Hunt for the Wilderpeople

New Wes Anderson?/ Live action Pixar's Up?/ Herzog road trip flick?/

All these things and more/ Hunt for the Wilderpeople/ Is one of a kind/

Taika Waititi/ Blends Conchords' quirky humour/ With blunt honesty/

It's an oft-told plot/ Here, stripped of (most) cliché, and/ Adorably sharp/

No adoption tale/ Treats its heartwarming heartbreak/ With such frank sweetness/

In Waititi's world/ Rude haikus voice real trauma/ Death is nonchalant/

He finds poignant joy/ In the saddest images/ Peace in a barn fire/

But lost in the woods/ With a brave dog named Tupac/ Old man and boy heal/

Learning life lessons/ In New Zealand's lush splendour/ As they hide their poop/

Good ol' grumps Sam Neill/ And Julian Dennison/ Are pricelessly cute/

Wry, no-nonsense laughs/ Battling boar and Rachel House/ Gleeful cartoon foe/

As the pace ramps up/ Tender character beats meet/ Thelma and Louise/

And a denouement/ So crisply wholesome there'll be/ Something in your eye/

A tiny triumph/ Mighty but unpretentious/ With humongous charm/

One of the year's best/ Don't miss these Wilderpeople/ The skux life chose you!

-9/10

Kiwi director Taika Waititi of "Boy" and "What We Do In the Shadows" fame will shortly be stepping into the big leagues directing the next "Thor" movie.

In the meantime he has conjured up another slice of real Kiwi life on a budget that would probably fail to cover the catering bill for his new movie. Waititi translates Kiwi writer Barry Crump's book into a screenplay full of Kiwiana, irony and humour.

We meet Ricky Baker (Julian Dennison) as the local police (Oscar Kightley) and "enthusiastic" Child Care worker "Paula" (Rachel House), attempt to rehouse the young Maori lad with his new adoptive foster parents. "Aunt Bella" (Rima Te Wiata), child loving and with a heart of gold together with husband "Hec" (Sam Neill), a loner bushman with little desire to house a young delinquent.

Ricky's long list of offences are mentioned, including "smashing stuff and throwing rocks" but Paula is very determined, oft repeating her personal motto, "no child left behind".

The opening scene sets the tone perfectly, as Ricky carefully surveys his new accommodation and quietly returns to the police car.

Despite finding his new basic rural surroundings somewhat bewildering, including a gloriously bloody wild pig hunt, Ricky starts to become part of the family as he is showered by Aunt Bella's practical love and understanding.

Following an event, Ricky and Hec strike out on their own into the New Zealand bush as a national man hunt for the pair commences. Can they get on, will Hec's heart eventually melt, if indeed he can find it? This is a comedy drama with emphasis on the humour with incompetent hunters, crazy bushmen (Rhys Darby) and comical situations. However framed with underlying sadness and a serious story under pinning the whole endeavour. The tone is reminiscent of director Waititi's' "Boy" and manages to stay consistent throughout. Waititi even allowing himself a brief cameo, to great comedic effect.

There are plenty of belly laughs for those that understand and know New Zealand well. Neill essaying your everyday "she'll be right" Kiwi bloke, whilst providing a much needed straight man to all the shenanigans.

Some scenes are pushed too far, with Paula's quest going to ridiculous length's for the sake of comedy and Darby overbalancing his scenes with his usual shtick. Somehow with the solid anchor of Dennison's fresh performance and Neill's experience, the ship manages to stay the right way up.

The New Zealand bush is shown in all it's glory with the addition of a great choral track to accompany the shots of the overhead tree canopy.

Overall a much more approachable and enjoyable film than "Shadows" which will play especially well with Kiwi's and Australians but does have broader appeal.

Summary

Hugely enjoyable comedy adventure with serious undertones and represents a real return to form for Waititi. It's also good to see Sam Neill on the big screen again, opposite a great new young talent.

Hunt for the Wilderpeople is a New Zealand film starring Sam Neill and directed by Taika Waititi (Eagle vs. Shark, 'Boy' the Movie, and Thor: Ragnarok). Based on the book "Wild Pork and Watercress" by Barry Crump, its unique charm and humour boost the appeal of what would have been an otherwise generic bonding story.

Ricky Baker (Julian Dennison), a juvenile delinquent, goes on the run from child protective services in the New Zealand bush. Reluctantly joining Ricky is his surly foster uncle Hector (Sam Neill), who is forced to bond with his nephew while trying to find ways for them to survive in the wilderness. Eventually, a nationwide manhunt is launched by the police to swiftly bring the two of them to justice.

Funny, poignant, and well-cast, Hunt for the Wilderpeople revels in a unique, idyllic quirkiness that could have only come out of somewhere like New Zealand. The film's dramatic moments always hit home and never feel like they were inserted merely for cheap emotional effect. The humour, which is very dry and tongue-in-cheek, frequently adds to the film's likability and unconventional tone. Newcomer Julian Dennison shines as Ricky Baker, a rebellious young boy with a heart of gold and Sam Neill plays off him quite well as his irritable foster uncle.

I rate it 8/10

A brilliant funny movie that still respects the sadness that happens in life but tries to show you that fun and laughter can still be our main focus.

I think this is the best so far of Taika Waititi's films and recommend it to anyone to see. I saw it after a long-tiring week at work and I half expected to nod off in the cinema theatre because I was so tired. But I didn't. I laughed and chuckled most of the way through the film and came away re-energized and very happy I had gone.

Would see again if the opportunity came up, which is likely as most of my friends are raving about it and a few are wanting me to go with them to see it again!

While 'The Hunt For The Wilderpeople (2016)' is suitably quirky, slightly absurdist and extremely funny (refreshingly so), it only packs as much punch as it does because it is surprisingly emotionally resonant. Its endearing and relatively realistic central relationship thankfully always comes first. The film is just an entertaining time throughout, an eclectic amalgamation of farcical comedy and character growth, and it's an incredibly unique experience that never takes the easy or expected route, in terms of neither its plot nor its laughs. This makes every weird, oddly cohesive moment all the sweeter, especially when it collates into an end result as fantastic as it is. 8/10