Cursed with a life of immortality, a samurai is tasked by a young girl to help avenge the death of her father. Based on the manga series by Hiroaki Samura.Cursed with a life of immortality, a samurai is tasked by a young girl to help avenge the death of her father. Based on the manga series by Hiroaki Samura.Cursed with a life of immortality, a samurai is tasked by a young girl to help avenge the death of her father. Based on the manga series by Hiroaki Samura.
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Almost plays out like a Greek tragedy but with a whole lot of bloody gore. When the film reaches the third act there are no more actual villains in there and the number of killings in this film might be good enough for a record. Yet, beyond the action, it still manages to touch on a lot of subjects on human nature.
In Japan during the feudal era, disgraced samurai Manji (Takuya Kimura) agrees to help young girl Rin (Hana Sugisaki) seek revenge against Anotsu Kagehisa (Sota Fukushi) and his Itto-ryu, a band of master fighters and killers. One samurai and a little girl may not seem like much against a veritable army of warriors, except that Manji has one distinct advantage: 50 years ago he was infected by "bloodworms" thanks to a mysterious priestess, and now he's seemingly immortal.
Ultra violent and with streaks of dark comedy running through it, this is an excellent samurai action film for those with a strong stomach for such mayhem. The performances are good, and I was very impressed with Hana Sugisaki as the vengeance seeking young Rin. There are lots of interesting costumes and characters, and although the movie runs nearly 2 and a half hours, that seems necessary to make room for all of the plot points. While most of the story is resolved by the end, some things are left unexplained, such as who or what the priestess is who wanders in and out of the story. That may be left for potential future installments, although as this proved to be a disappointment at the Japanese box office, any sequels look unlikely.
One of the major selling points of this movie is that it is the "100th film from director Takashi Miike." He's had an interesting, and obviously very prolific career, that in many ways matches the Japanese film industry of the last 25 years, with its many highs and lows. Due to the often shocking, offensive, and absurdist material in many of his films, critics both in Japan and elsewhere have been slow to warm to him. This latest movie has many of the classy touches of 13 Assassins, but with the added manga-inspired videogame qualities of many Japanese action films. I recommend it to fans of the samurai genre, but I don't know if it would win any new fans to the genre.
Ultra violent and with streaks of dark comedy running through it, this is an excellent samurai action film for those with a strong stomach for such mayhem. The performances are good, and I was very impressed with Hana Sugisaki as the vengeance seeking young Rin. There are lots of interesting costumes and characters, and although the movie runs nearly 2 and a half hours, that seems necessary to make room for all of the plot points. While most of the story is resolved by the end, some things are left unexplained, such as who or what the priestess is who wanders in and out of the story. That may be left for potential future installments, although as this proved to be a disappointment at the Japanese box office, any sequels look unlikely.
One of the major selling points of this movie is that it is the "100th film from director Takashi Miike." He's had an interesting, and obviously very prolific career, that in many ways matches the Japanese film industry of the last 25 years, with its many highs and lows. Due to the often shocking, offensive, and absurdist material in many of his films, critics both in Japan and elsewhere have been slow to warm to him. This latest movie has many of the classy touches of 13 Assassins, but with the added manga-inspired videogame qualities of many Japanese action films. I recommend it to fans of the samurai genre, but I don't know if it would win any new fans to the genre.
Having read the manga for close to 20 years. The live adaptation of the film is a fulfillment to witness. As a fan of the original, I have preconceived notions as to how the characters behaved and voiced in between panels.
Therefore the performances for bringing Manji, Rin, Anotsu and all the other casts to life were satisfactory. Compressing 30 volumes into film, means that there were major trimmings made in order to fit this medium. Most notably are the back stories and developments for all characters depicted. Some characters in film are relegated to cameos, while others lack the motivational complexity of their respective arc that were spanned across the years. And yet, I still found myself intrigued by the story presented to me here on film.
The actions are brutal. Not as gory as how I would like it to be though. The original format was way more gorier in certain aspects. But I can understand why it was needed to be toned down for live adaptation.
If one is into cinematography, feudal Edo era, a story of revenge, filled with action sequences of samurai swordplay - this is a film that I would recommend. It fulfills on all those aspects. It had heartfelt moments and dashes of fun sprinkled perfectly into its pacing.
However if one is into enriching character developments, motivations for all their arcs and more; I would suggest to visit the original manga instead.
Overall, it is still a very remarkable effort from everyone involved.
Therefore the performances for bringing Manji, Rin, Anotsu and all the other casts to life were satisfactory. Compressing 30 volumes into film, means that there were major trimmings made in order to fit this medium. Most notably are the back stories and developments for all characters depicted. Some characters in film are relegated to cameos, while others lack the motivational complexity of their respective arc that were spanned across the years. And yet, I still found myself intrigued by the story presented to me here on film.
The actions are brutal. Not as gory as how I would like it to be though. The original format was way more gorier in certain aspects. But I can understand why it was needed to be toned down for live adaptation.
If one is into cinematography, feudal Edo era, a story of revenge, filled with action sequences of samurai swordplay - this is a film that I would recommend. It fulfills on all those aspects. It had heartfelt moments and dashes of fun sprinkled perfectly into its pacing.
However if one is into enriching character developments, motivations for all their arcs and more; I would suggest to visit the original manga instead.
Overall, it is still a very remarkable effort from everyone involved.
RATED 6/10
Language: Japanese
Source: Netflix
I was expecting some good revenge action flick with immortal fights. This movie has more on sword and less on vengeance...
The story is good and the sentiments and Vengeance are there, but the as overall picture it is so lengthy with repeated sword fights without much on action choreography.... the fights looks repetitive, the stuntmen are always huge and too many hand cuts.
There is no interest in the fights, its just clinking of swords. The starting is great, once the vengeance sequence starts it lost its touch and scatter too much with more side stories and characters.
Bit disappointed.
I was expecting some good revenge action flick with immortal fights. This movie has more on sword and less on vengeance...
The story is good and the sentiments and Vengeance are there, but the as overall picture it is so lengthy with repeated sword fights without much on action choreography.... the fights looks repetitive, the stuntmen are always huge and too many hand cuts.
There is no interest in the fights, its just clinking of swords. The starting is great, once the vengeance sequence starts it lost its touch and scatter too much with more side stories and characters.
Bit disappointed.
Not much to say except it is clear on every second of the screen there has been so much care and time put into it all. It becomes a satisfying emotionally-driven film by the end, and is no doubt worth your time.
The acting, direction, music, cinematography, and story are all working together to create a truly entertaining experience - and I don't know why someone wouldn't enjoy this film.
The acting, direction, music, cinematography, and story are all working together to create a truly entertaining experience - and I don't know why someone wouldn't enjoy this film.
Did you know
- TriviaThe film was promoted as being director Takashi Miike's 100th film, but it isn't. Although it was at one time his 100th directing credit on IMDb, that list also includes several TV series, TV episodes, and segments of other films. According to some calculations, Miike has directed over 100 works, including music videos and short films, but (at the time of Blade of the Immortal's release) fewer than 90 were feature films.
- ConnectionsRemade as Blade of the Immortal (2019)
- How long is Blade of the Immortal?Powered by Alexa
Details
- Release date
- Countries of origin
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- Language
- Also known as
- 無限住人
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- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $150,532
- Opening weekend US & Canada
- $49,569
- Nov 5, 2017
- Gross worldwide
- $7,162,617
- Runtime
- 2h 20m(140 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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