The Goat Life

"Aadujeevitham," which translates to "The Goat Life," is a Malayalam film based on the award-winning novel of the same name by Benyamin. It follows Najeeb, a young man from Kerala who is lured by the promise of a better life abroad. However, his dreams turn into a nightmare when he ends up trapped in forced labor at a remote goat farm in the Middle East. The film, directed by Blessy, is a passion project that took nearly 16 years to complete. Starring Prithviraj Sukumaran in the lead role, "Aadujeevitham" is a powerful story of resilience, longing for home, and the fight for survival in desperate circumstances. It is based on true events and is considered a thought-provoking social commentary. The film is an outstanding portrayal of the dark incidents that happened in the life of a person from Kerala and is well-crafted to show 100% reality and truth. Some people may find it uncomfortable to accept this reality, but their discomfort will not change the truth. It is an Oscar-worthy movie. For those who are struggling to accept it, keep crying. My rating: 10/10. Outstanding film.

From the shores of Kerala, India, The Goat Life (or Aadujeevitham in Malayalam) is a breathtaking survival story (that transcends language and geography) about an Indian man who is forced to work as a goat herder in a Saudi desert against his will. Actor Prithviraj Sukumaran underwent an arduous transformation for this role, and his performance is amplified by stunning visuals and a haunting score. Director Blessy's tale is an exploration of hope and resilience that lingers long after the credits roll. I would highly recommend Aadujeevitham to witness Prithviraj's skilful acting and how immersive the world is.

All things considered a neat adaptation of Aadujeevitham. I read the novel around 15 years ago and loved it. I don't remember everything from it but there were some standout moments from the novel that I missed here. Maybe those were the more fictional aspects of the novel and this could be closer to Najeeb's real life, I don't know. But it really felt like that in the first half there was so much focus on certain aspects that could've been shortened with more impact even if they didn't include the parts from the book that I wanted to see since it's already three hours. The initial portions of Prithviraj as the newly arrived immigrant were also not as convincing as I would've liked. But the film fully commits in every department in the second half and makes such a beautiful experience. Prithviraj's transformation and his suffering are portrayed as a person who is very normal and innocent in contrast to the similar character in Mariyan (which took a lot of inspiration from this novel) who was essentially portrayed as a hero. Periyone song was incredible but it was too short and didn't fully give the impact it could've. In fact, a lot of scenes suffer from this because of poor editing. Other than Periyone, most of the music is either too much or just not matching what is going on. Honestly disappointed with the music. Even the ending of the movie felt a little abrupt, especially considering how the flashbacks were set up but it ended without the full payoff.

Even with all the problems I had Aadujeevitham is a solid movie and a neat adaptation of the novel with incredible performances, especially from Prithviraj. As someone who had read the novel, there were a lot of things that were easier to understand and also other things that I was disappointed with. It felt like it would be an entirely different experience for those who haven't read the novel.

The film is worth watching, but there are many superior survival movies that offer a more rewarding experience for the same three-hour investment. "Society of the Snow" stands as a recent benchmark in the genre, and unfortunately, this film falls short of that.

The narrative suffers from a lack of a compelling theme, with certain segments dragging on unnecessarily. The romantic subplot is particularly weak; it's not only poorly crafted but also fails to contribute meaningfully to the overall story, despite occupying a substantial portion of the first act.

The pivotal elements of the film commence too late, by which time the audience may have already lost interest due to the earlier lackluster content. However, the desert sequences stand out, showcasing commendable performances by the trio of actors portraying the survivors.

The conclusion of the movie is jarringly abrupt, leaving viewers without any insight into the lives of the enigmatic character who joined the trek or the Malayali individual who offered aid.

In summary, the romantic elements are excessively drawn out, the desert scenes are satisfactory, and the ending feels rushed, as if the production was constrained by budget limitations and had to hastily wrap up, akin to the final moments of writing an exam.

The film's narrative is gripping, capturing the essence of Najeeb's journey in the harsh desert landscape, where he is forced to live as a shepherd under inhumane conditions. The screenplay, also penned by Blessy, stays true to the essence of the novel, conveying the agony and hope of Najeeb with an unflinching honesty. The dialogues are sparse but powerful, resonating deeply with the audience and evoking a wide range of emotions.

Aadujeevitham's cinematography is another highlight, with the expansive deserts and harsh environments beautifully captured by the lens. The film's visual storytelling complements its narrative, making the audience feel the isolation and desolation that Najeeb experiences. The use of natural light and the sweeping shots of the desert landscape create a hauntingly beautiful backdrop that enhances the story's emotional impact.

The music and background score by A. R. Rahman add an additional layer of depth to the film, subtly underscoring the narrative's highs and lows. Rahman's compositions are evocative and poignant, perfectly aligning with the film's tone and enhancing the overall viewing experience.