A stud line-up produces a solid modern western in a time when the genre has certainly lived way passed its prime. Never really dead, The Western, proves time and time again that even with its typical tropes, run-of-the-mill grizzled outlaws, and the learned sheepish "city" man that set out to settle for a better life; to risk all they knew to find the dream, that the genre still has something to give us.
The Sisters Brothers gives us a character study that focuses on the fraternity of brotherhood, and in this case, a very close look at a twisted one that at its core finds the fundamental values of what it means to be a brother. We have all seen Joaquin Phoenix play this type before; reckless and obstreperous, while we find Jake Gyllenhaal and Riz Ahmed sharing screen time (again). But this is truly John C. Reilly's movie, who at first, is certainly overlooked and shown to us as the "lesser" brother. As we come to find out the truth we see the foils of Reilly's and Phoenix's character come full circle; ultimately seeing how their past has affected them. We notice (indirectly) how father figures are important role models, and to some extent we even get a taste of the affect mothers have on their kids as well as we see traits of either parent in both brothers as they film goes on. Reilly gets his iconic moment and really the final statement of how far he will go to protect his brother when the time comes, and it is awesome. Certainly the highlight of the entire film for me.
At times slow, the film has moments of wittiness and subtle humor that remains fresh throughout. The Sisters Brothers is definitely worth seeing as it makes its statement as a film of its genre with great performances, especially from Reilly.
