Goldstone

Again and again, Australia proves it has an exceptional talent, for crafting quality cinema.

Goldstone is yet another real Aussie gem of a film. Its a story that has depth and beauty, juxtaposed by self effacing, unapologetic, honesty. A reflection, in many ways, of the stark Australian outback, in which it is set.

There's a good detective drama on offer here too, backed by a really soulful, back story. A story that, in a straightforward but touching way, draws the viewers attention to the sad reality of life, for minorities and those marginalized by society.

Aaron Pedersen has much to be proud of in the lead role as police officer Jay Swan. Like the film itself, his performance is understated, yet, at times, almost inexplicably moving. The other cast members distinguish themselves too, including Alex Russell, who plays Swan's local police counterpart, Josh.

In short Goldstone is remarkably well written, directed and acted. True Aussie cinematic gold. Nine out of ten from me.

As this Australian film opens two cars drive through the outback; the policeman in one arrests the driver of the other, an indigenous Australian man, for drunk driving... it soon emerges that the latter man is Detective Jay Swan and he is in the town of Goldstone to look for a missing woman. Nobody admits that somebody could be missing there and the detective clearly isn't welcome... a new mining deal is on the cards to the area and nobody wants him rocking the boat. He continues his investigation though and is soon in real danger, unsure who he can trust.

This film, a follow-up to the film 'Mystery Road', which I've yet to see, is very atmospheric. Calling Goldstone a one horse town would overstate its size and the expanse of desert surrounding it makes it feel very remote... it is clear our protagonist can't call for rapid help if anything goes wrong. As Detective Swan's investigations proceed we gradually learn more about what is going on in Goldstone and the motives. It is soon apparent that certain characters aren't good but others are more ambiguous; most notable local policeman Josh Waters; at times it looks as if he could be one of the problems; at others he looks like a potential ally. Many issues feature; trafficked women, relations between white and indigenous Australians and the power of mining concerns whose security personnel clearly outgun the police. The cast does a fine job; Aaron Pedersen is great as Jay Swan and Alex Russell really impresses as the conflicted Josh Waters. Other notable performances come from Jacki Weaver as The Mayor and David Gulpilil as an elderly Indigenous man who talks to Jay about his past. As well as a good story we get fantastic atmosphere and some amazing shots of the characters in the vastness of the outback. Overall I'd definitely recommend this.

A wonderfully slow paced movie that gives you time to chew on the underlying fat of what is so screwed up with the Aussie outback political culture. Ivan Sen does not leave anything out, touching on the Stolen Generation, the rape and pillage by mining companies on sacred land, the destruction and disintegration of the Indigenous culture, and even the exploitation in the sex slave trade. It is ugly, almost revisiting that icon Australian movie, WAKE IN FRIGHT.

It sometimes takes an outsider to see what is so wrong with a country, as Ted Kotcheff did with Wake In Fright, Louis Malle with Alamo Bay and Wim Wenders with almost everything he made in America. But Australia has its very own soul searching local filmmaker in Ivan Sen, who peels away those layers a bit at a time, with every layer revealing the true ugliness of this country.

The plus side was the technical aspect, with the cinematography being the added bonus, perfectly capturing the mood in the isolated remote locations. Once again that was superbly handled by the director himself, who also had a hand in the music.

If you are searching for a fast paced action thriller, than keep away from this movie. But if you desire to be challenged and mentally stimulated without having topics shoved down your throat, than seek this movie out, and enjoy what it has to offer.

Overly curious visitors to an outback mining town are told to be careful where they step, for there are snakes around. When Aboriginal detective Jay Swan is sent by the federal government to investigate the disappearance of Chinese migrant women, he encounters the snakes. The town is full of them. This is because many town residents, including the mayor, are on the take for the mining company and for the rest, they depend on the company in one way or another. "Without the mine," says one resident "there's nothing you know." Even among the Aboriginals, Swan gets no traction in his search for the missing migrants. "Brother boy, you're a guest here like the white man," one tells him. Not only does Swan fail to find someone he can trust, he cannot even trust himself half of the time because of a drinking problem. Yet Swan's persistence and toughness begins to pay off when a town resident dies in suspicious circumstances. As Swan takes advantage of holes in the armor of the mining company and their abuse support network, he also must convince fearful, abused and bullied people to step out of the shadows.

The film revolves around a timely subject; human trafficking. The migrant women in the film and those who dare to speak against the mining company, are bullied, abused and made to feel worthless and insignificant. "The world was not made for you," they are told "you were made for it. You think you can make a difference?!" And these women have good reason to be afraid and stay in the shadows. "When you find the truth," they ask the police, "what will you do? Will you protect us?" Probably not.

Goldstone includes some amazing images of the outback and intriguing shots taken overhead by drones. The film is a thrilling story about an important and timely subject, and it has interesting characters, yet it feels a bit constrained. This may have something to do with budget, acting and/or depth. International premiere seen at the 2016 Toronto International Film Festival and the beautiful, historic Winter Garden theater.

I found this film by accident as I didn't realise that they had made a sequel to the very intriguing and dark Mystery Road.

Our lead is sent on a case again in the middle of nowhere in Australia, but he is a wreck (not surprising when you look back on the first film). Anyhow, he ends up having to liaise with a local cop who is passive on all the ills he sees round him, and each is a foil for the other. There is mass corruption and life to some others is worthless, or local cop can end up in either direction, especially as he takes an emotional investment in the goings on of Human Trafficking of young Chinese women.

So what we have is a case of redemption. Will the local cop leave the world as it is, or challenge the immorality? Everyone else seems to just play along, but our lead says no! Will the local cop back him or not?

Like the first film, this is sumptuous, and the real star is the glorious cinematography, which contrasts the dark heart of the human soul. Yet we have hope in it all.

Our lead is as intriguing as ever, and his own failings are something that endear you to him. I'm very happy they made this film, as we continue the journey. There's a Mad Max element to the lead character & story (albeit no fantasy), but it's still violent and unforgiving.

Again, this is a case worth investigating, and I can't wait to the next film in this series. Very dark yet very beautiful to watch, there's a heart in this movie and you will find it. Deserves better than the ratings so far have given it credit for.