IMDb RATING
6.1/10
1.5K
YOUR RATING
The parallel paths of the lives, careers and passionate friendship of post-impressionist painter Paul Cezanne and novelist Emile Zola. Both left their hometown to conquer the art scene in Pa... Read allThe parallel paths of the lives, careers and passionate friendship of post-impressionist painter Paul Cezanne and novelist Emile Zola. Both left their hometown to conquer the art scene in Paris.The parallel paths of the lives, careers and passionate friendship of post-impressionist painter Paul Cezanne and novelist Emile Zola. Both left their hometown to conquer the art scene in Paris.
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
If you didn't enjoy this movie you are probably neither artist nor author. That said the audience who is will love this film. The dialogue is witty, the acting superb, the dynamics between Zola and Cezanne fascinating.
The time frame is interesting. Outdoor (plein air) painting was made possible with the invention of oil colors in tubes, to vie with photography, and cheap books.
Only one mild disappointment. The film credits Cezanne's artistic genius yet does not discuss his clumsy draftsmanship of the human form. Perhaps in another film.
The time frame is interesting. Outdoor (plein air) painting was made possible with the invention of oil colors in tubes, to vie with photography, and cheap books.
Only one mild disappointment. The film credits Cezanne's artistic genius yet does not discuss his clumsy draftsmanship of the human form. Perhaps in another film.
I stopped paying attention to the film half-way through.
Although I found the aesthetics, the scenery and the music pleasant, I found the characters themselves to be unrelatable and "dry".
It didn't capture me and make me go "oh, I love this". I felt quite disconnected and out of it. Around the 80 minute mark, when I first started to space out, the film did nothing for me to regain my interest. Rather disappointed.
That being said, I've experienced worse. This film, generally, could be worse but definitely could be better, too.
Although I found the aesthetics, the scenery and the music pleasant, I found the characters themselves to be unrelatable and "dry".
It didn't capture me and make me go "oh, I love this". I felt quite disconnected and out of it. Around the 80 minute mark, when I first started to space out, the film did nothing for me to regain my interest. Rather disappointed.
That being said, I've experienced worse. This film, generally, could be worse but definitely could be better, too.
"Cezanne et Moi" (2016 release from France; 116 min.) brings the story of the ups and downs in the long friendship between French writer Emile Zola and the French painter Paul Cezanne. As the movie opens, we are in "Medan 1888", where Zola is awaiting the arrival of Cezanne, after not having seen each other for 2 years. We then go back in time to "Aix en Provence 1852", as we get to watch how they meet each other in 6th grade and become inseparable friends, Before we know it, we are in "Paris 1960" where the two are struggling to make it. At this point we're 15 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: this is the latest movie from veteran writer and (later in life also) director Danièle Thompson, who is now in her mid-seventies, if you can believe it. Here, she brings us the story that on its face could be fascinating: how 2 legends from the 19th century interacted with each other over decades. Is this a true story? I have no idea, and the movie does not open with the usual "Based on a true story" or "Inspired by true events". But that is not the problem. The problem is in the script writing, which is way heavy and wooden, resulting in us the viewers watching acting performances that simple do not convince us or get us emotionally connected or invested in any way, shape or form. When at one point Cezanne gets mad/upset at Zola, it feels fake and very much "acted". In that sense, certain stretches of the movie feel like watching a theater play, rather than a movie. On the plus side, the scenes that play out in the south of France (Aix) are pure eye candy and provide a much needed boost to the film. Also noteworthy (for my anyway) is the excellent original movie score, courtesy of French composer Éric Neveux. But bottom line is that for me this movie feels like a missed opportunity, considering the potential involving large personalities of not just Cezanne and Zola, but other contemporary eventual celebrities appearing in the movie (Auguste Renoir, Guy de Maupassant, Eduart Manet, and more).
