American Fable

Really loved this movie. Have to admit that much of what I liked about the film is visual; it's really visually stunning. I think the (director? idk who does this part but...) scenic vistas of farmland are meant to cause a yearning, a pull, an ache for things to be "right" and "good" and "just." Especially beautiful because these vistas are always shown in twilight of the morning or evening; something so quiet and reverent, something so pure and almost holy about it. Like innocence about to be shattered somehow. You find yourself cheering for "Gitty," the main character; a brave young girl whose conscience is more developed (sadly perhaps) than those of the adults in her life. Don't want to give anything away because it's too enjoyable to watch without knowing what happens, but just to say that the allegories of "fables" is sort of woven into the plot, and it reminded me a bit of "Spirited Away," where a young girl has to be brave and have courage and character to be victorious.

We're living in country very reminiscent of the film's location, so there was a heightened appeal to the scenery for us, but honestly, this movie rises far above the attractiveness of its setting. It's a little unusual in that a major part of the drama hangs on the relationship between the father and daughter who greatly resemble each other. I found then both easy to listen to and watch. Both actors do a great job in their roles and they carry most of the picture with substantial help from this first time director who tells her story very effectively.

I've read criticism of the plot and the non-resolution of various issues brought up, but as one who needs murder mysteries and spy dramas to make perfect sense, a story mostly from a child's point of view set on a farm doesn't have to come together like a puzzle. I enjoyed this film and look forward to more from this interesting director.

Greetings again from the darkness. The feature film debut of writer/director Anne Hamilton may cause Aesop to turn over in the grave, but it also supports the adage that desperate times call for desperate measures. Just how desperate is really the point here, and the moral line in the sand is drawn by an 11 year old girl named Gitty (short for Gertrude).

Gitty (an outstanding Peyton Kennedy) lives on a farm with her pregnant mother Sarah (Marci Miller), bullying brother Martin (Gavin MacIntosh), and beloved father Abe (Kip Pardue). Gitty is the kind of kid who loves stories with happy endings, has a pet chicken named Happy, and loves exploring the surrounding countryside with her friends … a dried water well, abandoned house, and lighting bugs are all part of their daily adventures. Only a remote silo is considered off-limits per her father.

It's the 1980's and times are tough for family farms. Making ends meet is incredibly challenging and the sagging economy has resulted in many sell-offs of generational farms and the subsequent suicides of farmers who simply can't face the failure. Gitty blindly trusts her dad when he promises they won't lose their farm. Doubt only enters her mind when she discovers a battered man (Richard Schiff) in business attire locked in that off-limits silo. The captive man tells her not to tell her dad, and instead asks her to bring food and books. Even an 11 year old cloaked in innocence begins to suspect something isn't right.

We see the story unfold through the eyes of Gitty, and her fantasies, dreams and visions remind us just how the world looks to a kid. Her openness, curiosity and imagination all act as a kind of sixth sense that lead to the judgment of a child … what is right and what is wrong. Knowing Gitty is the source of our insight helps explain the near cartoonish evil perpetrated by Martin – an overanxious kid who sees himself as some type of "warrior" (an image bestowed by the mysterious Vera). Zuleikha Robinson plays Vera in the mold of a fairy tale witch influencing others … in this case, Gitty's dad … to do her dirty work.

The film is beautifully shot by cinematographer Wyatt Garfield, and at various times recalls Pan's Labyrinth, The Fall, and the camera work of Terrence Malick. Gitty's character is easily compared to Scout from To Kill a Mockingbird, but her "Honest" Abe dad is no Atticus Finch. Richard Schiff is excellent as the captive man, while Peyton Kennedy reminds of a young Elle Fanning (very high praise indeed). Kids have an amazing ability to see the black and white of right and wrong despite all the extraneous noise going on in their young uncorrupted heads. It's a shame it all turns to gray as we grow older. It's a nice first film from Ms. Hamilton.

This movie was pretty good! it was filmed really beautifully and the acting from the main character Giddy was executed really well. It was also told from her point of view which was really interesting. I don't know why most people from this movie hard to follow, i found it really straight forward. It's worth a watch.

I find it strange but mostly harsh to read so many one star reviews for a movie that was entertaining from beginning till the end. I agree that the end could have been better explained but overall it's still much better than any of those negative reviewers want you to believe. The story is about friendship and compassion, not so much a thriller (I wouldn't have categorized it in that genre), but more as a drama with some decent actors, especially the twelve year old Peyton Kennedy. I wouldn't listen too much to the negative reviewers, just watch it and make your own conclusion, I'm sure you'll find it better than those pathetic one star reviews (I guess those people only watch a movie once a month or so).