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5.5/10
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An oily, amoral estate agent is preyed upon by one of his victims, who quietly moves into his flat and, unseen, begins a deliciously malicious campaign of revenge. Two Pigeons is a dark come... Read allAn oily, amoral estate agent is preyed upon by one of his victims, who quietly moves into his flat and, unseen, begins a deliciously malicious campaign of revenge. Two Pigeons is a dark comedy with a sinister streak.An oily, amoral estate agent is preyed upon by one of his victims, who quietly moves into his flat and, unseen, begins a deliciously malicious campaign of revenge. Two Pigeons is a dark comedy with a sinister streak.
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Oh, I liked this film. I was unaware before watching that Javier Botet is involved in some of my favourite films(REC, The Conjuring 2, Crimson Peak to name three) You have to see him to believe it-this man is grotesque(sorry) and fascinating and makes the film what it is
Basic story-broken man seeks revenge on the estate agent by moving into his flat and insidiously destroying his life
It's a gross, funny and well made film
Basic story-broken man seeks revenge on the estate agent by moving into his flat and insidiously destroying his life
It's a gross, funny and well made film
Estate agent Hussein (Mim Shaikh) shares a small London apartment with his girlfriend Mel (Mandeep Dhillon), but, unbeknownst to the young couple, the flat is also home to a strange Spaniard called Orlan (Javier Botet), who conceals himself about the place, emerging whenever the coast is clear to carry out a series of unsavoury acts designed to ruin Hussein's life.
A stranger hiding unnoticed in a home isn't exactly a new idea (for similarly themed films, see Hider In The House, and to some extent, A Crack In The Floor, both of which star Gary Busey). Despite this, the film still manages to hold quite a few surprises, delivering plenty of twisted humour and a keen sense of the absurd. Director Dominic Bridges' slowburn approach is effective, Orlan's activities starting out as relatively innocuous, but, as the film progresses, taken to more and more extreme levels. Shaikh and Dhillon do well as the the clueless victims, but is Botet who is the film's strongest suit, his extremely slight frame and long gangly limbs making him a memorably disturbing character.
Unfortunately, as good as the build up is, the finalé proves frustratingly tame: rather than opt for the truly disturbing ending the film deserves, Bridges delivers a finish that is both rushed and ultimately unsatisfying, Orlan's final punishment for Hussein not nearly as nasty as one might expect.
***EDIT*** Having just finished watching Spanish thriller Sleep Tight (2011), I now realise that Freehold's basic premise is even more derivative than I thought. I'm tempted to deduct a point for lack of originality, but will leave my rating at a 7 for the time being.***
A stranger hiding unnoticed in a home isn't exactly a new idea (for similarly themed films, see Hider In The House, and to some extent, A Crack In The Floor, both of which star Gary Busey). Despite this, the film still manages to hold quite a few surprises, delivering plenty of twisted humour and a keen sense of the absurd. Director Dominic Bridges' slowburn approach is effective, Orlan's activities starting out as relatively innocuous, but, as the film progresses, taken to more and more extreme levels. Shaikh and Dhillon do well as the the clueless victims, but is Botet who is the film's strongest suit, his extremely slight frame and long gangly limbs making him a memorably disturbing character.
Unfortunately, as good as the build up is, the finalé proves frustratingly tame: rather than opt for the truly disturbing ending the film deserves, Bridges delivers a finish that is both rushed and ultimately unsatisfying, Orlan's final punishment for Hussein not nearly as nasty as one might expect.
***EDIT*** Having just finished watching Spanish thriller Sleep Tight (2011), I now realise that Freehold's basic premise is even more derivative than I thought. I'm tempted to deduct a point for lack of originality, but will leave my rating at a 7 for the time being.***
A psychological art house revenge karmic comedy mystery gross out metaphorical film?? Interesting and clever with good performances all round. A little repetitive possibly, could have lost a few minutes of creeping around to improve pacing, though a minor quibble. Absurdist situation that the director somehow allows the viewer to buy into. Will not be to everyones taste and may cause a gag reflex in some people at times but highly recommended for something a bit different.
Intriguing and unusual take on a home invasion story ! Really draws you in and the actors are very believable ! Pretty disgusting in parts when you see what the interloper gets up too but all very entertaining! Always amazes me seeing the serial 1/10 reviewers on here that are clearly clueless ! This is well thought out and very good !
This is a a creepy yet captivating movie. It is definititely not a comedy.
Did you know
- Crazy creditsDuring the end credits the character Hussein performs a spoken word piece about his shady business practices.
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- 2 Pigeons
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- Runtime
- 1h 20m(80 min)
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- 2.39:1
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