A traumatized veteran unafraid of violence tracks down missing girls for a living. When a job spins out of control, Joe's nightmares overtake him as a conspiracy is uncovered leading to what... Read allA traumatized veteran unafraid of violence tracks down missing girls for a living. When a job spins out of control, Joe's nightmares overtake him as a conspiracy is uncovered leading to what could be his death trip or his awakening.A traumatized veteran unafraid of violence tracks down missing girls for a living. When a job spins out of control, Joe's nightmares overtake him as a conspiracy is uncovered leading to what could be his death trip or his awakening.
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- Nominated for 1 BAFTA Award
- 24 wins & 78 nominations total
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Featured reviews
This movie tries way too hard to be artistic
So let us focus on positives . Joaquin Phoenix is great as always. He is an amazing actor and he is in control with every character that he plays .
The movie in general has a nice premise and an interesting little plot . There is also a deeper meaning in this one to question the people around us BUT The movie is extremely boring and slow. Even the more thrilling scenes are bland. Pacing of the movie overall is very slow and camera work is also quite bad for my taste.
There are a lot of unecessery close ups and there are multiple shots from very weird angles that are not made for some context or plot , they were made to make a movie more artistic and it fails 90% of time to make it seem like that. The whole movie just feels like someone trying really really hard to make a "deep thrilling artistic" movie.
Taxi Driver has some similar scenes like this movie but they are done quite well and they immerse you into a dark world and a dark mind. This movie tries to do that but it doesn't quite work.
There are some scenes that happen in water and I think those are made great but nothing you have not already seen before.
There were times where I wanted to fast forward some scenes and not just watch a guy walk for 10 minutes and that happens quite often. That is why I think the premise is great but the plot is stretched way too much and the whole story could have been told in like 20 minutes.
I still did enjoy it to some level. I didn't want to turn it off because it intriged me to watch it till the end , to hopefuly see a big payoff or explenation of some sort for certain things.
In the end , it all ends up pretty bland and leaves a bad taste after watching it.
If you like slow paced movies with a character study that is just weird at best and sprinkled with tiny bits of deeper thoughts then this movie is for you.
If you are a casual movie fan that has seen movies from more genres or casually watch suspense thriller movies than this one will be too bland for you.
PlatinumanYT 6.4.
The movie in general has a nice premise and an interesting little plot . There is also a deeper meaning in this one to question the people around us BUT The movie is extremely boring and slow. Even the more thrilling scenes are bland. Pacing of the movie overall is very slow and camera work is also quite bad for my taste.
There are a lot of unecessery close ups and there are multiple shots from very weird angles that are not made for some context or plot , they were made to make a movie more artistic and it fails 90% of time to make it seem like that. The whole movie just feels like someone trying really really hard to make a "deep thrilling artistic" movie.
Taxi Driver has some similar scenes like this movie but they are done quite well and they immerse you into a dark world and a dark mind. This movie tries to do that but it doesn't quite work.
There are some scenes that happen in water and I think those are made great but nothing you have not already seen before.
There were times where I wanted to fast forward some scenes and not just watch a guy walk for 10 minutes and that happens quite often. That is why I think the premise is great but the plot is stretched way too much and the whole story could have been told in like 20 minutes.
I still did enjoy it to some level. I didn't want to turn it off because it intriged me to watch it till the end , to hopefuly see a big payoff or explenation of some sort for certain things.
In the end , it all ends up pretty bland and leaves a bad taste after watching it.
If you like slow paced movies with a character study that is just weird at best and sprinkled with tiny bits of deeper thoughts then this movie is for you.
If you are a casual movie fan that has seen movies from more genres or casually watch suspense thriller movies than this one will be too bland for you.
PlatinumanYT 6.4.
