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I Am the Pretty Thing That Lives in the House

  • 2016
  • TV-14
  • 1h 29m
IMDb RATING
4.6/10
18K
YOUR RATING
Lucy Boynton in I Am the Pretty Thing That Lives in the House (2016)
Watch Trailer
Play trailer1:34
1 Video
52 Photos
DramaHorrorMysteryThriller

A nervous nurse who scares easily finds herself caring for an ailing horror novelist while living in a house with hidden secrets.A nervous nurse who scares easily finds herself caring for an ailing horror novelist while living in a house with hidden secrets.A nervous nurse who scares easily finds herself caring for an ailing horror novelist while living in a house with hidden secrets.

  • Director
    • Osgood Perkins
  • Writer
    • Osgood Perkins
  • Stars
    • Ruth Wilson
    • Paula Prentiss
    • Bob Balaban
  • See production info at IMDbPro
  • IMDb RATING
    4.6/10
    18K
    YOUR RATING
    • Director
      • Osgood Perkins
    • Writer
      • Osgood Perkins
    • Stars
      • Ruth Wilson
      • Paula Prentiss
      • Bob Balaban
    • 355User reviews
    • 55Critic reviews
    • 68Metascore
  • See production info at IMDbPro
    • Awards
      • 2 nominations total

    Videos1

    Trailer
    Trailer 1:34
    Trailer

    Photos52

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    Top cast10

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    Ruth Wilson
    Ruth Wilson
    • Lily
    Paula Prentiss
    Paula Prentiss
    • Iris Blum
    Bob Balaban
    Bob Balaban
    • Mr. Waxcap
    Lucy Boynton
    Lucy Boynton
    • Polly
    Brad Milne
    Brad Milne
    • Groom
    Danya Chichagov
    Danya Chichagov
    • Mr. Darling
    • (as Daniel Chichagov)
    Erin Boyes
    Erin Boyes
    • Young Iris
    James Perkins
    • John
    Beatrix Perkins
    • Wendy
    Mellanie Hubert
    Mellanie Hubert
    • Scarlett Roth
    • (as Melanie Hubert)
    • Director
      • Osgood Perkins
    • Writer
      • Osgood Perkins
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews355

    4.617.5K
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    Featured reviews

    7tfminfl

    244. I Am the Pretty Thing That Lives in the House

    A cool creepy story about, well its more about a house than anything else, or more like the creepy things that go on in it. It starts with the arrival of a home care nurse named Lily, and she's there to care for Iris Blum, a horror novelist nearing the end... And seeing that Lily is the ultimate scaredy-cat, moving into an big, very old house, occupied by a horror writer, well seems weird. But Lily goes for it, and as she cares for Iris, Iris starts calling her Polly... a character from one of her novels, The Lady in the Walls, her best known work. Once Lily checks it out, the creepiness begins. I thought it was a good piece of story telling, it splinters off, and tells the tale of Polly, and also the tale of young Iris writing the book... How all three stories intersect was pretty sweet, and a uber creepy narration helped on the creepiness factor of creepy. Filmbufftim on FB.
    5just_an_oli87

    Slow, Quiet But Has Its Charm

    The acting was subtle and well done, the story was intriguing (if its potential was never fully met), and the near silent tone of the movie was a strength more than a drawback. There will be unanswered questions, and that annoys a lot of people. If you are like me and prefer to leave with questions, you will appreciate this flick more.

    I don't think the criticism calling it boring it fair. A lot is going on in the background if you pay attention. It reminds me of Victorian ghost stories. Not everything has to be extreme to be worth viewing.

    All in all it has its problems, but worth watching if you don't mind a slow build.
    7horrorinpureform

    God doesn't give with both hands.

    Wow, is this movie ever pretty. Aptly named.

    I was captured by the very first scene of the girl in the dress. Like a painting from the futurism style, it blends movement and motion into a final still, out of focus, and it looks stunning on the mostly black big screen. All of this is overlayed with narration that is simply perfectly spoken (which is consistent for the film, a beautiful read), but more importantly beautifully written. The narration, which comprises most of the spoken lines of the film, is more a poem than a movie script, and I appreciated it for it. The image was a painting, the words were literature, as a whole the film was successful as an art piece.

    It revolves around a live-in nurse moving into a house to care for an old author who used to write horror books. The nurse starts experiencing subtle signs of a haunting, and finds a strange connection between what is happening to her and one of the author's most famous books.

    As an idea, it was the kind of quiet horror I love, channeling fear through the uncanny, like old written weird fiction (my mind took me back to reading the Yellow Wallpaper by Gilman). Fear is not even the right word, as nothing about the film is scary, really. More like a feeling of wrongness with the world, an existential dread of sorts.

    Not to detract from the beauty of the art on display, which was anything but shallow, but the plot itself unfortunately was. Pretty, but surface. Only unfinished hints of a story, that relies a bit too heavily on the viewer to fill in the gaps. I am always a fan of ambiguity, and it is almost necessary for me in a horror film (definites tend to disappoint), but there is still a balance to be struck with some concrete details. Osgood Perkins' last film, February, struck the perfect balance between ambiguity and detail, and for that was my favourite horror of 2015. Here, unfortunately, the scale has moved too much in one direction, to the point of feeling unfinished and not entirely satisfying. I also did not love the ending, which is much too close to that of another stunningly subtle recent horror, by one of the most famous current horror directors. Actually, I loved the ending (as a part of the story on display), it fit very well, I just didn't love that I had already seen it so recently. A sad problem of timing.

