The Leisure Class

I have a feeling that the crucifixion of this movie in the user comments is from PGL viewers who didn't like Jason on the show, didn't get their film selected, or were sticking up for Effie. The most difficult part of enjoying the movie was the fact that most of the scenes were shown out of sequence during PGL, so you already knew the ending before the movie started.

I would call this a dark humor movie, but not necessarily film noir. It does try to shine the light on the troubles of the rich family, but a lot of that doesn't come until the third act. There were a few plot holes, and frankly some of the scenes don't quite ring true. The acting was good though and there were more than a few lines that I laughed at (in particular towards the end).

Normally the brothers would have had a flashback to develop their characters more, but as the movie was effectively a one location picture, they had to do all of it with dialogue that worked for the most part. The Fiona character was developed well enough, I think; however, the sisters and the mother, while competently acting, didn't have a lot of dialogue to offer except for the third act. Bruce Davison was spot on, as usual.

There were a few uncomfortable moments in the beginning, but maybe I adjusted or perhaps the tone became more even because I liked it a lot more at the end then I did in the beginning; the final shot is excellent. Give the director and writers credit, that is a strength that most movies don't have even if they had ten times the budget.

I just finished watching HBO's latest season of Project Greenlight and it's resulting movie, The Leisure Class. Because of editing, and well you know TV, I'm not sure whether the director or the producer was the bigger problem with this endeavor. The show was entertaining, the movie was not. While the acting was solid, with decent performances all around, this dark comedy was not funny. The story was not interesting or new but you could see the actors trying to work with what was essentially a stale script. It looked like exactly what it is, a low budget film from a first time director who thinks way to highly of himself.

I'd watch the show and skip the movie. Yet another big "Meh" a for Project Greenlight film and this falls completely on the director and producer.

...It's a Reality TV Programme.

Jason Mann was cast as the Bad Guy / Scaepgoat and sometimes so was Effie. The real villains were Marc Joubert and perhaps Ben and Matt - who all did everything to appear nice, level headed rather than honest. Effie suffered for being to honest and blunt. We all have agendas and she was too willing to show all her cards which worked against her a lot.

The reason why this film has been rated so low is because people are mixing their personal opinion of Jason and the Film. These are two separate things. Jason is no different to any other director - yes he had a vision and he was very single minded about it and most good directors are. Sometimes that works out and other times it does not. His only problem is that of course he was entitled but you're only as entitled as what others allow you to be and Matt, Ben and HBO all colluded in that self delusion.

Nonetheless lets talk about the film. It isn't very funny, that's true. In fact it's quite boring and laborious to watch. It's not a stinker though and isn't as bad as people have painted it. I've seen far, far worse first time films and the directors have gone on to make other more competent films.

Basically the biggest problem is that it feels as though they shot a first draft of a screenplay rather than something more advanced. The weakest part of the film are the two leads, especially Ed Weeks (Charles) who is so limited as an actor that I was baffled he was picked as a lead. In the original Short an actor called David Manson played the lead - more successfully I feel. Ed Weeks failed to bring any life to the character and failed to have more than 2 expressions throughout the movie. Everything seemed non-consequential to him. Because he couldn't act at being in love properly and his performance wasn't believable then he had to say it through clumsy dialogue...lazy acting.

Bridget Regan who plays Fiona made the best of poor dialogue and character development . Props to Bruce Davison who it felt like he was carrying the whole thing. He has been criticised for over-acting but at least he brought some kind of absurdity to the piece. I think he deserves credit - also for a poorly written character.

The film does look like a film - it looks expensive. So that's a plus and I think underneath there - perhaps a few drafts later was a good film. Right now it's forgettable. I think Jason is capable and I am sure he'll be given lots of opportunities to make right in the future. With more time and working with realistic limitations he might come up with something decent.

One last point: Going back to the series - I hope this is a lesson learnt that White dudes picking other white dudes to make film does not a good film make - let's try looking elsewhere next time - let's see what surprises we discover as surely they have nothing to lose now.

My wife and I, after seeing Pete Jones pop up, simultaneously watched seasons 1 and 4. It was pretty interesting. Pete Jones had a hard time getting a handle on how to direct, but had a mélange of guys around him arguing over production issues. Jason Mann had a clear vision of what he wanted, pulled off some excellent directorial skill, and had one producer bring her drama. If I were to hire for a small film, Pete Jones would write the screenplay by himself, Jason Mann would only direct, and Effie Brown would have nothing to do with the production.

The film looked nice, moved along towards where it was headed, and had some good actors. Whatever was in Jason Mann's head did not translate to an overall satisfying experience. As I write this, I'm surprised the movie is at 3.9 on IMDb. I thought it would be closer to a 5. But I have to agree with the 3.9, 3 of which go to Tom Bell and Ed Weeks. If not for them, this film would be a disaster. It's obvious the best parts of the film were ad-libs between the two male leads.

It's my opinion that Effie Brown is a racist. Her complaining about the 'lily-whiteness' (her term) and focus on black crew-members betrays her. I have no issue with blacks, and other non-whites, getting a foot in the door in Hollywood. It's obvious to me that Effie Brown made sure the crew was out-of-proportion black-versus-white-versus-the-population. Her personal agenda became an albatross around the neck of the production. If she were reading this now, her eyes would be open, with a fake, wide, rueful smile to go with it. This was not the production to bring that drama. I hope she gets stuck on Tyler Perry films.

Jason Mann may or may not learn his lesson. It is telling that HBO's head, Len Amato, said he would want time before working with Jason Mann again. It was ridiculous that Len Amato had to hand-hold the end of production (that may be why he gets paid the big bucks). Jason Mann has not earned his stripes before or after this production. His skill as a director is evident. He understands lighting, angles, background, set-up, timing, and editing. His next project should be with the condition that he only direct, and direct as he is told by the producer (and as the script dictates). He made a blunder when he stated something along the lines of, "The director gets the final say in the creative process." Noooo, that is what Woody Allen gets to say/do. The director does his/her job, and the MONEY gets to say from the outset who has the final creative say. Now, if "The Leisure Class" makes $20,000,000, then I know nothing. Somehow I think it won't.

P.S. Imagine Woody Allen in the Bruce Davison role, and whimsy instead of drama. THAT would be a Woody Allen film to see, and with the EXACT SAME script!

I just binged through the last season of Project Greenlight and right before the final episode, I decided to give "The Leisure Class" a chance. I'd already read the reviews on IMDb and seen that the movie had a 3.9, but felt like I was better served in making my own judgement, despite the bias of having watched the show.

The movie is flawed, for sure and having watched the show, it's hard to feel like it couldn't have been better if a few things had gone differently.

That said, this is definitely worth a watch. It IS funny. It's a dark comedy. This reminds me more of "Running With Scissors" or "Death At A Funeral," but certainly not as good as either.

Ed Weeks, Tom Bell and Bridget Regan are all spot on. The flaws lie more in the script than anything else. Sadly, this flick seems to have been the death knell for Jason, Tom and the Project Greenlight series.

I would absolutely encourage anyone to give this movie a shot; it is worth your time.

And regarding other comments:

1. It is funny! 2. Fiona evolves and comes out STRONG. 3. Character development is there, though it doesn't follow the typical three act structure, WHICH, if you watched Greenlight, you should be aware of. By the end of the flick, if you don't care about ANY of the characters, then you may have missed the point.