The Beautiful Lie

One of the key lines of the series.. "with Skeet I feel like a starving person who's been given food... and with Xander I think I've married an abacus". Anna discovers and is completely consumed by unbridled sex. And finds herself incapable/ unwilling of making the sacrifice to abandon it.. and what comes next permanently locks her in, and ultimately determines her fate. You must watch it more than once to truly discover how remarkable a production it really is. This is one of the great new relationship series you will come across, and Sarah Snook's portrayal of Anna is beyond just good, she is absolutely mesmerizing. By far, her most outstanding work to date.. and it is her performance that drives this series, and makes it well worth the time spent watching. I think she is just an amazing actor.. ever since seeing her in 'Not Suitable For Children'. If you have not seen this wonderful little film, be sure and search it out, it is by far one of the best of the recent rom-com genre. There's little doubt, she's one of the top acting talents out there today. The Beautiful Lie is another well produced AU drama. The Australians just seem to be able to crank them out with such ease.. wish we could do as well here in this country. This is an easy 10 rating, and would go higher if possible.. don't dare miss it.

I think it's a little sad that people approach this charming mini-series expecting familiar Anna Karenina players, dialogue and scenery. I don't think the creators ever intended that. It exudes charm, wit and passion from the very start, but in its own way. Sure, matching the characters with their Tolstoy counterparts is entertaining, but this modern story stands alone. The character portrayals are engaging and the adaptation of the plot accessible to everyone. The Australian brand humour is masterful and draws well on multiple comedians in the cast. Celia Pacquola as Dolly is especially rewarding. Sarah Snook in the lead role of Anna is a revelation. Such a virtuoso! She is definitely someone to watch out for (go ahead and put her on your watch list). Even the creepy and sleazy Skeet, whom we can't help but dislike (or maybe that is just me) plays the role so you want to see the next creepy thing he'll do. The only let down for me was the music. Skeet is a musician / mixer. The sounds coming from his group during the show, and sometimes used as interlude music, is a slow wailing death. All in all it's a funny and tragic love story with a ton of story line and characters to keep you laughing, frowning and perplexed by the actions of seemingly sensible people who will become your friends. I guarantee you'll miss these friends after the final episode.

I stumbled upon this by chance and within the first five minutes I was hooked and couldn't stop watching.

I found this series to be elegant, funny, heartbreaking and thought provoking - I was laughing in one episode and in tears in the next. It dealt with love, loss, death, life, birth and depression with humour and tenderness. It was hard to feel angry at those who were written to be just so human.

Produced by the dream team of John Edwards and Imogen Banks the witty but real dialogue, the amazing cinematography, the soundtrack and the actors made this one of the best pieces of Australian TV I've seen in a while (and I'm Australian).

Simply put, I loved it. Can't wait to watch it again.....

I wasn't 100% sure about this show, being a huge fan of Tolstoy, so I was pleasantly surprised at the drama and the consistency with the storyline of Anna Karenina. The casting was superb, and the setting was surprisingly consistent.

Sarah Snook as Anna was an amazing casting choice. Her portrayal was perfect, beginning to end. She played out the snowball of drama that came about from that initial decision in such a meticulous way, drawing it out and making me (i.e. the viewer) feel the heart-wrenching conclusion to this classical story in a surprisingly new way.

The other noteworthy casting choices: Sophie Lowe as Kitty (that melodramatic, super-clingy and naive little girl who transitions into a mature, considerate woman); Daniel Henshall and Celia Pacquola as Kingsley and Dollly; and Alexander England as Peter.

If you want to experience Tolstoy in a new and unexpected way, give this series a try. (It's also incredibly easy to binge-watch.)

Allegedly a re-working of Tolstoy's Anna Karenina, The Beautiful Lie has a great ambition. Some of the script, parts of the acting and occasional moments achieve something really worthwhile, but as a whole it isn't satisfying or believable.

More than that, none of the characters really engages us as viewers, so we may want to find out who ends up with whom, and why, but we don't get the sense that any of them are real.

The contrast with Tolstoy is vast: his moral and psychological vision was profound and engaging, whereas The Beautiful Lie takes us into a world of mostly trivia and lust, disguised as love.

I suspect this was a 6-part series that got extended. That makes it even less likely to retain our attention.