Sometimes Always Never

Just to address the marmite topic brought up by another reviewer: It was illustrated in the film that Billy Nighy's character Alan was not a reliable story teller. He liked to tell tall tales, like the one about the grandmother with the coal seam in the basement. Going back to the movie, I thought it was quirky like everyone mentioned. I knew it wasn't going to be a straight forward dramedy based on the bizarre, artificial riding in car scenes. It looked like it was done in a 1950s B movie style. Thankfully the movie dials back on that and delivers a fairly straight forward, drama comedy framed around the game of scrabble, but really about Alan and his son Peter, as they try to solve the mystery of the missing son Michael. The body viewing scene (which we don't see) was particularly odd, because we were told that Michael went missing many many years ago when he and Peter were still children. So why would they be called to identify a body? If it was an adult's body, how would they know it was him. Usually they do DNA tests anyway. Other than that weird start, and some scene involving a boat (or did it?), much of the movie follows a fairly linear format. I think it helps that every character in the movie had something to offer the movie, and generally everyone was likeable. You kind of hoped there would be a resolution of the 'mystery', but ultimately it didn't really matter. Nothing is really 'solved' by the ending, except maybe Peter wasn't as resentful of his missing brother's 'Prodigal Son' stature, and maybe Alan realized it was time to focus on his existing family.

I may never stop getting this film's title confused with another movie that also came out this year, "Never Rarely Sometimes Always."

"Sometimes Always Never" is a quirky and mostly forgettable little film, but it's anchored by a strong performance by Bill Nighy, as a dad on a meandering quest to track down a grown son who's gone missing. The film gives off Wes Anderson vibes, albeit much more subdued and melancholy ones. The production design gives the film some visual interest and a certain sense of style. It's one of those movies that I thoroughly enjoyed while in the middle of and can barely remember after having seen it, which is I guess my review of it in a nutshell. It does manage to build toward a modestly effective emotional pay off, I remember that much. For that reason, though it's not likely to blow your mind, the film also doesn't feel like a waste of time.

Grade: B+

I loved the movie. Bill Nighy is superb in anything he does, the rest of the cast were wonderful. It was written with humour, wittiness with a hint of sadness.

First off, the catchy title is simply a reference to guidance wearing a 3-button suit coat, sometimes the top button, always the middle button, never the bottom button. The main character is a tailor, he gives the advice to his teen grandson

Bill Nighy is Alan, Scrabble fan with two adult sons, and a teen grandson. One son, Michael, is missing, apparently he got up from a Scrabble game and left, they never heard from him again.

Several times the script references the Biblical prodigal son story, the one son who remained connected feels he isn't getting the love he deserves and all dad cares about is finding the missing son.

The story is a family relationship drama but sprinkled with humor. Bill Nighy makes it a worthwhile movie, all the other characters could have been played by almost anyone. However it was also good to see Jenny Agutter in a small role, she was mid-60s during filming, who could forget her performance in "Walkabout" when she was still a teenager?

I watched this on Amazon streaming movies.

It is a joy to watch it. First, because of its style of shooting and second, because of its clear and rich colors. It looks as an brilliant school of art, designed precisely. On the other hand it is a good story, done in some traditional and emotional way, and who is playing in. Bill Nighy is as always excellent, elegant and charming.