A young FBI agent, eager to prove himself in the field, goes undercover as a white supremacist.A young FBI agent, eager to prove himself in the field, goes undercover as a white supremacist.A young FBI agent, eager to prove himself in the field, goes undercover as a white supremacist.
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- Writers
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Paul H Chapman
- Gary
- (as Paul Chapman)
David B. Meadows
- Rick
- (as Dave Meadows)
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Featured reviews
This movie first was written so well and the cast was just amazing. It is tough topic, but one that we should all be aware of. It was so suspenseful, acting was great. I have been waiting for a good MOVIE ALL SUMMER, this is one you cannot MISS...Rent or if you are lucky enough to have it open in your city see it...go! YOU WILL NOT BE DISAPPOINTED with the Actors, STORY or the entire movie.... 10 out of a 10.....
By the way, everyone that is taking this as more than entertainment needs to lighten up and Just enjoy. It is not a documentary, it is a movie. We know we have crazy's in the world, but this is a SUMMER BLOCK BUSTER.,,, ENJOY
By the way, everyone that is taking this as more than entertainment needs to lighten up and Just enjoy. It is not a documentary, it is a movie. We know we have crazy's in the world, but this is a SUMMER BLOCK BUSTER.,,, ENJOY
Radcliffe at first might seem like a poor choice to be cast as a skin head/Nazi, but in fact his characteristics make perfect sense in the film. Radcliffe is a young FBI agent that is chosen to infiltrate a local white power movement to prevent a credible domestic terror threat a la the Oklahoma City bombing from the 90s. This is not an action film with brawls and fire fights; this is a drama that tries to honestly show those involved in the white power movement. Overall this film is engaging and engrossing on its own, but also challenges itself by giving these social villains some screen time.
It is a very standard film in terms of plot, this is not a film to watch and expect twists and turns. But it tells a very compelling story through character. Each white power figure we see has their own ideas, goals and as the story progresses it shows us not only about white power, but racism and any type of extremism as well. Sam Trammell, Chris Sullivan and Tracy Letts are all brilliant in pulling us into their lives and succeeding in avoiding the obvious stereotypes that all too easily could happen. The scenes of Edward Norton trashing convenience stores and killing from American History X are left out, these are men with families, family/financial problems, hopes, dreams and its fascinating to see how their sometimes noble goals are corrupted into extreme racism.
The weak point is the ending, and everything has to be knotted up in a 2 hour film. This has the feel of the first 2 episodes of an HBO mini-series. I was left only somewhat satisfied, and genuinely curious about what would happen to each character next – and I guess that is good film making.
Eye opening and well directed. If you are looking for a drama with almost no action, that mostly avoids cliché pitfalls (other than the obvious but well enough done ending) then this is your flick!
It is a very standard film in terms of plot, this is not a film to watch and expect twists and turns. But it tells a very compelling story through character. Each white power figure we see has their own ideas, goals and as the story progresses it shows us not only about white power, but racism and any type of extremism as well. Sam Trammell, Chris Sullivan and Tracy Letts are all brilliant in pulling us into their lives and succeeding in avoiding the obvious stereotypes that all too easily could happen. The scenes of Edward Norton trashing convenience stores and killing from American History X are left out, these are men with families, family/financial problems, hopes, dreams and its fascinating to see how their sometimes noble goals are corrupted into extreme racism.
The weak point is the ending, and everything has to be knotted up in a 2 hour film. This has the feel of the first 2 episodes of an HBO mini-series. I was left only somewhat satisfied, and genuinely curious about what would happen to each character next – and I guess that is good film making.
Eye opening and well directed. If you are looking for a drama with almost no action, that mostly avoids cliché pitfalls (other than the obvious but well enough done ending) then this is your flick!
Daniel Radcliffe as a FBI agent and an extreme white supremacist, now that was a film I really had to see. Personally, I love undercover stories as they have inbuilt elements of excitement and uncertainty. You're wondering constantly whether the covert operation is going to be a success or a failure.
Even with a shaved head and gangster clothes, Radcliffe lacked menace, fury and vitriol one might expect from a white supremacist. His eyes emanate a childlike innocence that is difficult to overcome even by vulgar behaviour and foul language. He doesn't astound, but I was quite engrossed in his performance. I cared about him and I wanted him to succeed.
I would have loved to see a deeper examination of infiltration strategies than what was in this film. It employs tips from the well – known book: Dale Carnegie's 'How to win friends and influence people', and doesn't go beyond that. By being as simple as it is, it takes away the intrigue of an undercover story.
There were some nail-biting scenes and clever dialogue that held my attention. We do get to delve into the mindsets of several white supremacists. The finale, however, felt very rushed. It came across as very sudden and I questioned its plausibility. It seems that the writers just needed a quick and thrilling end to the story without considering whether it is consistent with what they have developed earlier, both story and character wise.
