Sand Storm

I really enjoyed this very well made film. The actors did a great job portraying the characters. The main character, Layla, will stay in my thoughts for a long time. Very sad how narrow many women's lives are and how few choices they have. Watched on NF and thought I was watching episode 1 of a series so disappointed that the story is finished but the movie says it all really and the ending was not disappointing.

Ever so subtly like a friend pulling your arm gently, this film pulls your into the world of women and how suffocating it is for them. Across nearly four generations. With the fourth one standing at the window of womanhood but not there yet. It will tell you how their voices are muted, how their choices are compromised, how emotions, feelings, their conscience, society, reputation are all used against them. The mother is the best actor I've seen in a Long time on screen. The amount of pain, frustration, anguish she conveys with so much subtlety is mind numbing. The Daughter was stellar too. Sumbolism and metaphor used time and again in the form of tunnels, windows, make up, weddings as a societal device. Gorgeous film. One of the best I've seen offlate. Kudos to the filmmaker, the crew and the actors. Phenomenal.

Sand Storm may not be a masterpiece of world cinema. Perhaps more distinctive art films claim their place on that stage. This movie takes a naturalistic approach to its story, depicting development in a straightforward way without auteur splashes. It offers a big dose of realism about a tough subject and tough circumstances. Perhaps that doesn't appeal to a more casual audience.

But this is absolutely a perfect movie. How is it perfect? First of all, every moment, every scene, every line of dialogue propels the story forward in a meaningful, forceful, convincing, and deeply human way. Deeply human? Yes. The characters are thoroughly human and complex, fully imagined and developed, both in the writing and the excellent performances. The story itself is constructed in a highly economical, brilliant way. For example, the reversal in dynamism between 'stern mother' and 'indulgent father' is not only interesting in terms of development; those shifts are utterly convincing as they arise organically from dynamics internal to the story and to the (highly difficult) circumstances each character finds her or himself in. It's impressive to witness the artistry of these shifts, how well though out, convincing, and how inspired it all is. The major characters are all in deep conflict with each other, and enough is given to us to understand and sympathize with each of their positions. That's uncommon in stories, in any story, whether novels or movies. This is an admirable achievement.

The climactic moment, the moment of momentous decision for the daughter Layla, this is fantastic: she drives the family truck as her means of breaking away from her father's demands, but it is precisely in driving this truck where we first saw how her father fostered her independence and self-sufficiency in ways unseemly for a young woman in their village society. The 'vehicle' by which he helped give her independence of spirit is the very vehicle by which she flees his (or his society's) oppression. Wow.

While it's not showy, it's a deeply inspired film, full of artistry and moving, human meaning.

Amazing film. Moving. The mother-daughter relationship was profound.

The film follows the struggle of a young Bedouin girl and her will to be free of old traditions that try to keep her caged in a man's world. The main plot follows Jalila (Ruba Blal-Asfour), the first wife of a man that is trapped under the pressure of having a new young wife join the clan. Her daughter, Layla (Lamis Ammar), has a secret lover at school, and Jalila must decide if she is part of the mechanism that will trap her daughter too or going to fight for the next generation to have more than she could ever dream of. The brave directing and storytelling brings to the screen a complex story, exhibiting female struggles from a very specific perspective yet in a very universal way. It is not by chance that the film has had such a successful festival circuit.