Wind River

Although very, very small errors crept in this story it is very true. As someone who lived right off the Wind River Reservation and whose husband worked for the Northern Arapaho tribe (one of three non-native employees) I can say that without a doubt this is what happens too many times on the res there. The natives often live in deplorable conditions but it's not all the other guy's fault either. However, the treatment of women and the disappearance of women, and yes men too, is horrific. There is often no closure. Things are so confusing and convoluted and corrupt that it's no surprise these things happen. We've since moved away but some of the experiences and events will never be gone. I wish that the people there, on and off the res, can find some resolution to the atrocities. It's a beautiful area and everyone should visit the Wind River mountains. It's on most people's way to the Grand Tetons and Yellowstone. Stop at Brooks lake and see the beginning of the Wind River. And the rest of the beauty there. Just don't go up on the res unless you're with a local.

"Wind River" is a gripping murder mystery-thriller written and directed by Taylor Sheridan (Best Original Screenplay Oscar nominee for "Hell or High Water") starring Jeremy Renner, Elizabeth Olsen and Graham Greene, featuring an unusually strong supporting cast that includes many fine Native American actors.

Renner and Olsen play a U.S. Fish and Wildlife Service tracker and an FBI agent, respectively, attempting to solve the murder of a young woman whose body is discovered by Renner under mysterious circumstances as he patrols the Wind River Indian Reservation in Wyoming.

The film scrupulously avoids clichés and is tightly edited with nary a wasted moment, yet never feels rushed or artificial in performance or plot. Everyone and everything is there for a reason, and best of all, the audience is given credit for being able to keep up and connect the dots.

The violence, which is absolutely necessary, is kept at a bare minimum as a narrative device, explaining and clarifying rather than assaulting the senses.

Every character, even the most heinous, is portrayed as a fully developed human being rather than as stereotype.

We learn how the Native American culture is victimized in a way that takes us inside their world and their souls, but the journey is skillfully handled and never heavy handed.

The photography is perfectly rendered, celebrating the icy Wyoming scenery in a muted style consistent with the mood of the story.

Renner, Olsen and Greene are excellent and believable, but in no small way this is an ensemble piece whose potency and effectiveness derive from the palpable passion and belief of everyone in front of and behind the camera.

This is an engrossing story well worth your time and money, and kudos to everyone involved for having faith that a discerning audience will find and appreciate it.

One of the best movies I've seen in a long time. I enjoyed the subdued characters and acting. The story is unique and memorable. There is no gratuitous violence or nudity. The characters and story held my attention on their own.

There has been next to no fanfare for the release of this murder mystery. Which is surprising, considering the talent involved in front of the camera (Jeremy Renner, Elizabeth Olsen) and behind it (writer-director Taylor Sheridan). Fresh from joining the ranks of top-tiered screenwriters after the amazing one-two punch of Sicario and Hell or High Water, Sheridan continues his stellar run with a heart-wrenching study of loss and grief wrapped in a taut crime thriller narrative. Also having a crack at directing, Sheridan allows the snowy Wyoming setting to completely envelope the characters in a world that feels like it has no exits, both physically and emotionally. When this Native American community is hit with a homicide it feels like another tragedy in a long line of tragedies; their shock is replaced with deeper sorrow, their outrage is replaced with solemn defeat. Entering the scene like a fish out of water, Olsen's junior FBI agent Jane Banner must traverse the tricky cultural complexities if she's to understand the clues in front of her. Luckily she has Renner's local hunter Cory Lambert to assist, himself battling with a past family disaster. Renner and Olsen are both in terrific form, the former hiding his grief under a stoic veneer, the latter balancing big-city attitude with a genuine desire to find justice for the victim. Veteran character actor Gil Birmingham is also superb as a father unsure of how to deal with his earth-shattering loss. If this all sounds a bit heavy, well it is, but Sheridan's careful to inject a healthy dose of suspense and mild action to keep the drama gripping rather than overbearing; the finale in particular turns the movie on its head in an unpredictable but extremely effective manner. An intelligent, slow burning and provocative viewing that enthrals from start to finish, Wind River is an understated gem that deserves an audience.

This is a truly gripping, engaging and dramatic film. The first thing anyone will be aware of, is the quality of the production values, it is superbly made, gloriously acted, and meticulously filmed. A very classy production indeed.

You have to credit the sheer quality of the source material, a wonderful and sad plot, with plenty of twists and turns. Murder mystery fans will enjoy, thriller fans will also enjoy.

There are some truly big moments, one that will make you empathise with the victim's family, one that will leave you with your mouth open, as a big fight occurs.

So impressed by this movie. 9/10