Too Close to Home

I love Tyler Perry, and was excited to hear about the show. The concept sounded intriguing and the trailers looked exciting. Not often do we see a "rise above your raising" show that focuses on poor whites. However, the show has several problems.

The dialogue is ridiculous. The characters just say the same thing over, and over, and over again. It's evident that even the actors know they are delivering poorly written lines.

The story moves at a snail's pace, which would be fine if the show aired as a soap opera - more than once a week.

The guy who plays Brody seems to have only one emotion, and it is difficult to say what that emotion might be. He is flat - one dimensional. Either he needs acting lessons or better direction.

I see that the show has been renewed for a second season. After 6 episodes, the only way I'd watch it again is if Perry hires some new writers who have knowledge of the South and experience in the soap opera genre.

The show is fine for a scripted TLC drama. The actors are, of course, quite lovely. The acting is not as bad as on some other Tyler Perry shows, but sometimes the dialogue has a tendency to be slightly clunky at best. The plot lines are mostly believable, but still have room to improve. Honestly, overall, the show is quite enjoyable. I enjoy most of what Tyler Perry produces, with a few notable exceptions. This show definitely has room to improve on a few aspects, but I can also definitely say that it does have promise (as long as it doesn't get too ridiculous). So far, the relationships are believable and the acting is good. I finished the first and second season (at least up to the last episode released so far) in the past week so my interest, to say the least, is peaked. Hopefully, it only gets better with time.

Pros: -definitely brings the drama -acting is good -story line is mostly believable and easy to follow -cinematography and wardrobe are well done -characters have thought out backstories with room to grow

Cons: -some subplots are iffy at best -dialogue shifts can be slightly clunky and stiff -conflict resolves are hastily done at times -music is overdone and more obtrusive than complementary -shifty accents (Shelby's accent is a little stereotypical at times)

I thought it might be a bad show because it was kind of a repetitive idea, but God I was wrong. It is BAD, really bad. I was happy with the idea of a gay storyline, but it's not worth watching. Actors can spend 10 minutes repeating the same thing: "don't do it", "I will", "don't do it", "I will", "don't do it", "I will",.... For Real. After 3 episodes it seems it's going worst. The main character has no reason to exist, it's lame, flat and makes you hate her. The rest of the cast is boring. The acting is cringeworthy, really bad. Reality TV shows have better acting. There is no plot, the story goes nowhere. It's really sad to watch episode that don't go anywhere. I had to speed up the episodes and guess what It was easy because they can spend 10 mins doing the same, so you can speed up and don't lose information. TLC, just quit of trying this shitty TV.

I like the story line, but this show suffers more from script and directing issues than from poor acting. No one on this show is so bad that his/her performance can't be helped with better writing and directing. I'd go as far to say that of the two, the writing is the greater handicap - especially when it comes to disagreements between characters. There doesn't seem to be any commitment to depth - just overplay the lines. To assume your audience at large is shallow enough to buy into dialogue that even a soap opera wouldn't touch is a loss for everyone. I don't just want eye candy - I want heart and soul, and that has to exist in the script and in the direction. Even the best actors can only do so much.

I really wanted to like this show. An Intern Gone Wrong premise, a comely cast with a Southern setting, the return of Heather Locklear...what's not to like? Well a lot, unfortunately.

Lets --- start ---with--- the--- excruciatingly---long ---pauses ---between ---words. Why oh why is that, do the writers get paid by the word? Then there is the cartoon-like, stereotypical characters. The overly solicitous waitress, the scrawny, screechy coke whore, the beefcake with the heart of gold, the twangy sheriff etc. The story line limps along at a snails pace with an episode's worth of "action" painstakingly dragged out for three episodes (writers paid by the idea?!?)

The only shallow reason why I give this a 2 instead of 1 is because of above mentioned beefcake Brody. His biceps are the breakout stars of the show. If you want to record these shows and then just fast forward to the Brody sections you won't be disappointed. If you want to watch the sections in between, don't say you weren't warned.