"Cezanne et Moi" opened this past weekend at my local art-house theater here in Cincinnati. The Tuesday evening screening where I saw this at was attended okay for a week night (about 10 people). Given the lack of critical acclaim or positive overall buzz, I can't see this playing in theaters very long, so is this movie sounds like it could be of interest to you, you're more likely to check it out on VOD or eventually on DVD/Blu-ray.
Couple of comments: this is the latest movie from veteran writer and (later in life also) director Danièle Thompson, who is now in her mid-seventies, if you can believe it. Here, she brings us the story that on its face could be fascinating: how 2 legends from the 19th century interacted with each other over decades. Is this a true story? I have no idea, and the movie does not open with the usual "Based on a true story" or "Inspired by true events". But that is not the problem. The problem is in the script writing, which is way heavy and wooden, resulting in us the viewers watching acting performances that simple do not convince us or get us emotionally connected or invested in any way, shape or form. When at one point Cezanne gets mad/upset at Zola, it feels fake and very much "acted". In that sense, certain stretches of the movie feel like watching a theater play, rather than a movie. On the plus side, the scenes that play out in the south of France (Aix) are pure eye candy and provide a much needed boost to the film. Also noteworthy (for my anyway) is the excellent original movie score, courtesy of French composer Éric Neveux. But bottom line is that for me this movie feels like a missed opportunity, considering the potential involving large personalities of not just Cezanne and Zola, but other contemporary eventual celebrities appearing in the movie (Auguste Renoir, Guy de Maupassant, Eduart Manet, and more).
"Cezanne et Moi" opened this past weekend at my local art-house theater here in Cincinnati. The Tuesday evening screening where I saw this at was attended okay for a week night (about 10 people). Given the lack of critical acclaim or positive overall buzz, I can't see this playing in theaters very long, so is this movie sounds like it could be of interest to you, you're more likely to check it out on VOD or eventually on DVD/Blu-ray.
This film is the story a friendship of Emile Zola and Paul Cézanne with its ups and downs: the meticulous writer of novels and the temperamental painter who has destryoed a lot of paintings.
I enjoyed this films for the description of this period of France: Emilie Zola was very criticized in this life and Paul Cézanne was finally accepted at the end of his life.
After this film I had the interest to read more about Emile Zola and Paul Cézanne and about their friendship.
I enjoyed the good performances of Guillaume Gallienne, Guillaume Canet, Alice Pol, Déborah François, Pierre Yvon, Sabine Azéma, Freya Mavor and Isabelle Candelier.
I enjoyed this films for the description of this period of France: Emilie Zola was very criticized in this life and Paul Cézanne was finally accepted at the end of his life.
After this film I had the interest to read more about Emile Zola and Paul Cézanne and about their friendship.
I enjoyed the good performances of Guillaume Gallienne, Guillaume Canet, Alice Pol, Déborah François, Pierre Yvon, Sabine Azéma, Freya Mavor and Isabelle Candelier.
Well-made biographical drama is focused on the legends' complex and explosive friendship, with fully believable performances by Canet and Gallienne, and enhanced by Jean-Marie Dreujou's remarkable camerawork, but somehow neglects to explore or even explain the protagonists' importance in art and literature history.
Did you know
- TriviaPère Tanguy, who appears in the movie selling paint to Cézanne in his shop, also provided other impressionist painters and Vincent Van Gogh, who made a portrait of him now at the Rodin Museum in Paris.
- Crazy creditsCont'd: "In 1906, Paul died of pneumonia, caught one stormy night while painting. Thanks to Ambroise Vollard, he had finally made a small name for himself. Matisse said: 'Cezanne is a sort of God of painting.' And Picasso: 'He was the father of us all.' Of Paul Cezanne's thousand paintings, over 700 are displayed in museums around the world."
- SoundtracksJean de la lune
(Adrien Pagès)
Performed by Hanna Hägglund
- How long is Cezanne et Moi?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Cézanne et moi
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $257,597
- Opening weekend US & Canada
- $15,744
- Apr 2, 2017
- Gross worldwide
- $4,529,583
- Runtime
- 1h 57m(117 min)
- Color
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content