The Maus

This movie is certainly a lot of the following:

• waiting for something to happen
• back of heads
• veeery blurry background with important scenes
• black screens
• scenes with spinning camera
• mines

All in all 90 minutes of wasted time if you ask me.

I see a lot of disappointed reviewers here that gave this film 1 or 2 stars. While it isn't a masterpiece I think the film does not deserve such a low rating.

I believe this may have to do with expectations: The Maus is listed under "horror" so people may expect either jump scares or cathartic violence and this film doesn't really offer either. It does offer a very personal nightmare ride that is rooted in the genocide of Bosnian Muslims perpetrated during the Yugoslavian civil war in the 1990s. If that is not something you know or care about then this may not be a movie for you. In particular, since it expects you to have a basic understanding of the conflict and does not do much explaining. Sadly, this probably is a factor that limits the film's audience to mainly Europeans.

The film is also not very verbose in spelling out everything that happens or explaining everything you see or hear. Even though gory visuals may arguably have been appropriate for the subject matter this film goes for subtlety and uses sound over visuals - leaving a lot to imagination. To me this was a good thing but it is also a potential limiting factor.

Contrary to other reviewers, I actually thought the writing of plot and characters was pretty plausible and relatable. It carries across very well the notion that the main character has endured things that her "innocent" foreign boyfriend cannot begin to comprehend and this is why she relates differently to the events in the story.

Overall, I found The Maus is not horror in the conventional sense but still a grim and unsettling experience. It is not without flaws and a few unnecessary, drawn out sequences but definitely a film worth giving a chance and, moreover, one that will make you think.

The Maus is one these films in which the location serves to create a meaningful part of the overall discomforting mood. As always, it comes with all sorts of supporting (or unsupportive from the protagonists' perspective) features, such as no cellular reception and a language barrier. While I'm not a fan of using these particular defining aspects, I must admit that including the female protagonist's obvious (and completely understandable) PTSD after surviving the Serbian cleansing of Bosnian Muslims added a lot of character and quality to the story.

The plot is quite simple to understand from the film's description (and from watching the first ten minutes). Selma (Alma Terzic) and her boyfriend Alex (August Wittgenstein) visit Bosnia and become stranded and lost in one of its vast forests, which happens to be riddled with unmarked mine fields. By chance they happen to meet two "local" Serbs, Vuk (Aleksandar Seksan) and Milos (Sanin Milavic), who offer to assist them. From that point - reality and paranoia become mixed and intertwined as Selma initially distrusts the two on account of their origin, seeing in them the same type of people who murdered her family during the war.

The acting is quite impressive (especially by Seksan and Milavic whose performance keeps the audience guessing as to their true intentions and nature and Selma's sanity) and the story progresses in a very compelling way. Each and every scene seems to have been meticulously chosen to serve the film's conclusion and final plot twist (which isn't brilliant but definitely serves as a fine and terrible closure). While in no way "fun" to watch - The Maus is pretty rewarding for Horror fans who enjoy being depressed by human nature and what we can at times bring ourselves to do to our fellow man.

All in all, The Maus is far from being a masterpiece and none of its features are delivered in an overly impressive manner. It's simple enough and does a pretty decent job in toying with the audience's thoughts and emotions (which I assume was the creators' initial goal). Nothing fancy, yet quite rewarding by its own right. I don't think it deserves the low rating and all the harsh criticism it has received here (now there's a surprise), but you could still find something better (or a lot worse) to watch.

Firstly, let me start with some positives. I thought the theme of the film was interesting, to do with land mines and the Bosnian War, and presumably atrocities and genocidal acts. I have to say before watching it I did not know much about what I was about to watch. I have to say I was mislead to believe it was Horror, but in actual fact it feels more like a Dark Thriller with themes of Horror and War i.e. there was clearly a Deliverance vibe going on at the start, and aside from the creepy looking Guardian Angel that would be about where the horror side of things ends.

The filming style was fun for the first few minutes, but an hour and a half later of revolving cameras, darkness, and behind the head shots it all seemed a bit ridiculous and you wonder how a supposed 2 million euro budget (according to Wikipedia) was used up on just 4 actors, a forest and a great deal of what I can only describe as pointless videography.

Without trying to slate it too much, I found 'Alex' to be fairly unbearable, as an overly dramatic naive young chap who was an insufferable wannabe man-to-the-rescue but simply lacked any strength both physically and of character; Extremely annoying in every way possible. I think 'Selma' was at least interesting and played her role well though unfortunately this leads me on to my next comment about The Story, which overall I can once again only describe as being fairly 'pointless' or insubstantial. There were some interesting psychological moments where it felt like the dread was closing in, but then once the cat was out of the bag there wasn't much left to say. I knew from the moment I saw the car 'stuck' in the road in the very first scene that this movie was not exactly going to win any Oscars. I really am surprised about the budget here and can only presume the directors paid themselves substantial salaries through some questionable laundering function - But seriously, overall it wasn't the worst thing that's ever happened to me, and certainly illuminating in some regards. I think a 5/10 is generous, I'd say more like a 4.5 but I suppose I've rounded up.

One more comment: I saw that 'Maus' according to Wikipedia is an 80s/early 90s graphic novel about a Holocaust survivor, so I suppose that's what would have inspired the name of this movie.

Thank you for reading.

If you remove the scenes that involve walking, the transitions between scenes where the screen is black and the scenes dominated by the backs of heads... You'll have 3 mins of actual content left. The blackout transitions were so long my TV actually went into standby mode a few times.