The Apostle Peter: Redemption

Despite the title, most of the movie focuses on the love interest between a Roman soldier and a slave in Nero's household - in other words, the same plot as in Quo Vadis.

Unfortunately, that leads to a lot of comparisons between the two movies and this one falls flat each time. Baldwin's Nero is wooden, one dimensional - the polar opposite of Peter Ustinov's brilliant portrayal of an unhinged Caesar. The Roman soldiers are not convincing as soldiers who had conquered much of Europe and the Middle; Susanna, as the young slave girl is OK but never comes across as someone with the strength of character to challenge a centurion. The only interesting character is Caesar's wife, Poppaea.

Watch it if you must - and then watch Quo Vadis and see what this movie could have been.

Let me be absolutely frank with you, this movie isn't great. In extensive truth, it is actually quite dreadful. The acting is wooden and contrived, the plot is brittle, floppy, and predictable; the whole thing is just extremely cheesy and painful to watch. Baldwin, who portrayed Nero just proved how much he was phoning it in for a check. His adaptation was lifeless enough that you could have replaced him with a cardboard cutout, and I wouldn't have noticed. This movie left me so dissatisfied; I went to church to request for forgiveness for wasting some of the time on this Earth that God gave me. I loathe condemning something that was clearly a labor of love, but this movie had the same effect as a stale sweaty cheese sandwich. The script sounded like something a 3rd grader would write with an unimaginative adaptation to what it was inspired by, to boot. The characters are flat and one-dimensional, and the production value is extremely sub-par. The editing and cinematography are lackluster. All in all, it lacks any real depth or substance, and the whole thing is just quite boring and forgettable. May St. Peter forgive us all for this abomination.

Peter: The Redemption(2016)is obviously a faith based film. It is a slightly fictionalized version during the latter years of the Apostle Peter's life. When Nero blamed the Christians for burning Rome. The blanks were filled in to make an interesting film that kept within the framework of biblical accounts.

I was pleasantly surprised to see the quality of actors involved in this. Peter is played by John Rhys-Davies who brings a powerful level of earnestness in his portrayal. Stephen Baldwin has become a staple in faith films for quite a few years. In this role, Baldwin plays evil emperor Nero with an unhinged fervor that works. A surprising addition was that of the lovely Bobbie Phillips, who was a television staple in the nineties. Phillips plays empress Poppaea with a complicated subtlety that makes her character one of the film's most intriguing. The crucial balancing act she carries between the relationships and self preservation in the film are meticulously conveyed.

This film weaves in a fictional tale of a young servant girl, played well by newcomer Brittany Bristow and her witness to a young guard played by Steve Byers. Byers also turns in a sincere and solid understated performance.

Without a large Hollywood budget, this is not the epic look of MGM's 1951 multi Academy Award nominated Nero tale. However, the story by John Patus, direction by Leif Bristow and solid performances come together for a good and quite powerful story of faith.

Indeed, a modest film. Far to be a bad one for fine message, for effort of John Rhys - Davies to explore , in proper manner, the traits defining the portrait of Saint Peter, for romance between. Susanna and Martinian , for try of Stephen Baldwin to collect the legacy of previews Nero , the result being not exactly impressive but familiar.

A film for believers, like so many other Christian movies, noble intentioned but far to convince.

The good point - the wise way of Saint Peter to define his faith , covering the denial and to support the Christian. In same measure, the work as Poppaea of Bobie Phillips as a sort of spice for a boring , in good measure, story , or the nice idealism of Martinian , not bad portrayed by Steve Byers.

The basic regret- Stephen Baldwin is reduced at comfortable sketch of old portraits of Nero and the script seems can not offer more for him.

Full of cliches, unrealistic, childish and poor, The Apostle Peter is only occasion for actors to wear the clothes of their characters.

In short, a modest version of Quo Vadis.

The Apostle Peter: Redemption is half of a really good movie. : This is a story of the conflict between two protagonists St. Peter and the Emperor Nero.

John Rhys-Davies steps into a fine tradition ofplayers who have done justice to Peter in movies. We're talking folks like Howard Keel, Finlay Currie, and Michael Rennie all who made Peter a vital character as does Rhys-Davies. Ths was definitely a man who labored in his early days before being called as a disciple.

Wouldst I could say the same for Stephen Baldwin's somewhat catatonic portrayal of the Emperor Nero. After such classic performers as Charles Laughton and Peter Ustinov as Nero, Baldwin comes off distinctly second rate.

It's not a bad film just not really good