A physicist's life-long work comes to fruition when he is reluctantly partnered with a gifted young assistant. Ego divides them when they receive an unknown signal from space.A physicist's life-long work comes to fruition when he is reluctantly partnered with a gifted young assistant. Ego divides them when they receive an unknown signal from space.A physicist's life-long work comes to fruition when he is reluctantly partnered with a gifted young assistant. Ego divides them when they receive an unknown signal from space.
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One wouldn't necessarily hold that the acting wasn't adequate, or that the production was poor for a low-budget offering, and the premise, which immediately reminded me of Contact (1997), is also intriguing.
Unfortunately, however, the overall presentation just seemed lacking in any real drama. I wasn't in the least invested in the characters or even the outcome and some of the things which occur seem to have been put in to try and flesh out the story somewhat.
It could have been something pretty good, but, in the end, I was just left with a ho-hum feeling of disappointment and missed opportunity.
Unfortunately, however, the overall presentation just seemed lacking in any real drama. I wasn't in the least invested in the characters or even the outcome and some of the things which occur seem to have been put in to try and flesh out the story somewhat.
It could have been something pretty good, but, in the end, I was just left with a ho-hum feeling of disappointment and missed opportunity.
A frustrated & obsessed scientist loses his job, but just can't let go of his project - the data & information transfer from Dark Matter/Energy which makes up 95% of the universe as we know it(all of the information of, & in, the Cosmos).
A lot of creative license is used, but I found the movie really enjoyable & the characters likeable (although his assistant was an arrogant spoiled brat that you really wanted to chastise in the most gratuitous fashion possible at times) which carried the story of the costs of obsession, the arrogance that can come with high intellect if it's not kept in check & the unforeseen consequences of causality when it's not.
It was also a warning of putting powerful new tech out into the world without proper R&D, without fully understanding it & the consequences of giving people more knowledge than they can understand (& how it can induce mental health issues & suicide in the wrong hands). Too late for the internet, mobile phones & social media in the real world, obviously!
A warning to all of the dangers of tech, AI & the abuse of technology. Don't lose your humanity people.
A lot of creative license is used, but I found the movie really enjoyable & the characters likeable (although his assistant was an arrogant spoiled brat that you really wanted to chastise in the most gratuitous fashion possible at times) which carried the story of the costs of obsession, the arrogance that can come with high intellect if it's not kept in check & the unforeseen consequences of causality when it's not.
It was also a warning of putting powerful new tech out into the world without proper R&D, without fully understanding it & the consequences of giving people more knowledge than they can understand (& how it can induce mental health issues & suicide in the wrong hands). Too late for the internet, mobile phones & social media in the real world, obviously!
A warning to all of the dangers of tech, AI & the abuse of technology. Don't lose your humanity people.
This one's a mashup of "Flowers for Algernon" (Daniel Keyes, 1958) and "Contact" (Carl Sagan, 1985). Although it's derivative, the combo is really something fresh and new. Nathan Dalton manages to create a compelling story by taking elements of those two old science fiction classics and weaving them into a film that keeps you glued to the screen. There's real character development, plenty of clues to help the audience follow the plot, and lots of techno speak that's actually consistent with known science. (Although the idea of "radiation" from "dark" matter is somewhat of an oxymoron.) There are a few other instances of creative license, but for the most part it's believable.
The part where it departs from reality is in the motivations and behaviors of the characters. They seem to make unnatural decisions at times and don't always act like real people. But it's not uncommon in film to bend character behavior to advance the plot, so you just suspend disbelief and enjoy the movie.
The sound track was great. It set the mood and really helped provide clues about the plot and the emotions of the characters. The cinematography was likewise supportive of the moods and plot and didn't overpower the action happening on the screen. The acting performances, from relatively unknown actors, was superb. All these elements in the final product (with an insanely tiny budget) point to an extremely competent director whom I'm sure we have not heard the last of.
Overall, a great film if you are looking for a character-driven drama/scifi with lots of thought-provoking dialogue and you don't care about tons of special effects and starship shootouts.
Triggers: brief headline text ~80wpm, one subtle and minor ethnic reference
The part where it departs from reality is in the motivations and behaviors of the characters. They seem to make unnatural decisions at times and don't always act like real people. But it's not uncommon in film to bend character behavior to advance the plot, so you just suspend disbelief and enjoy the movie.
The sound track was great. It set the mood and really helped provide clues about the plot and the emotions of the characters. The cinematography was likewise supportive of the moods and plot and didn't overpower the action happening on the screen. The acting performances, from relatively unknown actors, was superb. All these elements in the final product (with an insanely tiny budget) point to an extremely competent director whom I'm sure we have not heard the last of.
Overall, a great film if you are looking for a character-driven drama/scifi with lots of thought-provoking dialogue and you don't care about tons of special effects and starship shootouts.
Triggers: brief headline text ~80wpm, one subtle and minor ethnic reference
Might not be what hoped for but trust me, made my night.... I luv this..... It's inspiring, I mean, I had to recommend it..i got what I wanted from it.... ➕ I Luv d tune
Shot really well. Good Australian film, deserves a wider release. Well written, interesting story and shot well, what more do you want?
The sci-fi story itself is compelling and refreshingly original. The writing is tight, natural, and engaging, drawing you in from the very beginning. Characters feel authentic and layered, and the pacing keeps the narrative moving without ever feeling rushed.
It's the kind of film that lingers with you-thought-provoking yet accessible, entertaining yet meaningful. Honestly, it deserves a much wider release and audience. With a strong script, striking visuals, and a clear creative vision, what more could you ask for in a film?
The sci-fi story itself is compelling and refreshingly original. The writing is tight, natural, and engaging, drawing you in from the very beginning. Characters feel authentic and layered, and the pacing keeps the narrative moving without ever feeling rushed.
It's the kind of film that lingers with you-thought-provoking yet accessible, entertaining yet meaningful. Honestly, it deserves a much wider release and audience. With a strong script, striking visuals, and a clear creative vision, what more could you ask for in a film?
Did you know
- TriviaThe second feature film from the creators of Arrowhead (aka Alien Arrival), with the same producing team (Jesse O'Brien, Christian D'Alessi and Ben Whimpey) and cinematographer (Samuel Baulch). Like Arrowhead, Quanta was filmed on a shoestring budget.
- How long is Quanta?Powered by Alexa
Details
- Runtime
- 1h 23m(83 min)
- Color
- Aspect ratio
- 2:1
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