Seashore

I can understand this movie doesn't get the best rating from the average gay movie viewer. It stays away from most gay movie clichés. There's no mentioning of anything gay scene related. There's no dancing to cheap house music in a gay disco or bar. There's no muscular actors or too pretty characters with successful high paid jobs. There's no singing of musical tunes nor is there a group of happy gay friends sharing their latest flings. There's no straight guys to be turned and no rent-boys and hustlers to be paid. There's no diseases and it doesn't end in drama. There's no acting in which inner dialogue is is being constantly expressed in words. There's no gimmicks or tricks to keep you entertained nor endless music scores on piano. There's two boys that could have been your best mates at school (when you discovered alternative music, alcohol and smoking weed) who admit to loving each other more than they dared show before. I enjoyed the natural pacing of this movie, the timeless boredom of seaside towns out of season, the frustration of family and the recognizable (big) events in the little lives of the everyday characters involved. Well done, I need more of this!

I was delighted to discover this gem of a film. Outstanding, naturalistic performances and relatable characters. I found myself completely engaged from the very beginning of this film. Excellent casting and direction of two quality lead performances. Highly recommend this film!

"Seashore" is not a film that rushes its audience; instead, it unfolds with the quiet rhythm of the waves, a slow and delicate exploration of connection and self-discovery. The film's strength lies in its nuanced performances, particularly from its two leads, whose chemistry is both subtle and deeply affecting. The actor portraying Tomaz is especially captivating. There's a captivating authenticity to his portrayal, a naturalness that draws you into his internal world. His performance is a quiet triumph, filled with understated emotion that lingers long after the credits roll. It's a performance that invites you to lean in and truly observe, rewarding your attention with layers of unspoken feeling. "Seashore" is a film for those who appreciate the beauty of subtlety, the power of quiet moments, and the profound impact of human connection. It's a gentle tide that washes over you, leaving a lasting impression of warmth and introspection.

Well, this film was about...uhm, what was it about? Nothing happened - and I mean NOTHING! It was about nothing. This was like watching someone's home videos. It is a very quiet film and very weirdly photographed. There's no chemistry between the actors. I wanted to hit the forward button to get the movie to move along, or just go somewhere! I wondered why some scenes ended up in the film instead of the editing room floor. This...was...so...slow...moving...

Yawn!

So do you suppose there is a way for me to sue Filipe Matzembacher and Marcio Reolon, the directors of this staggeringly boring movie, for my time back? This film was rambling, boring, pointless. I wondered if this even had a script and they just let the actors improvise. Nothing was solved. Nothing resolved. I finally kept fast-forwarding through it hoping that something would happen. The actors were cute and seemed to be able to act. But I certainly won't be looking out for anything by these directors again. What a waste of my time. What is it with gay movies that the creators seem to think they have to get artsy-fatsy? Straight love films have a beginning, middle and end. Why can't a gay movie?