A photographer unwittingly puts his life at risk by taking a former spy's picture.A photographer unwittingly puts his life at risk by taking a former spy's picture.A photographer unwittingly puts his life at risk by taking a former spy's picture.
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The focus is on the two leads that are on the run from assassins. Now, the reason to why they meet and have to flee together is probably the most far fetched I've seen. Other than that the story holds up. The movie does not try to make suspense every corner but instead focus on building the characters from their dialog and actions. If you only like action and less talking, this is not the movie for you.
The somewhat dorky dialog evolves as the characters warm up to each other. Some would say the dialog was boring of coarse, to me it felt more real than most other movies in the genre.
A lot of story probably got cut along the making process. There were several things I felt was left out that could have lifted the story.
The actors did a solid job, specially Katia Winter was really god portraying a tough skinned spy with a conscious. Simon Quaterman did a good job as the "out of his comfort zone"-wimp but were struggling at times when some purer emotions where required.
I enjoyed this movie, but I probably wont see it again.
The somewhat dorky dialog evolves as the characters warm up to each other. Some would say the dialog was boring of coarse, to me it felt more real than most other movies in the genre.
A lot of story probably got cut along the making process. There were several things I felt was left out that could have lifted the story.
The actors did a solid job, specially Katia Winter was really god portraying a tough skinned spy with a conscious. Simon Quaterman did a good job as the "out of his comfort zone"-wimp but were struggling at times when some purer emotions where required.
I enjoyed this movie, but I probably wont see it again.
A negative rating for Negative.
I'm not sure what accomplished director/producer/cinematographer Joshua Caldwell was thinking taking on this project.
This film has got to be the epitome of terrible writing and should be a classroom example of 'what not to do' when writing a screenplay. Why would Joshua take on (clearly) amateur writer Adam Gaines script is beyond me. Even his good directing and excellent cinematography could not save this disaster.
Aside from the super obvious plot holes and very poor story overall, the dragged-out unnecessary dialogue made this film unbearable and extremely boring. The way too long 1h 39min film length felt like 4 hours and I found myself saying "get on with it already, who cares!" when the two leads would just ramble on about nothing relevant. This movie may have been interesting if it was a 30 min short film (which oddly enough is the only minimal writing experience Adam Gaines has).
The acting was decent and Katia Winter was very easy on the eyes to look at, but her chemistry with Simon Quarterman was very unconvincing. Maybe it was the boring dialogue they had that made their chemistry absent.
Even the maybe total of 10 minutes of action scenes were overly dragged out. The rest of the film was primarily useless garbage dialogue with absolutely no point to the story - start to finish.
Don't waste your time with this one. See the trailer, and that's all the good and interesting parts you'll need to see.
This gets a 3/10 strictly for the directing and cinematography.
I'm not sure what accomplished director/producer/cinematographer Joshua Caldwell was thinking taking on this project.
This film has got to be the epitome of terrible writing and should be a classroom example of 'what not to do' when writing a screenplay. Why would Joshua take on (clearly) amateur writer Adam Gaines script is beyond me. Even his good directing and excellent cinematography could not save this disaster.
Aside from the super obvious plot holes and very poor story overall, the dragged-out unnecessary dialogue made this film unbearable and extremely boring. The way too long 1h 39min film length felt like 4 hours and I found myself saying "get on with it already, who cares!" when the two leads would just ramble on about nothing relevant. This movie may have been interesting if it was a 30 min short film (which oddly enough is the only minimal writing experience Adam Gaines has).
The acting was decent and Katia Winter was very easy on the eyes to look at, but her chemistry with Simon Quarterman was very unconvincing. Maybe it was the boring dialogue they had that made their chemistry absent.
Even the maybe total of 10 minutes of action scenes were overly dragged out. The rest of the film was primarily useless garbage dialogue with absolutely no point to the story - start to finish.
Don't waste your time with this one. See the trailer, and that's all the good and interesting parts you'll need to see.
This gets a 3/10 strictly for the directing and cinematography.
Katia Winter star in this understated, psychological thriller about a British operative who ends up having to confiscate a negative from a freelance photographer of a picture he took of her in order to remain as a ghost from those who are seeking to kill her. In the process, both she and the reluctant photographer find themselves on the run. Directed by Joshua Caldwell who also directed Be Somebody (2016), a comedy romance drama that also happens to echo a similar understated tone and offers a refreshing diversion into a more realistic interplay between characters that Negative presents. Negative together with Jennifer Lawrence in Red Sparrow (2018) and Daryl Hannah in The Job (2003) allow female assassin or professional agents that emphasize the psychological drama over the intensity of special effects, explosions, and action scenes of over the top mass killings or hand to hand combat in a choreographed martial arts. At the same time, the sustainability of audience's interest is made much more difficult, especially with the marketing of Negative's trailer with emphasized the action portion of the movie much to the disappointment of a good segment of the audience.
The more authentic characters in this movie provide the audience with a more thoughtful movie about human character though the movie struggles to balance the tension along with the somewhat superficial assumption of how these two people are so easily followed. Other similar movies have been able to incorporate rather more stylized plots or characters in their own psychological drama versions of this genre such as The Numbers Station (2013), The Tailor of Panama (2001), The American (2010), and Eye of the Needle (1981) or comedic versions of this genre such as Miss Meadows (2014), The Matador (2005), Wild Target (2010), Daisy & Violet (2011), and In Bruges (2008). Negative instead remains faithful to its depiction of what might be considered authentic humans whose live intersect in psychologically traumatic ways and how they individually and collectively cope with it.
The more authentic characters in this movie provide the audience with a more thoughtful movie about human character though the movie struggles to balance the tension along with the somewhat superficial assumption of how these two people are so easily followed. Other similar movies have been able to incorporate rather more stylized plots or characters in their own psychological drama versions of this genre such as The Numbers Station (2013), The Tailor of Panama (2001), The American (2010), and Eye of the Needle (1981) or comedic versions of this genre such as Miss Meadows (2014), The Matador (2005), Wild Target (2010), Daisy & Violet (2011), and In Bruges (2008). Negative instead remains faithful to its depiction of what might be considered authentic humans whose live intersect in psychologically traumatic ways and how they individually and collectively cope with it.
Not a bad movie, typical 'on the run ex-agent' movie with a reasonable storyline. The acting is a bit one dimensional but, at least where Katia Winter is concerned, that seems more down to the script that has her talk like an automaton for the first 75% of the movie. I get get it, she's supposed to be a ruthless professional but it sounds too strained. The single most annoying thing that really spoils the movie though is the male 'lead'. Seriously, a more pathetic excuse for an individual you've never seen, immature, gutless and pathetic he literally does nothing but whinge and bleat throughout the entire movie. Obviously the story needs this individual to be 'normal' and in awe of Natalie but his 'total 24/7 wimp' persona was way overdone and makes him outright annoying to the point of spoiling the movie which would otherwise have been OK, but no more than OK.
Did you know
- TriviaWhen Katia asks Sebastian about the dog died she DIF in swedish. "Hur dog hunden".
- GoofsIn many of the driving scenes where Natalie is wearing sunglasses, the camera rig on the front of the car can be seen reflected in them.
- How long is Negative?Powered by Alexa
Details
Box office
- Budget
- $100,000 (estimated)
- Runtime
- 1h 39m(99 min)
- Color
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content