When their entire lives shatter, two Bedouin women struggle to change the unchangeable rules, each in her own individual way.When their entire lives shatter, two Bedouin women struggle to change the unchangeable rules, each in her own individual way.When their entire lives shatter, two Bedouin women struggle to change the unchangeable rules, each in her own individual way.
- Awards
- 15 wins & 19 nominations total
Hitham Omari
- Suliman
- (as Haitham Omari)
Khadija Al Akel
- Tasnim
- (as Khadija Alakel)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Sufat Chol (2016) is an Israeli movie that was shown in the U.S. with the title Sand Storm. It was written and directed by Elite Zexer.
The film takes place in an area of Israel where the Bedouins live. (Truth in reviewing--I didn't know there were Bedouins in Israel. However, they make up 3.5% of the population.) The film is in Arabic, and no Jewish Israelis appear in it. There is one mention of houses being bulldozed, but that's the only sense that there's a majority population outside the village.
Lamis Ammar plays Layla, a intelligent young woman, who is in love with "someone from a different tribe." That's not OK.
Ruba Blal portrays Jalila, Layla's mother. Hitham Omari is Suliman, Layla's father and Jalila's husband.
Matters are a little confusing in the beginning, as a pickup truck arrives at a home. The load in the pickup truck is a new bed. It signals to us that Suliman has taken a second wife. The bed is their wedding bed.
We know that, for Muslims, having more than one wife is normative. However, as the plot develops, it's clear that other matters that are considered normative appear unacceptable by our standards.
In fact, the rules and restrictions of the village appeared medieval to me. I considered whether this was an Israeli propaganda film, showing to the world how primitive the Bedouins are. However, a close friend, who is knowledgeable about these matters, assured me that this is the reality of Bedouin life in Israel.
The restrictions the mother and daughter face are disturbing and grim. However, that's what makes up the plot of the film.
This movie worked well on the small screen. It has an anemic IMDb rating of 6.8. I wondered why this important movie had such a low rating. When I checked the demographics it became clearer. Men rated it 6.7, while females rated it 7.0. (As usual, male raters outnumbered female raters. In this case, it was two to one.)
I think even 7.0 is too low for this movie. I rated it 9.
The film takes place in an area of Israel where the Bedouins live. (Truth in reviewing--I didn't know there were Bedouins in Israel. However, they make up 3.5% of the population.) The film is in Arabic, and no Jewish Israelis appear in it. There is one mention of houses being bulldozed, but that's the only sense that there's a majority population outside the village.
Lamis Ammar plays Layla, a intelligent young woman, who is in love with "someone from a different tribe." That's not OK.
Ruba Blal portrays Jalila, Layla's mother. Hitham Omari is Suliman, Layla's father and Jalila's husband.
Matters are a little confusing in the beginning, as a pickup truck arrives at a home. The load in the pickup truck is a new bed. It signals to us that Suliman has taken a second wife. The bed is their wedding bed.
We know that, for Muslims, having more than one wife is normative. However, as the plot develops, it's clear that other matters that are considered normative appear unacceptable by our standards.
In fact, the rules and restrictions of the village appeared medieval to me. I considered whether this was an Israeli propaganda film, showing to the world how primitive the Bedouins are. However, a close friend, who is knowledgeable about these matters, assured me that this is the reality of Bedouin life in Israel.
The restrictions the mother and daughter face are disturbing and grim. However, that's what makes up the plot of the film.
This movie worked well on the small screen. It has an anemic IMDb rating of 6.8. I wondered why this important movie had such a low rating. When I checked the demographics it became clearer. Men rated it 6.7, while females rated it 7.0. (As usual, male raters outnumbered female raters. In this case, it was two to one.)
I think even 7.0 is too low for this movie. I rated it 9.
The film follows the struggle of a young Bedouin girl and her will to be free of old traditions that try to keep her caged in a man's world. The main plot follows Jalila (Ruba Blal-Asfour), the first wife of a man that is trapped under the pressure of having a new young wife join the clan. Her daughter, Layla (Lamis Ammar), has a secret lover at school, and Jalila must decide if she is part of the mechanism that will trap her daughter too or going to fight for the next generation to have more than she could ever dream of. The brave directing and storytelling brings to the screen a complex story, exhibiting female struggles from a very specific perspective yet in a very universal way. It is not by chance that the film has had such a successful festival circuit.
Most people are disappointed with the movie , may be because they rather expected a drama with plot twists. But in real life you don't get too many. That's why this movie is different.
The mother and the girl was excellent.
This film depicts a Bedouin family on the brink of changing traditions.
When the father of the family takes a second wife, and the daughter finds herself in love with a boy from college. Each character must make decisions that will change the outcome of the family. Although a main theme is about woman living in world of strict traditions I think it is mainly about a family trying to make the right decisions for each other.
Throughout the film the director will turn you against the adults, and then give you a window of insight that will allow you to sympathize with them. I was constantly urging the characters to do something, on the end of the seat, and although the film left me a little sad you must look beyond the film, to what it is trying to hint the future may hold, not just for the protagonists, but all woman around the world.
I will certainly be thinking about Layla, her sister and what life has in hold for them, for a while.
When the father of the family takes a second wife, and the daughter finds herself in love with a boy from college. Each character must make decisions that will change the outcome of the family. Although a main theme is about woman living in world of strict traditions I think it is mainly about a family trying to make the right decisions for each other.
Throughout the film the director will turn you against the adults, and then give you a window of insight that will allow you to sympathize with them. I was constantly urging the characters to do something, on the end of the seat, and although the film left me a little sad you must look beyond the film, to what it is trying to hint the future may hold, not just for the protagonists, but all woman around the world.
I will certainly be thinking about Layla, her sister and what life has in hold for them, for a while.
I really enjoyed this very well made film. The actors did a great job portraying the characters. The main character, Layla, will stay in my thoughts for a long time.
Very sad how narrow many women's lives are and how few choices they have.
Watched on NF and thought I was watching episode 1 of a series so disappointed that the story is finished but the movie says it all really and the ending was not disappointing.
Did you know
- TriviaFirst full-length feature for the director Elite Zexer.
- How long is Sand Storm?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Kum Firtinasi
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- ₪3,850,000 (estimated)
- Gross US & Canada
- $86,800
- Opening weekend US & Canada
- $6,849
- Oct 2, 2016
- Gross worldwide
- $414,698
- Runtime
- 1h 27m(87 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content