Aligarh

A few years back I watched The Brokeback Mountain. Those who have seen it will surely agree with me that the film did not speak about gay rights or anything remotely related to it. Instead it was a love story where a man instead of falling in love with a woman falls in love with another man. It was a very poignant tale of love; a love that most people failed to comprehend.

Aligarh made me feel the same. A common gay man tries to come to terms with after being suddenly forced out of the closet. Unlike Brokeback Mountain, this is based on a real story. But the film is like a poetry, that says a lot and leaves even more unsaid, but has a profound impact on the viewer.

Please don't watch this movie if you are expecting anything salacious or controversial. Watch it because when you are old and there is no 377 scare and you see a gay couple pass you by, you would know what they feel like because Professor Siras felt the same.

Aligarh picks a take on all known issues and problems in the society regarding homosexuality. The best part is the decency of the storyline in which it has been structured. It has been edited well and flows respectfully. It could've been a wonder if the gripping nature would've been maintained. But often it digresses from the plot and disconnects the viewer.

Wonderfully directed by Hansal Mehta, he takes his sweet time in detailing irrelevant things. Many times it makes sense but only if editing is proper. Nevertheless, the effort is fantastic in getting the whole plot together.

Rajkummar Rao is just not stopping to improve himself with every movie. He has the sense of maintaining the required body language all through. Manoj Bajpayee underplayed a lot too much but delivered a good performance.

Overall, a decent and a respectful take on homosexuality but could've been a wonder if gripping nature would've been maintained.

Bollywood is definitely evolving experimenting on different and unique subjects. The silver lining is the untold stories of various characters and events which were lost in time is being brought back with sheer devotion and sincerity. January started with a bang releasing the story of evacuation of 1,70,000 Indians from Kuwait in Airlift and February followed with a gallant story of flight attendant rescuing 359 passengers from terrorist-hijacked plane in Neerja. After giving National Award winning film Shahid, Hansal Mehta is back with yet riveting bio-pic drama Aligarh that raises the question on self-righteousness and breaking the barrier.

Aligarh tells the true story in which Manoj Bajpayee plays a homosexual professor Dr Shrinivas Ramchandra Siras at the Aligarh University who is suspended from his job when he is caught in a sting operation.

Last year, it was Manjhi-The Mountain Man, Bajirao Mastani followed by Airlift and Neerja. The best part of watching these biographies is the inspiring and motivating stories which has resulted to outstanding appreciation from both audience and critics. It takes courage and guts to make a film like Aligarh.

The movie opens with a bang giving you goose-bumps. As the movie progress, you will be sucked into the film and the entire credit goes to Hansal Mehta for doing a fantastic research on the event which changed life of Dr. Shrinivas Ramchandra Siras. The court room- drama, friendship between Manoj Bajpai and Rajkumar Rao and even the climax sequences are definitely the highlight of the film. Screenplay is engaging. Art direction and cinematography is simple yet powerful. Manoj Bajpai has delivered a solid performance. He fits into the character as if it was tailor-made for him. Rajkumar Rao lends in a good support.

A big thumbs up for brilliant direction, admiring performances and electrifying screenplay.

– Ketan Gupta

Though the story is short and simple but never maker you feel board while watching. One of the most important element of the movie is the acting by the lead actorss ( Manoj sir and Rajkumar Rao ) which will never let you expectation down with the movie. Overall movie was a nice and offered a very serious and not much discussed topic in a brilliant way.

Aligarh was chosen as the opening film of the Mumbai Film Festival and I went to see it wondering if the story, based on real life events, had been sanitized for the screen. To the screenplay writer and director's credit it has not. The sad story of 64 year old Professor Sirus, who was suspended and systematically harassed by Aligarh Muslim University (AMU) for having gay sex with a cycle-rickshaw driver, has been told here in all its poignancy. In it's time, it was a big case for gay rights in India, but Sirus was a frustratingly difficult protagonist, an unattractive personage unwillingly to face the media, unwilling to identify as gay, unable to see the larger issues at stake. Manoj Bajpayee does an excellent job in the complex role of the unhappy Sirus, with all its contradictions. He's shown drinking excessively every night, listening to maudlin Lata Mangeshkar songs. I don't know if Rajkumar Rao is based on a real-life character, but he plays a crucial role as the reporter who tries to draw Sirus out of his shell. He only party succeeds. For one, Sirus was very proud of his position as professor of Marathi at AMU and he was very loyal to AMU itself. He tells Rao he the victim of campus politics because he was promoted to chair the linguistics department, provoking petty jealousies. People knew he was homosexual and used it against him, sending two goons to break into his house to film him having sex. What followed was a downward spiral, but Hansal Mehta somehow manages to keep things from getting too depressing. One interesting scene has the now famous Professor Sirus being invited to a sophisticated gay gathering while in the city, where his newfound fans insist he sing a Marathi song. He does so, rather badly, and then collapses drunk.