Incredible performances and cinematography, but has a weak uninteresting plot
I'm a huge fan of art films. This film is definitely inspired by taxi driver and that's one of the reasons why it caught my attention as I love that movie, but this film is a huge let down. It's not good. The acting is 10/10, the cinematography and camerawork is 10/10, but the plot is horrible and boring. Take blade runner 2049's slow (but awesome) pacing and slow it down, throw in an uninteresting predictable repetitive recycled plot we've seen a billion times which could have been told within 20 minutes, give the main character psychological traumatic issues and show us random crap that's going on in his mind, and you have this movie. It brings nothing new to the table and is done in a way that simply bores you. I love dramas, I know this movie is one, an art drama film, but there Wonder, no suspense, no clever conversations, no anything really. I felt like I was watching a long video demonstrating Joaquin Phoenix's phenomenal acting.
In a nutshell this film is a drama with your typical basic story line with phenomenal acting that you will forget within a couple of days. I can only recommend it if love movies with beautiful cinematography and are a huge fan of Joaquin Phoenix, but if you're looking for an original unforgettable drama, a crime revenge film, or whatever else you were expecting, I recommend staying away from this.
In a nutshell this film is a drama with your typical basic story line with phenomenal acting that you will forget within a couple of days. I can only recommend it if love movies with beautiful cinematography and are a huge fan of Joaquin Phoenix, but if you're looking for an original unforgettable drama, a crime revenge film, or whatever else you were expecting, I recommend staying away from this.
Nightmarish trauma
'You Were Never Really Here' compelled me to watch it from the start. The fact that people were describing it as an unconventional thriller interested me, there are not many of those these days (speaking as a fan of thrillers), and then you have an extremely talented actor in Joaquin Phoenix in the lead role. The positive word of mouth and cool advertising added further to the promise.
Seeing it, 'You Were Never Really Here' came over as very good and very impressive. Can totally understand why it is divisive here and it is not surprising that some were alienated by it and not used to a thriller being done differently. It's hardly the first or only divisive film from 2018 so far, 'A Quiet Place' and 'Hereditary' were very different horrors that were critically acclaimed but polarising with audiences, personally loved both, especially 'A Quiet Place'. For me, that it was unconventional was a large part of why 'You Were Never Really Here' worked as well as it did. It is not quite a masterpiece and it just falls short of being one of my very favourite films of the year (though it is still towards the top).
It is not perfect. 'You Were Never Really Here' does have moments where the story could have done with more clarity, the vagueness did cause a little confusion at times.
Would have liked much more development to the supporting characters, while the protagonist is splendidly drawn the rest are sketchy.
However, there is so much to like about 'You Were Never Really Here'. The production values are extremely stylish with some very creative shots and film techniques, the rescue is particularly gritty and purposefully grainy in a security camera way. The minimal dialogue was a good choice, it let the atmosphere fully sear and the uncompromising brutality and unsettlement ensures plenty of deliberately slow-burning tension which helps make the story absorbing.
Lynne Ramsay directs cleverly, with a keen eye for visual style, letting the atmosphere speak for itself and never letting the deliberate pacing to become dull or self-indulgent. That's personal opinion, just to make that clear to anybody who will vehemently disagree. 'You Were Never Really Here' is successful in avoiding clichés and having the action scenes brief, not frequent and mostly off-screen provided to be a bold and good move. Joaquin Phoenix is excellent in the lead role, the intensity dripping off him at every turn. The rest of the cast do well but not to the same level of Phoenix, but only because he is something else.
Altogether, very good but so many great things. With better fleshed out characters and more clarity in some of the plotting, it would have been even better. 8/10 Bethany Cox
Seeing it, 'You Were Never Really Here' came over as very good and very impressive. Can totally understand why it is divisive here and it is not surprising that some were alienated by it and not used to a thriller being done differently. It's hardly the first or only divisive film from 2018 so far, 'A Quiet Place' and 'Hereditary' were very different horrors that were critically acclaimed but polarising with audiences, personally loved both, especially 'A Quiet Place'. For me, that it was unconventional was a large part of why 'You Were Never Really Here' worked as well as it did. It is not quite a masterpiece and it just falls short of being one of my very favourite films of the year (though it is still towards the top).