    All in all, I can't possibly not recommend The Pretty Thing That Lives in the House, because it is a soul-satisfying kind of pretty, from sound to visuals to acting. But if what you're after is horror (or even a particularly engaging drama), it won't quench that kind of thirst. Only one for beauty.
    6sukanya-samy

    A little wonky but a good watch

    First reviewed on broth of blogs.This movie about a nurse Lily (Ruth Wilson) who comes to take care of an old author, Iris Blum, living alone in a remote house. Iris is almost senile and speaks to Lily only referring to her as Polly. Lily finds out that Polly was Iris's most famous character and she attempts reading one of the books that Iris has written. And something happens.

    The story is simple enough but is still cryptic. I didn't get a few parts but I don't think I care. It is about the forgotten lives in the house. The movie is poetic (literally) and I quite enjoyed it.

    Characterization and Acting (C&A)

    Characterization was done well, I would have probably liked some exposition but I think this movie is supposed to be puzzling. Ruth Wilson plays the part to perfection - scared, vulnerable and alone. She really looks like she is going to have a heart attack anytime. Its totally her show as she probably has 80 minutes screen time of 90 minutes of the movie.

    Sounds and Effects (S&E)

    The background of this movie is just mind blowing. It is the scariest I have heard till date. Has this weird ability to spook you as well even if nothing scary is happening. Full points here. There weren't any jump scares and it is all left to your imagination at the end.

    Cinematography and Visuals (C&V)

    Like I said the movie is poetic. It is slow, there isn't much of a story but it moves you and creeps you out. They didn't overdo the actual horror which works in the movie's favor. The lighting was great and the setting itself eerie. Great stuff.

    Direction and Overall (D &O)

    Overall, the movie looked and sounded great. The acting was really good I thought. Only complaint I have is that maybe it could have had a little more exposition to actually understand some stuff which wasn't clear.

    So here are my scores:

    Plot and Script (P&S)- 1

    Characterization and Acting (C&A) – 1

    Sounds and Effects (S&E) – 2.0

    Cinematography and Visuals (C&V) – 1.5

    Direction and Overall (D &O) – 1

    Overall Score – 6.5 out of 10

    Good watch for Halloween 2016! Just be patient, the movie is not as long as its title!!
    5Sleepin_Dragon

    Missed opportunity, this could have been gripping.

    Gothic horror is such a dismally overlooked genre, so many fascinating concepts to draw in, many many tales, so when one comes along, such as this, my curiosity and anticipation were high. Definitely positives can be taken, it is beautifully told, Ruth Wilson is a superb actress and story teller. The production values are strong, the story intriguing, but, those strong elements are somehow given a disservice by the execution, the delivery is meant to be slow deliberately, but is done in a way that makes the film boring, annoyingly it never seems to come to life, and the ending is woefully inadequate. Maybe my expectations were too high, this was disappointing. 5/10

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    Related interests

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    Mia Farrow in Rosemary's Baby (1968)
    Horror
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystery
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Director Oz Perkins includes a few nods to his late father, actor and singer Anthony Perkins, in this film. For example, he includes the song "You Keep Coming Back Like a Song," which is performed by Anthony. Another is a clip from the film "Friendly Persuasion," which starred Anthony.
    • Goofs
      The narrative of the story says the young bride was brought to the house her husband built for her in 1812, but the dress and hairstyle she is wearing, as a ghost, is from the period of the 1850s to the 1860s. Since she was murdered soon after moving into the house, the dress and hairstyle do not match her backstory.
    • Quotes

      Lily: [narrating] I have heard myself say that a house with a death in it can never again be bought or sold by the living. It can only be borrowed from the ghosts that have stayed behind. To go back and forth, letting out and gathering back in again. Worrying over the floors in confused circles. Tending to their deaths like patchy, withered gardens.

      Lily: They have stayed to look back for a glimpse of the very last moments of their lives. But the memories of their own deaths are faces on the wrong side of wet windows, smeared by rain. Impossible to properly see. There is nothing that chains them to the places where their bodies have fallen. They are free to go, but still they confine themselves, held in place by their looking.

      Lily: For those who have stayed, their prison is their never seeing. And left all alone, this is how they rot.

    • Connections
      Featured in Horror's Greatest: Hidden Gems (2025)
    • Soundtracks
      You Keep Coming Back Like a Song
      Written by Irving Berlin

      Performed by Anthony Perkins and Urbie Green & His Orchestra

      Courtesy of RCA Records

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    FAQ15

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    Details

    Edit
    • Release date
      • October 28, 2016 (United States)
    • Country of origin
      • Canada
    • Language
      • English
    • Also known as
      • Soy la cosa bella que vive en esta casa
    • Filming locations
      • Ottawa, Ontario, Canada
    • Production companies
      • Netflix
      • Zed Filmworks
      • Go Insane Films
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 29m(89 min)
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.85 : 1

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