Sugarwood

So far all I've watched of this show is this episode, but I have to say that I am hooked. I've been kind of putting off watching this show despite the intriguing premise. I loved Breaking Bad and this has a very Breaking Bad feel to it. I've seen some less than flattering reviews saying it's a "poor man's BB," but let's be honest, that show was a masterpiece and we have to take what we can get. That said, this episode is a very promising beginning and I can't wait to see more.

Everybody is different, some like comic cartoonish series, some comedic, some action etc. This series and this episode is exactly made for the kind of people who likes "serious drama", but wants constant excitement. It starts just like anything, but then, it puts the pressure on and on and on, and it's a rush of joy and tension watching it. As a pilot it could have been just a movie and i would have been more than happy, gladly we got more and i can say it's absolutely worth the watch, but the first episode really impress me. Have to add this before i forgot to mention it. The script, the writting in this series is top notch. Sometimes after some dialog so well written, i had to stop and concluded that was very well written. It's nice to see well written shows for grownups.

Martin 'Marty' Byrde, a hardworking and successful financial advisor, is dragged into a situation beyond his control when his business partner cheats a threatful client within the business. Marty must now relocate himself and his family, and victoriously grow a personal saving of millions of dollars to those he loves safe.

Ozark sometimes has its calming and mysterious moments, but the series seems to be blanketed by a darker and sinister tone; Marty is a good man, a family man, but this is blanketed by his decaying marriage and struggle to communicate with his family. His wife, Wendy, is a good mother but is struggling to regrow her marriage with Marty as much as he is struggling. Marty's business partner, Bruce, is a successful married man, but he has as many dark secrets like everyone else in the business. Secrets everywhere.

Jason Bateman does a very good job of displaying himself as an understanding financial client - Marty Byrde. Jason's dramatic performance as a level-headed, verbally convincing financial client is realistic, personal, possibly debatable, but certainly believable. Laura Linney is also performing exceptionally, and we can only be faithful that her character will grow throughout the series and show us that she is capable at throwing her inner character emotions to the series' audience.

The cinematography and placements of items and actors are received very well. There wasn't a scene where I felt like I was being smothered by overly in-your-face details and characters. Each scene is mysterious yet simple at the exact same time, and we have Bill Dubuque and Mark Williams to thank for that.

Everything in each scene has been chosen delicately. When it comes to a series like this, an audience will rely on the scenes matching the shapes, tones, and themes of each scene. When the characters are discussing their next business actions, the scenes are constantly considered and given the look and feel of where one would be to discuss said business. The writing isn't lazy, so there is hope for the future of this series.

The editing can be unexpected in some instances, but I'd be lying if I said that the editing was amazing. No, the editing is clean and simple - nothing that would require us to rewind a scene and grasp precise details. The lighting and positioning of each camera, however, adds to the visual sensations of each scene and gives us a precise intended tone.

The dialogue is realistic, which has helped Marty become a very intriguing character quickly. What I love most about the dialogue, however, isn't the fact that it's realistic, but the fact that, depending on who the character is, they will stay loyal to their backgrounds and upbringings. Not one character 'felt out of place' and made me think "I don't think they know what to do with this character."

This was a decent enough first episode - entertaining. I'm hoping to feel further intrigued by the snappy writing and use of, for now, underdeveloped characters and what situations they will find themselves in. Hopefully, Bill Dubuque and Mark Williams will be able to keep this series curving in a quirky direction.

Anyone burned by the slow stroll to nowhere of recent Netflix dramas had to be pleased with the pins-and-needles tension - and shocking payoffs - of "Ozark," Jason Bateman's new original series for the streaming giant. From the first episode to the ending, Season 1 was filled with shocking twists and intense familial strife. The importance of the premiere episode was its power. While that may go without saying, given the first hour's overall impact, it's important to remember how many dramas start slow. "Ozark" digs right in, and does so with great purpose: to alert you to what kind of show you're watching and prepare you for what's to come. Meet Marty Byrde (Jason Bateman): a financial adviser working for a small firm in Chicago with his partner, Bruce (Josh Randall). But making smart monetary moves isn't just Marty's business. It's his life. We learn as much by the penny-pinching tendencies on display when he denies another $10 donation to his daughter's friend - for charity. A shot that starts with his entire family gathered around the dinner table ends with Marty munching on chips alone. Clearly, his job is affecting his life. And it all starts with the massacre of Marty's business partners. Del (Esai Morales) suspects his money launderers are skimming money in the process, which we later find out is a bluff. He didn't know. He just presumed, and Bruce fell for it. What's important to note about all these deaths goes beyond simple set-up. Yes, Marty's last-second idea saves his hide and sets in motion the entire series - moving the family to Missouri, laundering more money than he ever imagined possible - but it also sets a standard: The worst can happen, and Del won't hesitate to pull the trigger. This lesson is reinforced again when Wendy (Laura Linney) tries to flee with her fling, Gary (a.k.a. "Sugarwood" - thanks for the episode title, P. I.). Just as you expect a conflict between an angry Marty and his wife's lover, down drops Gary's body with a sickening thwack, right in the middle of the street. Del found out what Wendy was trying to do and dealt with it before Marty had a chance. How he handles Gary - and Wendy - is memorable for all parties: exactly the response Del wants.

Nice of view

breaking bad new version

not enough but wonderful.

can enjoy abt human greed, evilness & modern moral.