It is not perfect. 'You Were Never Really Here' does have moments where the story could have done with more clarity, the vagueness did cause a little confusion at times.
Would have liked much more development to the supporting characters, while the protagonist is splendidly drawn the rest are sketchy.
However, there is so much to like about 'You Were Never Really Here'. The production values are extremely stylish with some very creative shots and film techniques, the rescue is particularly gritty and purposefully grainy in a security camera way. The minimal dialogue was a good choice, it let the atmosphere fully sear and the uncompromising brutality and unsettlement ensures plenty of deliberately slow-burning tension which helps make the story absorbing.
Lynne Ramsay directs cleverly, with a keen eye for visual style, letting the atmosphere speak for itself and never letting the deliberate pacing to become dull or self-indulgent. That's personal opinion, just to make that clear to anybody who will vehemently disagree. 'You Were Never Really Here' is successful in avoiding clichés and having the action scenes brief, not frequent and mostly off-screen provided to be a bold and good move. Joaquin Phoenix is excellent in the lead role, the intensity dripping off him at every turn. The rest of the cast do well but not to the same level of Phoenix, but only because he is something else.
Altogether, very good but so many great things. With better fleshed out characters and more clarity in some of the plotting, it would have been even better. 8/10 Bethany Cox
A PTSD filled drama
Probably the strangest movie I've seen in a while... It's hard to describe the feeling you get when you finish this film. The best way I can say is; there could have been more. It kind of ends on a bittersweet note, and it will piss off some, that is for sure. Overall though, it does a good job of showing how a traumatized man views the world. One word that sums up this movie would be PTSD. The film essentially is a PTSD fest. Throughout it's 1h30 runtime you aren't sure if what you're seeing is actually happening for real.
Quite jarring, think that's intended.
I'm still processing this. The comparisons to "Taxi Driver" are fair: the performances, the director's vision and exectution, the understated script..... those are some of the similarities. The major differences, for me include the depth to which the protagonist's trauma is not played out for us to view as observers, but drip-fed in increasing doses, often from a first-person perspective, which in my watching felt more like we were experiencing Joe's trauma with him, rather than seeing it played out for us. The film also has a lot of relevance to current discussions of modern masculinity, and here the gendering of social roles is presented very much more as a question than a statement.
If you prefer to finish watching a film with your friends and be able to agree pretty much without discussion on what it was about, then I suspect you might find this film pretentious or light on plot. If you're the type who enjoys discovering what your friends think they just saw, and don't mind spending a lot the movie time watching Joaquin Phoenix' face doing some really admirable acting, then this film might be as worthwhile for you as it was for me.
If you prefer to finish watching a film with your friends and be able to agree pretty much without discussion on what it was about, then I suspect you might find this film pretentious or light on plot. If you're the type who enjoys discovering what your friends think they just saw, and don't mind spending a lot the movie time watching Joaquin Phoenix' face doing some really admirable acting, then this film might be as worthwhile for you as it was for me.
Soundtrack
Preview the soundtrack here and continue listening on Amazon Music.
Did you know
- TriviaAccording to the director Lynne Ramsay, the scene where Joaquin Phoenix's character lies down on the floor next to the agent and begins singing was improvised by Phoenix.
- GoofsScott gives the security code as 4392, but the first number we see Joe punching is on the upper right of the keypad.
- Crazy creditsThe indistinct conversation from the diner continues through the end credits, even when the music changes.
- ConnectionsFeatured in WatchMojo: Top 10 Amazing Movies You Missed This Spring (2018)
- How long is You Were Never Really Here?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Nunca estarás a salvo
- Filming locations
- Astoria, Queens, New York City, New York, USA(Elevated subway platform)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $2,500,000 (estimated)
- Gross US & Canada
- $2,528,078
- Opening weekend US & Canada
- $132,829
- Apr 8, 2018
- Gross worldwide
- $9,360,514
- Runtime
- 1h 29m(89 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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