Dunkirk

If you read through the swarm of negative reviews, you might notice a common theme: boring, dull, lack of characters. It's incredibly disappointing that they seemed the miss the entire point of the film.This is not a film about heroic soldiers triumphing against all odds while blowing up Nazis with transformer-esque explosions.

This is a movie about scenes, not characters. -and every scene is memorable, from the bombings to the torpedoes to the aerial dogfights. My co-worker, who is obsessed with WW2 planes, noted how incredibly perfect they got the British Supermarine Spitfire from the roar of the Rolls-Royce engine to the rattle of the components in the cabin. The accuracy and intensity of the dogfight was captured perfectly as well, mimicking the aerial maneuvers, firepower and damage in a realistic and dramatic fashion. The torpedoes noticed only moments before impact with it's slow monotonous movement sent chills of realization down my spine. Even in the beginning of the film, the way in which the Nazi leaflets were presented gave you some glimpse into the panic and anxiety felt by those soldiers.

I felt the "lack of characters" was realistic and served the film as well. War is not about larger-than-life personalities with specialized weapons being bad-asses. It's about nameless and faceless soldiers facing an existential crisis, the possibility of randomized death, and how they can either respond with despair or hope.

If you want characters you can root for and a happy ending where the bad guy in vanquished, then there are plenty of movies for you. But if you want a small glimpse into the despair, anxiety, hope, courage, and will of the British WW2 fighters then there is no better film ever made than this one.

Director Christopher Nolan offers the viewer a pretty straightforward re-telling of the evacuation of British soldiers from the French port of Dunkirk in May of 1940, as the Germans encircled the town. The story is told from a strictly British perspective. Although we see some German planes involved in battles with RAF fighters as far as I can recall there isn't a single glimpse of a German soldier anywhere. Nolan then tells the story from three perspectives within that British perspective: on the land, on the sea and in the air. The land focuses on the solders awaiting rescue, the sea focuses mostly on the small private boats that made such a huge contribution to the effort (focusing on one boat in particular) and the air focuses on the battle by a small number of RAF pilots to protect their compatriots beneath against German planes. That structure was a bit confusing at first (especially as it was captioned on screen) but the story makes sense and that odd narrative structure is only a brief distraction.

There's not really a main character involved in this. The point seems to have been to portray the breadth of the Dunkirk evacuation at the expense of character depth. There's also no one moment that seems truly central, which means that the movie strikes you in the end of not really having built up to anything (aside from the actual evacuation, which admittedly is the most important thing.) But in some respects that made this movie seem at times less of a drama and more of a docu-drama if that makes any sense. The story-telling was a little bit lacking. I did appreciate that while the heroism of the British soldiers was front and centre, there was no shying away from a few more negative portrayals - shell-shocked soldiers, soldiers who just didn't want to fight anymore, soldiers who wouldn't even help their French allies. In that sense, this had a somewhat gritty feel, as befits a war movie.

It's not a bad movie. To me, it just missed the mark a little bit in terms of what I was expecting. (6/10)

Before you decide to watch "Dunkirk" I have a bit of a warning. While you would expect death and blood in a war film, some of the scenes in the film are amazingly tough to watch. There's actually very little blood, but there are some drowning scenes which are intense and awful. Now I am not saying don't watch it...just be prepared.

The story is a retelling of the escape of the British* from the beaches of Dunkirk. The German army was coming and the combined British and French forces were trapped with little apparent chance to escape. And, as an army of over 300,000 Brits dug in and waited, the Luftwaffe began chipping away at them....and ultimately would have killed and/or captured them all if it wasn't for a rag-tag flotilla of private boats which hastily arrived and spirited away about 80-90% of the men.

By the way, early in the film you hear someone speaking to the pilot (Tom Hardy) over the radio. The voice is that of Michael Caine....an odd and brief cameo.

The story is gripping, well told and brilliant. I have only one complaint, and I am surprised it made it to the film considering how amazing a director Christopher Nolan is. At one point, the scene switches between some men in a boat being attacked and a private yacht rescuing downed pilots. The scenes kept switching back and forth....but one was clearly at night and the other clearly was in daylight. This really didn't make any sense. Still, otherwise an amazing spectacle...a truly amazing war film.

I love Christofer Nolan. Great director. Great movies. No doubt about that. But unfortunately I think the movie was boring. It had awesome fight scenes, with different camera angles, music, costumes but it did not keep you at the edge of your seat like his other movies.

Almost no dialogue. You can say that it is realistic, because it is a war scene but the viewer needs to know something about the characters in order to identify with them. I felt like I was watching on youtube different war scenes in a 2 hours movie. It did not create the suspense I was hoping.

For a teenager today, Dunkirk must seem even more distant than the Boer War did to my generation growing up just after WW2. For some, Christopher Nolan's film may be the most they will know about the event.

But it's enough in some ways because even if it doesn't show everything that happened, maybe it goes as close as a film could to letting you know how it felt.

"Dunkirk" focuses on a number of characters who are inside the event, living it minute by minute.

Tommy, the soldier at the centre of the story, seems at first glance to be the antithesis of the Dunkirk legend. Maybe he fits a New Millennium sensibility rather than a 1940's one, more like a contestant on "Survivor". He does show initiative, but a soldier who throws away his weapon then "helps" wounded to the rear risked a court martial in every army from the Roman Legions on. The lines of stoic soldiers waiting patiently on the beach, the enduring image of the evacuation, seem almost like a backdrop as Tommy and his mate run through them.

The man who embodies the spirit to the full is Dawson, the civilian captain of the Moonstone. He is the sort of man who wins wars; the bloke who sticks to the task when others buckle under pressure; "There's no hiding from this thing son," he says to an officer whose nerve has cracked, all the while steering his little boat towards Dunkirk.

The scenes of aerial combat look so real it makes all other depictions pale in comparison. Peter Jackson once planned to do a remake of "The Dam Busters", but possibly Christopher Nolan would add another dimension to the retelling. The brilliant special effects serve the story. Much of the panorama of Dunkirk is glimpsed almost incidentally from the cockpit of fighter planes or by men struggling in the water.

There are surprises for anyone who thinks they know the story or have seen documentaries or other recreations of the event; it's very different to the crowded Dunkirk of "Atonement".

An unsettling score helps heighten the tension in a film that has you holding your breath in scene after scene.

This is a film that demands more than one viewing.