A young man has three opportunities to find love. Will the third time be the charm?A young man has three opportunities to find love. Will the third time be the charm?A young man has three opportunities to find love. Will the third time be the charm?
- Awards
- 25 wins & 5 nominations total
- Lonappan
- (as Dinesh Nair)
- George (Mary's Father)
- (as Franco Davis)
- Anjali
- (as Rinsa)
- One Side Lover
- (as Vimal Pillai)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Against the backdrop of simple and unassuming friendships, portrayed with excellent humor, multiple tales of love are presented. All the love stories presented have the genuineness of everyday life. Spectacular things do not happen which makes it so relatable. There are multiple points in life at which one is enamored by someone else and typically things do not work out all the way each time until finally it does. That is all the movie is about - a pretty simple and evident aspect of life.
The movie is a total entertainer as it has great humor, presented with unabashed innovation,awesome songs, great scenery, timely stunt scenes to keep the pep up and most importantly the theme of love that flows through sincerely, straight into your heart, presented with all the vulnerabilities and insecurities that comes with loving someone deeply and giving someone else much more power than oneself.
Movie is novel in its presentation. The sequence of execution does not fit into any of the typical patterns. The movie presents three different time periods with the same characters which worked very well.
Alphonse Putheren has himself played a small cameo role in the movie which is going to endear him to the malayali psyche even more . It is clear that a lot of hard work has gone into the movie and it has been designed to be an entertainer and the movie has worked really really well. He is clearly masterful as the impressions his movie left on me 24 hours back lingers on pretty strong - it is not just the joy of love, the vulnerabilities, the sorrow , the excitement everything lingers on - hats off!
Just back from my third view of the movie. There is not one scene that does not deliver. You appreciate each and every scene and the movie comes to an end smoothly to a successful finish.
As the title cards of Alphonse Puthren's 'Premam' came up, I couldn't stop thinking of those butterflies - the swallow tails and the cabbage whites, the blue bottles and the bird wings - that once flitted around with fragrant memories of an entire generation's childhood laden on their pretty wings. They seem to have wholly vanished and are no longer seen fluttering around these alley ways ridden with smoke and dust and have perhaps moved on to greener meadows where the sparkle of an unsullied dew drop awaits.
It is this perfumed whiff of reminiscences that the film rakes up with its very first scene that makes 'Premam' one of the best films that I have watched till now this year; one that it maintains till the very last scene that comes almost after three hours. Bursting with hopefulness and loaded with resilience, 'Premam' is a stunning cinematic piece that talks of the process of falling in love, breaking a heart, nurturing a stinging memory or two for the rest of your life and above all, letting go and moving on.
'Premam' follows its protagonist George (Nivin Pauly) and the three women who walk into his life - Mary (Anupama Parameswaran), his first love during those baffling pre-degree days, Malar (Sai Pallavi), his new teacher at college who surprisingly reciprocates his feelings and Celin (Madonna Sebastian) who finally lays down an anchor to his otherwise bobbling life.
And then there is love itself, and the different shades that the oldest of human emotions brings in its fray. It does take a few years for George to get over the dejection that his first love had brought along with, and when Malar grabs his hand and walks forward life sprouts flowers all around. It's when these petals had long wilted and withered by, that Celin arrives accentuating once and for all that fresh shoots are bound to spring up after the heavy rains.
'Premam' adopts a juicily unmarked conversational tone for the most part, and the audience draws in a few chairs and sits along with George and his pals as they plan and replan his life. It's no shocker then that his joys become ours as much as his grief does; his exultation and desolation are all ours to share as well.
'Premam' spellbinds you with some real awesome performances from a group of young actors who seem to have thrown caution to the winds and who have gone at their respective roles - long or short - with a vengeance. The casting director of the film merits a bow, for there is not one actor in it who looks out of place.
Nivin Pauly as George is tremendously remarkable, and comes up with one of his best performances till date. As he breaks down and walks away from the real love of his life, he manages to throw an entire cinema hall into silence with his tears, as much as he had driven them into irrepressible fits of mirth not much earlier.
The three girls are equally extraordinary, but it's Sai Pallavi who wins the show hands down, with a bravura feat as the guest lecturer Malar who wins over George's heart. She lights up the screen with her fabulous screen presence, and with the most precise of expressions underlines that she is here to stay. Madonna Sebastian with her curious Bambi-esque eyes and agreeable smile breezes in while Anupama Parameshwaran retains the youthful charm that is required of Mary to the hilt.
It's impossible to think of 'Premam' without that dazzling musical score by Rajesh Murugesan, with many a hummable number forming a part of the highly notable soundtrack. 'Premam' almost qualifies for a musical, and a decent one at that, since this is one film where you really do not mind those songs gushing into the narrative unapologetically; where the music camouflages itself and remains an indiscernible part of the account.
Equally arresting is the cinematography by Anand C Chandran, who throws in an assortment of splendid visuals that capture the essence of the film to the core. His camera is unhesitant and ventures as much to the corner of an aisle to catch an incessantly chirping sparrow in action or on to the placid waters of a pool where a wayward frog has landed himself in. The verdant greenness that pervades his indoor and outdoor frames is stimulating and this ocular wizardry that Anand throws in contributes much to the stellar film that 'Premam' evolves into.
'Premam' elevates Alphonse Puthren onto a pedestal of sharp film makers who have figured out the actual potential of the medium that cinema is. And in their competent hands long-standing tales assume ground-breaking forms and enthuse the viewers in ways and manners never seen before. Much more than an unabashed crowd-pleaser, which it surely is, 'Premam' is a bracingly alive film where almost everything,
To all Malayalam movie fans don't miss this spectacular film!
Premam film doesn't have a strong story line but I wasn't bored for a second. The way I got recommendations to watch Ustad Hotel, Bangalore Days & Neelakasam Pachadkal & Chuvannabhumi, likewise I got recommendations to watch Premam too. (Ofcourse I watched it with subs, manaki Hindi ye raadu sarigga.... inka malayalam aithey illileyoo..;) ) The way Malayalam Industry is making films now a days is spending very low budget and getting huge revenues. Actually Premam will come into that category.It's an emotional ride filled with good performances,extreme highs & lows and situational comedy and you travel with the characters throughout the story. Considering the scope of Malayalam industry this film has taken it to the next level actually. Overall it is a visually appealing chronicle of love with few blemishes.
Did you know
- TriviaThe film had no trailer or teaser prior to its release.
- GoofsThe bullet that rided by Arivazhagan was a 2012 edition bullet.
- Quotes
Vimal Sir: Simple! Java is very simple! Powerful! It is so powerful, isn't it? Then safe, Java is very safe. Did everyone get me? If you haven't understood just ask me! Anjali, don't you understand. Not only to her, I am saying to the whole class! Everyone understood isn't it? Ok. Then the next topic. Robust
A Student: Sir, is it Robust Banana?
Vimal Sir: No, no! Robust means... you may think that Robustness is a luxurious adventure... It is there in this page, you can go through it after the class, it is there in the Textbook.
- Crazy creditsIn the "thanks," section at the beginning, the director has thanked "his ex-girlfriends".
- ConnectionsReferenced in Hello Namasthe (2016)
- How long is Premam?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Моя любовь
- Filming locations
- Aluva, Kerala, India(Whole film)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $178,000
- Gross worldwide
- ₹600,000,000
- Runtime
- 2h 36m(156 min)
- Color