Being 17

In a small town in the mountainous Pyrenees region of France, two teenage boys in the same grade have an intense dislike for each other: Damien (Kacey Mottet Klein) who lives in a pleasant house in town and whose family is well-off; and Tomas (Corentin Fila) who is bi-racial and adopted by a farm family whose home is a long distance from town. Lurking beneath the mutual contempt is a sexual tension.

The beautiful location enhances the charm and depth of this moving film. In addition to the story of the two boys, there are subplots in each of their families that add greatly to the story overall. While the story of the boys' conflict seems to linger too long, the movie can be credited for being unpredictable and full of surprises.

The characterization of Tomas is particularly rich and filled with contradictions. In one moment, it is easy to despise him for his bullying ways; in the next moment, it is easy to pity him for his difficult daily life and the uncertainty due to a change that is about to happen in his family. Though not explicitly explored, he also has the difficulty of seeming to be the only non-white person in the small town.

The actors are both great in their roles as is Sabine Kiberlain who plays Damien's mother and is also a doctor. She's very nurturing in both roles and is also quite touching as someone in a crisis in the movie's second half.

By the film's end, one has compassion for all of its characters. - dbamateurcritic.

I wasn't really sure what to except out of this film, but to classify it as simply an LGBT film would be a great disservice to what it's doing. There aren't just two leads here, there are three, and that is crucial to the importance of it. The screenplay is layered and filled with small gestures and moments that mean a lot to the characters, but ones we have to be attentive to. This is a little film made out of moments like that and if people aren't used to it and don't like that kind of storytelling, they may not take to this film. It's subtle and very nuanced where it counts, and that's why it stands apart from the rest of its like.

So this is what being 17 feels like?! This is a slow-moving, mundane yet beautiful, subtle drama that captures the bleak lives of two teenage boys, both living in different family backgrounds. Accompanied by constant shivering snowfalls, they both end up feeling 'something' between them.

This is a simple come-of-age story that doesn't show us usual intensity of gay relationships or obvious flow of surging passion (that concludes with I-love-you or I-like-you confessions). On the contrary it is more about wavering confusion and love-hate tension that grows between two adolescent boys studying in the same institute.

What makes it different from other gay films of similar themes is its ability to grip your attention and tease you with slightly puerile curiosity about: "will they come together?"

There are several unique elements that work as essentials of this story: sense of solitude, fierce jealousy, suppressed infatuation, silent expectations, teenage ego, and of course, the urgent hatred that often emerges from helpless, pent-up affection.

I especially loved the natural, engaging and poised performances of two young actors who seemed to know what they were supposed to do on screen - they appeared quite involved and effortless. Exhilarating indeed!

In 'Being Seventeen' we meet Damien (Kacey Mottet Klein), who is surprised when his mother Marianne (Sandrine Kiberlain) calmly accepts his declaration of sexual attraction to a classmate. But why would she be surprised? Damien's candy-coloured rhinestone earring hardly shouts 'macho man'. But it is fair to say he is not the stereotypical film closeted homosexual: he enthusiastically takes boxing lessons from a friend of his army pilot father; and he is not even sure whether it is men generally he is attracted to, or just that particular classmate: Thomas (played by male model Corentin Fila).

The trouble with Damien's attraction to Thomas is that the latter bullies the former. But when Marianne, the local doctor in the Pyrenean community, hospitalises Thomas' weak, pregnant mother, she invites him to stay with her and Damien, and so the two boys are thrown together...

There are occasions when this film loses the way: Damien and Thomas are plainly the centre of the story, so sequences focusing exclusively on Marianne seem pointless and add little to the main story. But Kiberlain certainly provides a decent performance as the friendly mother who chats happily to the boys while serving them a glass of after-school wine (did I mention this is a French film?), before a personal tragedy means she must pull her life back together. Fila and Klein are given likable characters to play - Thomas concerned by his mother's condition; Damien the bully's victim - and also turn in good performances.

But the best aspect for me is the scenery: director André Téchiné gets the best of filming in the Pyrénées, with the endless snow-covered mountains (most of the filming seems to have taken place during the depths of winter) gradually giving way to deep, verdant valleys as the film and seasons progress. But it is not just a travelogue - this film is well worth seeing for its take on awakening sexuality.

I didn't quite know what to expect with this one so I just let myself get into the story and I have to say, I was not disappointed. It starts slowly and evolves into a complex and layered plot about 2 boys discovering their sexual desires but unlike many movies on that subject, it's not just about one thing.

What made this movie work in my opinion is the subplot involving Damien's mother played very well by Sandrine Kiberlain who gives a subtle performance. The standout to me in terms of acting is without a doubt Corentin Fila as Thomas Chardoul, the perplexed, confused and prone to violence teenager who keeps everyone at bay while yearning to be himself.

I must say I also enjoyed Kacey Mottet Klein's performance as Damien Delille even though he seemed a bit less able to convey the angst and subtle emotions needed for the part. His acting was sometimes clumsy and a bit fake but is still worked because it could be read as choices he made on how to play the part and the fact that he truly is a teenager playing one, not an adult actor trying to go back to his youth.

Even the ending worked for me so a strong 8 star rating is what I felt it deserved and if you speak French and want to spend some time getting to know these characters, they all have something to offer and I for one enjoyed the journey and can safely recommend it warmly.