to light, as it shows the public that sometimes to get justice you might just have to break a few laws...which is incredibly sad. Overall, an extraordinary movie.

If you do watch this film, be forewarned...it's a tough thing to watch. Have some Kleenex nearby and be sure to take care of yourself, as the movie is unrelentingly sad.

Actually it's a real story of life.As am writing this review so much considered what am going to write here.It was my first movie experience in the theater with out my family, I was bit panic too.When the story starts on the silver screen really i lost some where with the movie.No much words about this great movie! it was a real story experience in my entire life!

This is a story based on real events and it revolves around a gruesome case of a teenager in Germany by her step-father who is a renowned physician. Daniel Auteil is excellent in his performance as the girl's biological father, André Bamberski who begins a crusade in order to find the truth about his daughter's rape and murder. His quest for vindication covers a time-span of almost thirty years, from 1974 till 2009 and it takes place to both France and Germany. Sebastian Koch is equally splendid in the role of the shady doctor who takes advantage of his patients' trust and steals André's wife.

I found the movie to be quite distressing as the audience knows that it is -partly- true and its relatively short running time (almost 80 minutes in total) makes it a viewing experience that at no time becomes tedious or uninteresting. The director, Vincent Garenq, has great thriller movies such as "Présumé coupable" and "L'enquête" in his filmography. This movie is on the borderline between two genres, crime fiction, and true crime. To sum up, "Au Nom de ma Fille" is a rewarding artistic experience, very well-shot with some really great acting. Not to miss!

Autueille plays the father of Kalenka murdered by Krombach. She was raped then injected with an overdose of iron. It took Berneski three decades to get a conviction. The story is very interesting with Krombach first having an affair with Autueille's wife. When the affair is discovered, they marry and move to Bavaria, Landau. The children are there when Kalenka,15, is murdered. She was about to return to Toulouse when she was killed. Other victims surface. Wives of Krombach die or get sick. German officials cover up. The autopsy is a cover up. The body is dug up and the vagina is missing. The French court tries him without his presence. He is found guilty, but Germany does not recognize that verdict. This is a fascinating case which exposes corruption. The court scenes are also interesting. This case is one where a doctor does terrible harm over decades and gets away with it. He died in 2020.

In AU NOM DE MA FILLE, Director Vincent Garenq pulls off a convincing work despite obviously limited funding resources, observable through minimal period recreation, done mostly through the use of cars.

The human element, man vs justice system, draws your interest from the outset, when you wonder why André Bamberski (superbly portrayed by Daniel Auteuil) is being arrested. A flashback of close on 30 years follows, with some parts more interesting than others, starting off in Morocco and meandering through France, Germany and Austria.

Almost constantly on screen, Auteuil delivers an immensely credible performance. He is not a good looking man, married to a beautiful woman, played by Marie-Josée Croze, who falls for the charms of a German medical doctor (Sebastian Koch, in a short but penetrating display of deception, mendacity, neighborly evil).

Sadly, Croze's part is thankless: no character development, never any explanation as to why she never questioned Dr. Krombach's decision to administer drugs and injections to her teenage daughter, clearly causing her demise - even after she had separated from the evil doctor. Other than aging convincingly, I found nothing to remember about Croze's performance.

Albeit in the background most of her on-screen time, I liked Christelle Cornil's role as girlfriend Cécile. Facially, she is not as eye-catching as Croze, but she looks like someone who enjoys life and loves with honesty. She has a most elegant figure and lovely legs, too. She stays loyal to Bamberski for many years, even though he lives almost entirely to see justice done by his murdered and raped daughter. Inevitably, Cécile runs out of patience and leaves him, and that is when a side of Bamberski emerges that suggests his justice-seeking quest may conceal a vindictive streak too: he will not have children with her. He has wasted her love and her time without any apparent remorse.

That obsession over his daughter's case clearly carries selfishness, too - not of a materialistic nature, but of the type that fails to heed the advice of his lawyer, of his father, the growing distance from his son who is fed up with his father's difficult relation with his mother, and of friends that see him losing his marbles... and a good woman to boot, whom he bafflingly refuses to have a child with.

Still, that complex vindictive facet helps explain why he contracts a trio to beat up Krombach and so see some justice done that the justice systems of Germany and France - acting in collusion to dismiss the case - keep turning a Kafkaesque blind eye to. The effects of that indifference at the top of the legal system are clear: it destroys lives and relationships as surely as the murder of an innocent teenager. And it forces one to take justice into one's hands, which the very same legal system is much quicker to act on and punish.

I liked the way Bamberski found a way to circumvent such legal callousness by getting Interpol involved, resulting in the application of the European Arrest Warrant (EAW) when Krombach illegally resumes his medical practice in Austria, which in time (much, much later) permitted his extradition.

Convincing script and dialogue, competent cinematography despite jarring narrative breaks in which the screen turns black, what stayed with me was Daniel Auteuil's superior performance, with Koch the shifty nemesis who steals his wife and his daughter's life.

Despite its flaws, AU NOM DE MA FILLE is thought-provoking and involving from beginning to end.