Happy Hour

Through 4 different characters, the movie make us share the life of today Japan, and the legitimate questions you can encounter in your couple. Necessarily slow, it is a good movie to make us think about our life. True and accurate insight in the woman soul. To be watched in a quiet place.

We get to know these characters so intimately, we feel they are our friends and at the same time strangers we discover more and more. The 5 hours 17 mins are perfect and every minute worthwhile. I would even love to continue another 5 more hours and continue to see these interesting lives unfold.

It is my first Ryûsuke Hamaguchi film and surely not the last. His incorporation of art and amazing stories into the narrative with vignettes of every day contemplation mixed with big events and poignant scenes are masterful. A few standout scenes are:

A life-affirming course by an artist A writer reading a short story and sublime Q&A A stranger in the bus talking about her father An estranged wife unwelcoming her husband into her temporary home A couple dealing with their son's transgression A nurse scolding a younger nurse about life and death A woman talking to the sister of the man she likes about sex and love

At the center, there are often friends around a table with sublime dialog and lowkey acting. The nonverbal interactions are extremely effective at conveying intrigue, tension and sympathy. We understand the complicated lives of these four women and the people around them in great detail with non-judgmental equanimity. The story is poetic like Edward Yang's "Yi Yi", but not as funny. It also reminds me of Chang-dong Lee's "Poetry". It is however very much its own film and with its on pace and universe.

At times, it shows a somewhat bleak reality of failing relationships and discovery but with so much insight and artistic enhancement. A masterpiece in all aspects that never feels forced, by always allowing introspection and growth, and showing the complexity of life and people. It invites us to observe, it expands our boundaries slowly, it questions and reflects. The moving parts are so well woven together, and the attentive viewer never misses a beat or gets bored. We are there with the characters and events, at the table with them, in their homes or in vacation, at the tumultuous crucial reading and its aftermaths.

A movie that redefines movie-making in its impeccable vision and visceral journey.

Binged this 317-minute realistic drama about four female friends who come to grips with their feelings of doubt and disappointment as they enter middle age, in particular with the relational shortcomings of men. The slow, detailed narrative, with its prolonged scenes and interwoven story lines around a centering drama and unique structural elegance, mesmerized me. This is rare, meaty fare far afield from the happily-ever-after screenplays that are all too common among Japanese movies, at least the ones I've watched heretofore on Amazon Prime.

This movie focuses on 4 Japanese women in their late thirties. We follow their daily lives and their personal journeys. These 4 friends realize that they are unhappy with their (love) lives and they try to take back control. Several interesting topics are addressed, such as the lack of communication in relationships, the emancipation of women and the quest for self-fulfillment. The 4 non professional actresses give good performances and we get attached to their characters. Being immersed in the Japanese culture is also an enlightening experience. However, the movie is long. Some cuts could have been made.

I'll admit my attention often drifted in the first quarter (lingering shots) but by the last hour I was thoroughly engaged - I even wanted to spend a little longer in everyone's company. Like walking back home from your friend's house after a great night, and the subsequent emptiness. I saw fragments of myself in Jun's husband and it terrified me. Kobe looks beautiful!