Colette

Having the film as English originally affected how it flowed and it would've made much more sense to make it in French, especially as Colette writes in French and reads in French throughout the film.

This movie is truly beautiful to watch. Elegant period dress, recreations of turn-of-the-century Paris inside and out that had me wondering how they were achieved. And the acting by the two principles is truly first-rate.

Keira Knightley has it all and does it all as the title character. A truly beautiful performance, including some line-reading that was worthy of Shakespeare - which this screenplay most certainly is not. (See below.) She held me riveted in many a scene.

Not far behind her in the acting dept is Dominic West, who turns Willy into a real if very flawed human being. Modern literary history sees him through Colette's later eyes, so it dismisses him terribly, but here he comes off as a real charmer.

So what's not to like? A great deal, unfortunately. The script, at least through the first half of the movie, is paint by numbers: very obvious, very flat, very unrevealing. Though Knightley clearly could have conveyed anything, it doesn't do a good job of helping us to understand the very complex woman we see. Too often, it sounds like a summary of a Wikipedia biography of the author. What made her so interesting? What made her tick? What made her so remarkable? The script gives us no clue. Is it because the script was written by two men and, third billing, one woman? I don't buy that. Madame Bovary was written by a man, as were many other great female characters in literature. Perhaps the problem lies, at least in part, with the directing as well.

If you want to see this movie, I would wait until you can watch it at home, so you can pause it to do other things when you get bored or just want a break. Having to sit through all 111 minutes in a theater without a break was too much for me - though it did get more involving near the end. Kudos to Knightley and West, certainly, for doing a great job with their roles. But this was too much like a beautifully costumed and filmed history lesson, and not enough like an engaging story.

Very well done, interesting. A nice period piece. However, at the end the director states, after I thought I was watching a movie that was historically accurate, that he had changed several characters and other aspects to make them more contemporary (meaning: what he thinks the way things ought to have been 100+ years ago, vs reality) re: gender, sexual preference, racial matters, etc. As such, the movie to a degree is fiction; a lie. Which is sad, as it detracts from the ground breaking path that Colette lived.

The fascinating life of Colette, one of the important figures in both literature and gender definition, is brought to the screen by director Wash Westmoreland ('Still Alice', 'Quinceañera', 'Totally Gay') who also wrote the screenplay with Richard Glatzer and Rebecca Lenkiewicz. The result is a visually fine period piece with excellent performances by Keira Knightley and Dominic West yet somehow falls short of its potential by focusing on excesses.

The true story is that of the gifted country girl Gabrielle Colette (Keira Knightley) who is swept off her feet by writer Henry Gautier-Villars (aka Willy), taken to Paris where Willy's philandering and writing needs are a source of contention with his publisher. Discovering that his wife Colette has a gift for writing, Willy talks her into being a ghostwriter for him, successfully publishing a series of books about the life of 'Claudine' - a reflection of Colette's real life. Riding on the success of the venture, Colette begins to acknowledge her desire for female partners, sharing one wealthy American Matilde (Sloan Thompson) with Willy and finally pairing with the wealthy Missy (Denise Gough) in her decision to 'make it on her own' both as a writer and as performer with Missy. To everyone's surprise she uses her fame to advance acceptance of same sex gender identification, unique fashion, and literature by female authors.

The film is enhanced by the musical score by Thomas Adès and the cinematography by Giles Nuttgens. Minor roles are well performed and the overall recreation of Paris at eh turn of the century is excellent. For some reason, despite Keira Knightley's fine acting, the film fails to convince fully, but for the importance of this story on many levels it is a film very much worth viewing.

The tale of Gabrielle Colette is a fascinating one, as it turns out. I was completely unaware of her story before seeing the film, and emerged from the cinema feeling as though I had learnt a lot about this literary legend.

Keira Knightley is remarkable in the title role. This is career-best form from her. She carries the film wonderfully. Denise Gough is also great in the role of 'Missy'. The direction from Wash Westmoreland was also superb. He was able to successfully take the script, and deliver it in the best way possible.

However, the film lets itself down from a weaker story/script where it constantly struggles to find and execute more positive moments from Colette's story. Instead, it focuses on the more gloomy moments from her life, leaving the happier moments sidelined. Some of the supporting characters lack depth, including: Eleanor Tomlinson's 'Georgie' and Aiysha Hart's 'Polaire'. These characters play an integral part in Colette's story, but, their lack of screen time, and the way in which they're written in to the story makes the characters have no real impact in driving the film forward.

This movie does have a few flaws which, overall, lets it down. But, it was still an enjoyable movie.