I admire Radcliffe's tenacity to take on such a role. Even though the film wasn't a profound artwork, he does well in trying to break the seemingly immutable image of him as Harry Potter. Anyone who is used to seeing him as the boy who lived would be pleasantly surprised.
Even with a shaved head and gangster clothes, Radcliffe lacked menace, fury and vitriol one might expect from a white supremacist. His eyes emanate a childlike innocence that is difficult to overcome even by vulgar behaviour and foul language. He doesn't astound, but I was quite engrossed in his performance. I cared about him and I wanted him to succeed.
I would have loved to see a deeper examination of infiltration strategies than what was in this film. It employs tips from the well – known book: Dale Carnegie's 'How to win friends and influence people', and doesn't go beyond that. By being as simple as it is, it takes away the intrigue of an undercover story.
There were some nail-biting scenes and clever dialogue that held my attention. We do get to delve into the mindsets of several white supremacists. The finale, however, felt very rushed. It came across as very sudden and I questioned its plausibility. It seems that the writers just needed a quick and thrilling end to the story without considering whether it is consistent with what they have developed earlier, both story and character wise.
I admire Radcliffe's tenacity to take on such a role. Even though the film wasn't a profound artwork, he does well in trying to break the seemingly immutable image of him as Harry Potter. Anyone who is used to seeing him as the boy who lived would be pleasantly surprised.
This film should have been a bit better than it is - it's not bad, not bad at all - but it's just not quite as impact-full as it should be.
Some of the dialogue is quite deep and the films message is pertinent - hint, it's not really about neo nazi skinheads, well it is, but it's not really. It's about the true heart of fascism, beyond the history, myths and conspiracy.
What is interesting is that it makes you realise that victims are more likely fascists than bullies - that any group that claims to be the 'victim' is probably nurturing some level of fascism.
It's interesting food for thought but, as I mentioned, isn't quite as powerful as it could have been - just needed that little bit more.
Some of the dialogue is quite deep and the films message is pertinent - hint, it's not really about neo nazi skinheads, well it is, but it's not really. It's about the true heart of fascism, beyond the history, myths and conspiracy.
What is interesting is that it makes you realise that victims are more likely fascists than bullies - that any group that claims to be the 'victim' is probably nurturing some level of fascism.
It's interesting food for thought but, as I mentioned, isn't quite as powerful as it could have been - just needed that little bit more.
Pros:
1. The score brilliantly lathers the film in a constantly tense and nerve-wracking feel.
2. The movie provides a fair enough representation of white power views which serves to heighten Nate Foster's (Daniel Radcliffe) ideological struggles and make them feel more real.
3. Daniel Radcliffe, Toni Collette (Angela Zamparo), Chris Sullivan (Andrew Blackwell), and Seth Numrich (Roy) give brilliant performances.
4. The tension and suspense are built up really well and it keeps the viewer on the edge of their seat for the entire duration.
Cons: 1. In the beginning, Nate Foster strangely claims that Usman (Roger Yawson) did nothing but talk about taking action, even though he brazenly admitted to supplying materials for bomb-making, and he even went to detonate said bomb. 2. The film promulgates the false narrative that white supremacists commit more terror attacks than Muslims. The FBI has explicitly highlighted that it is the other way round. 3. Daniel Radcliffe's American accent is rather patchy in places, and at times sounds a little forced. 4. The fissures between the white power cells is introduced, and then forgotten about. The movie never truly examines these tensions. 5. The third act is completely rushed, as it tries to introduce a veritable bomb threat within the last 25 minutes with very little build up.
Cons: 1. In the beginning, Nate Foster strangely claims that Usman (Roger Yawson) did nothing but talk about taking action, even though he brazenly admitted to supplying materials for bomb-making, and he even went to detonate said bomb. 2. The film promulgates the false narrative that white supremacists commit more terror attacks than Muslims. The FBI has explicitly highlighted that it is the other way round. 3. Daniel Radcliffe's American accent is rather patchy in places, and at times sounds a little forced. 4. The fissures between the white power cells is introduced, and then forgotten about. The movie never truly examines these tensions. 5. The third act is completely rushed, as it tries to introduce a veritable bomb threat within the last 25 minutes with very little build up.
Did you know
- TriviaThe film takes its inspiration from the real-life story of FBI agent Michael German, who helped co-write the script
- GoofsIn the beginning, while being interrogated by Nate, the terrorist refers to the terrorist organization as 'Al-Shabab'. An Arabic speaker would pronounce it as 'Ash-Shabab'.
- Quotes
Nate Foster: For evil to triumph, it only takes good men... to do nothing.
- SoundtracksGlad to Be S.A.D.
Written and Performed by Quentin Collins
Published by Sunlightsquare, PRS
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- Абсолютна влада
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Box office
- Gross worldwide
- $282,817
- Runtime
- 1h 49m(109 min)
- Color
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- 2.35 : 1
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