After hearing a young boy's cry for help, a sister and brother venture into a vast field of tall grass in Oklahoma but soon discover there may be no way out...and that something evil lurks w... Read allAfter hearing a young boy's cry for help, a sister and brother venture into a vast field of tall grass in Oklahoma but soon discover there may be no way out...and that something evil lurks within.After hearing a young boy's cry for help, a sister and brother venture into a vast field of tall grass in Oklahoma but soon discover there may be no way out...and that something evil lurks within.
- Director
- Writers
- Stars
- Awards
- 2 wins & 3 nominations total
Harrison Sloan Gilbertson
- Travis
- (as Harrison Gilbertson)
Gracie Callahan
- The Mud Woman
- (uncredited)
Annie Chen
- Mud Person
- (uncredited)
- …
Peter D'Souza
- Mud Person
- (uncredited)
- …
Everett Smith
- Mud Man
- (uncredited)
- …
Mike Tracz
- Grass Person
- (uncredited)
Amanda-May Wilson
- Mud Person
- (uncredited)
- …
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The story seems to be pretty simple, and I was left wondering how the film can go on for 80 minutes. The story gets a little more complex as time goes on, more thrilling, suspenseful and more disturbing. I enjoyed it.
The problem seems to be that some people can't handle the delightful subtlety of some of King's work. Light on plot, sure, but that's not the point. There's a single POINT of plot and everything else is only there to frame it and illustrate it. King thrives in a terrible sense of wrong. Disjointed, twisted, tied-in-knots, all of it ...wrong-but-real. Especially in the short-stories and novellas, King hyper-focuses on a POINT of something terrible and wraps detail around it.
Some adaptations are better than others. This one is really not bad. It's pretty good. The sense of wrong is prevalent, but not insistent. I love the concept of knotted, non-linear time. But even that isn't all of it. (And if you want to look, there ARE sub-plots in the relationships between the characters. But they aren't the point!)
I'm a country-boy. I grew up in farm country. And not even truly LARGE farms, by national standards! As a kid with wide freedom to roam, (free-range, as they say) there was a fear, a wariness of things like the wide corn fields. They are so huge, so endless. Half-way through you start to wonder if you are lost, how you might get out; the doubts begin to creep-in and fear takes root. Things turn sinister as the leaves of the corn give you sharp, paper-cut-like pain, drawing blood as you run through it. ...And that's in the day-time. Try it at night... and the Unknown can grow to fill the edges of the whole world. I know it. I loved it. And I carried a cheap samurai sword everytime I went out to the woods or the fields after dark.
There's some of that in this movie. And with an actor that makes a really good bad-guy. And special effects that do very well to portray a terrible, amorphous, unnameable concept.
This is a well done move. Salute to the director, who took a short novella of treacherous ideas and made a decent 90+ minutes.
Some adaptations are better than others. This one is really not bad. It's pretty good. The sense of wrong is prevalent, but not insistent. I love the concept of knotted, non-linear time. But even that isn't all of it. (And if you want to look, there ARE sub-plots in the relationships between the characters. But they aren't the point!)
I'm a country-boy. I grew up in farm country. And not even truly LARGE farms, by national standards! As a kid with wide freedom to roam, (free-range, as they say) there was a fear, a wariness of things like the wide corn fields. They are so huge, so endless. Half-way through you start to wonder if you are lost, how you might get out; the doubts begin to creep-in and fear takes root. Things turn sinister as the leaves of the corn give you sharp, paper-cut-like pain, drawing blood as you run through it. ...And that's in the day-time. Try it at night... and the Unknown can grow to fill the edges of the whole world. I know it. I loved it. And I carried a cheap samurai sword everytime I went out to the woods or the fields after dark.
There's some of that in this movie. And with an actor that makes a really good bad-guy. And special effects that do very well to portray a terrible, amorphous, unnameable concept.
This is a well done move. Salute to the director, who took a short novella of treacherous ideas and made a decent 90+ minutes.
Well, this is one of those films that will be like marmite, you'll love it or you'll hate it. Stephen King is unpredictable at best and he delivers again with this movie. I would love to say that you will watch it from start to end and know and understand the story line and meaning of the film but I'd be lying. It keeps you wondering and guessing throughout and gets weirder as it progresses. Yet, I was compelled to keep watching. I think it's interesting and has a deeper connection and meaning to life and the choices we make or should have made. Watch it and make up your own mind, but I loved it! My other half however, was asleep within the first 45 minutes. Like I said Marmite.... enjoy!
While traveling to San Diego, Cal DeMuth (Avery Whitted) stops the car nearby a tall grass field since his pregnant sister Becky (Laysla De Oliveira) is sick and need to vomit. They overhear the cry for help from a young boy and decide to look for the boy in the field. Soon they realize the field is a supernatural place that manipulates time and space and there is no way out from the tall grass.
"In the Tall Grass" is an intriguing supernatural horror movie with a story based on a novel of Stephen King that recalls a creepy episode of The Twilight Zone. The conclusion is open to interpretation but if the boy succeeds to stop Cal and Becky, Travis will probably never look for them and consequently would be also saved. My vote is six.
Title (Brazil): "Campo do Medo" ("Field of the Fear")
"In the Tall Grass" is an intriguing supernatural horror movie with a story based on a novel of Stephen King that recalls a creepy episode of The Twilight Zone. The conclusion is open to interpretation but if the boy succeeds to stop Cal and Becky, Travis will probably never look for them and consequently would be also saved. My vote is six.
Title (Brazil): "Campo do Medo" ("Field of the Fear")
Stephen King - I should have known. All the ingredients are there. So as you can guess then, I have not read the novel this is based on. But I did like the basic idea/theme this is build upon. Actually the very beginning is very strong and that carries throughout the movie.
While it does that, the movie itself feels like it loses a bit of traction, once every character and piece is introduced. I can only imagine (no pun intended), how this is written and how much plays in the mind of the reader. As a movie there are limitations, especially when it comes to one dimensional portrayals - or what feels like paper thin motivation at least. Still enough suspense here and overall a good horror movie.
While it does that, the movie itself feels like it loses a bit of traction, once every character and piece is introduced. I can only imagine (no pun intended), how this is written and how much plays in the mind of the reader. As a movie there are limitations, especially when it comes to one dimensional portrayals - or what feels like paper thin motivation at least. Still enough suspense here and overall a good horror movie.
Stephen King Movie Adaptations, Ranked
Stephen King Movie Adaptations, Ranked
See how every feature film adaptation of Stephen King's work stacks up, according to IMDb ratings.
Did you know
- TriviaMuch of the film was shot in Canada with the field being located near a bowling alley which was featured in the film. The church, however, was a temporary set made for the film on site.
- GoofsBecky uses her phone to call herself on the exact same phone, from the past. It is usually done when calling into ones own voicemailbox but it may not be possible for all providers. furthermore, it's not explained how she manages to decide a specific point in time to call herself in, however she may be assuming there is sort of a temporal overlap. After all this is supernatural time dilation.
- Quotes
Tobin Humbolt: My Daddy's right. We are grass. We keep dying and coming back.
- ConnectionsFeatured in WatchMojo: In the Tall Grass Ending Completely Explained (2019)
- SoundtracksIt's All Right
Written and Performed by Sam Cooke
Published by ABKCO Music Inc.
Courtesy of ABKCO Music & Records, Inc. obo itself and Sony Music Entertainment
www.abkco.com
- How long is In the Tall Grass?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- En la hierba alta
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 41m(101 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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