Promise at Dawn

A skilfully made bio-pic with really inpregnating and 'wise' words on the male psychy Production is round and very professional.

The film is almost entirely told as a flash-back, in which the life of the tormented writer is told in his own words. It is the equally gruesome, as beautifully told "confession" of a crushing motherly love and the destruction of the child's psyche under that pressure. All storylines are more than interesting, the two actors shine, but there is a postponed climax on script level. When it's there - horrific in it's consequences - we are one hour and a half in the movie. And that is too long to keep the attention fully focused.

The horrific consequences of the destructive mother lie at a deeper level of development of the writer and, in my opinion, should have been expressed less poetically and more realistically. But that is a style choice. It's a French movie after all, right?

Nonetheless, with great pleasure and deliberation, I have looked at the ode to a ruined life, where the talent of being a writer turns out to be both a victory and a curse.

Based on novelist Romain Gary's biography,this is the second version of the writer's youth .In her husband Jules Dassin's 1970 movie, Melina Mercouri hammed it up,but did convince as this character of a Jewish mom ,and it was the main asset of this earlier work.That director ,in his last part of his career,was succumbing to the vices of European cinema of the era: the slow motion sequences ,which were very trendy then are almost unbearable today.Romain was played by no less than three different actors.

The same goes for the remake :a boy ,a teenager and a young man (Niney,thus,only appears in the second half);.Charlotte Gainsbourg reprises La Mère-Couri 's role and compares favorably with her performance ,less histrionic,but always omnipresent -her arrival at the base is worth the price of admission-,ambitious ,demanding ,almost in love with her son (one never sees her have an affair with a single man ,though some of them (the painter, portrayed by the always reliable Darroussin)woo her .

Longer than the first version (101 min) ,this one (125 min) sometimes drags on and seems a little patchy and desultory but it's inherent in any biography ;sex scenes are more explicit (the initiation scene with the unexpected mom because of the coach incident is featured in both movies) .

War scenes are much more developed than in the first adaptation ;it sometimes verges on ridicule : the aviator ,suffering from typhoid,crosses the hospital stark naked .

Two small details : two soldiers were actually denied their promotion,Romain was not the only one ,but it 's less storylike on the paper,let alone on the screen. The 250 letters mom supposedly wrote are pure fiction; when he was in Africa, a telegram was sent to Romain who knew his dear one was dead when he came back to France.

The prologue in Mexico ,a bit gaudy , is a bit derivative:how many biographies were filmed as flashbacks?

All in all, you should see this remake ,but mainly for miss Gainsbourg ,in one of her best parts.

NB: When the first version was released,Gary was still alive ;hence the necessity to treat his material more gingerly.

I enjoyed very much this film based on the novel "La Promesse de l'Aube " of Romain Gary. A beautiful story about the complicated and touching relationship of Romain and his mother Nina who wants that her son becomes the ambassador of France and a great writer.

So we follow Romain and Nina in Vilnius and later Varsaw, the childhood of Romain-the first love with Valentina-, the business of his mother and the antisemitism. The travel to Nice, the beginning of the writing,and then the Second World Wae- the troubles of Romain because of his Jew origin., Romain joining the French Liberation army, the stay in Africa and later his engagement in the French Liberation army.

I enjoyed very much the perfomances of Pierre Niney,Charlotte Gaisbourg, Didier Bourdon, Jean-Pierre Droussin and Catherine Mc Cormack.

Very good dramatic comedy about the impressive life of Jewish writer and military pilot Romain Gary (Kacew), his relashionship with his crazy, controlling and abusive mother (he loved her, but I did not see a so bad mother since Brian de Palma's "Carrie") and anti-Semitism during and before World War II. Quite dark humor for narrating a glorious but tragic life.

Watched it on a recent flight to Paris and glad that I did since I probably wouldn't have paid to see it (not the biggest Gainsbourg fan) and would've missed out on a modern classic. The two main characters in the film, the mother (Gainsbourg) and the son (Niney) carry the film due to the inspired performances of the actors playing those roles. Gainsbourg, in particular, gave a finely-tuned, nuanced performance that perfectly captured the extraordinarily devoted yet overbearing character of Nina; I'm now a big fan! Also inspired were the cinematography and the breathtaking dogfight scenes, which were probably the best I've seen in any war film. The first half of the film does meander a bit and the pace of it gets a bit patchy (hence the 9 stars instead of 10) but the second half more than makes up for it. I didn't know the film was based on a true story (i.e. Romain Gary's biography) until I read the closing credits, which made it that much more impactful and emphatic since real people actually lived the epic events portrayed in the film. The closing credits also had another shock but I won't reveal it here so that I won't spoil the film! All in all, this was probably the best film I've seen in a long while; it felt genuine, engrossing and it left me with tears in my eyes, though the airplane food may have contributed to that.