IMDb RATING
5.7/10
2.4K
YOUR RATING
An intersectional narrative of two families in Brooklyn and the unraveling of unspoken unhappiness that occurs when a young foreign girl spending time abroad upsets the balance on both sides... Read allAn intersectional narrative of two families in Brooklyn and the unraveling of unspoken unhappiness that occurs when a young foreign girl spending time abroad upsets the balance on both sides.An intersectional narrative of two families in Brooklyn and the unraveling of unspoken unhappiness that occurs when a young foreign girl spending time abroad upsets the balance on both sides.
- Awards
- 2 wins & 7 nominations total
Lio Tipton
- Jess
- (as Analeigh Tipton)
Jason Giampietro
- Kevin
- (as Jay Giampietro)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
If you don't like character- and dialogue-driven films, skip this one. I found it interesting. To me, it's about people in search of love and understanding...mostly of themselves. And unfortunately, they all suck at both. If there were some appreciable growth by at least one of these hapless humans, it would've helped. One of the characters had just a tiny bit of an arc.
That said, I can see why the filmmaker did what she did here. Golden Exits is a bit dark and many will find it equally depressing (if you're not taking what I'd call a very objective and observational approach to it), but I think the key point here is *so is life at times.* This film serves as a stark reminder that there is so much more for us than living in perpetual angst and unhappiness - a state in which most if not all of these characters seem to excel.
That said, I can see why the filmmaker did what she did here. Golden Exits is a bit dark and many will find it equally depressing (if you're not taking what I'd call a very objective and observational approach to it), but I think the key point here is *so is life at times.* This film serves as a stark reminder that there is so much more for us than living in perpetual angst and unhappiness - a state in which most if not all of these characters seem to excel.
The concept and characters dynamics kept me watching but the dialogue was terrible. They somehow got this solid cast to deliver this content in a bizarre Room level fashion. Dude, next time get a writer that has a little closer handle on reality.
I wanted so badly to like this. The cast... My goodness. Emily Browning, Mary Louise Parker, Lily Rabe, Chloë Sevigny, Ad-rock, Schwartzman. Come on. What a lineup.
But even they couldn't save this movie. All I saw were a bunch of unhappy women wondering about their husband's attention to them and if said husbands were cheating.... or unhappy women wishing they had men, as they are just sooo unhappy being alone. As a bonus, you also get to watch unhappy men seeking validation and attention that apparently their successful and beautiful wives can't provide. All this displayed through boring and unrealistic dialog and actions.
You're going to line up a cast of badass women and then place them in these surface level roles? Really? An absolute waste.
This movie wanted to be profound and intertwined but missed both of those goals by a mile. It really is a shame.
But even they couldn't save this movie. All I saw were a bunch of unhappy women wondering about their husband's attention to them and if said husbands were cheating.... or unhappy women wishing they had men, as they are just sooo unhappy being alone. As a bonus, you also get to watch unhappy men seeking validation and attention that apparently their successful and beautiful wives can't provide. All this displayed through boring and unrealistic dialog and actions.
You're going to line up a cast of badass women and then place them in these surface level roles? Really? An absolute waste.
This movie wanted to be profound and intertwined but missed both of those goals by a mile. It really is a shame.
I see three main reasons to see a movie, to be entertain, to learn something or to feel something. Miraculously, the movie manage to do neither. There's no character development. There's a plethora of characters who's live seems to be impacted by the arrival of the young australian but the end of the movie not one has changed, not one has learn something. The only impact she has finally is in their dialogue.
I have a hard time constructing any argument so here is the bullet points :
- the music is flat
- the image is boring
- there's a lot of great actor but no great acting
- most of the dialogues are movie dialogues, not people dialogues.
Even though the film is slow and some of the characters are one-dimensional clichés, I was still quite touched by it. Mostly because the dialogues are well written and the acting is top-notch. Good photography and soundtrack also helps.
Did you know
- TriviaFilming took place in the director's neighborhood in Brooklyn, New York. Chloë Sevigny also lived in the neighborhood at the time. She said, "In, like, my 20 year career I've never walked to work before. It was awesome."
- ConnectionsReferences Arthur (1981)
- How long is Golden Exits?Powered by Alexa
Details
Box office
- Gross US & Canada
- $41,888
- Opening weekend US & Canada
- $11,719
- Feb 11, 2018
- Gross worldwide
- $41,888
- Runtime
- 1h 34m(94 min)
- Color
- Aspect ratio
- 1.85 : 1
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