Angela makes an acquaintance; Dom begins seeing the scope of things; an old friend reveals everything to Elliot.Angela makes an acquaintance; Dom begins seeing the scope of things; an old friend reveals everything to Elliot.Angela makes an acquaintance; Dom begins seeing the scope of things; an old friend reveals everything to Elliot.
Carly Chaikin
- Darlene
- (credit only)
Featured reviews
It's hard to write that title. I mean, for a show that is about hacking the FBI, and a nerd being desired by every beautiful women out there, is hard to say... But the Angela story in this was... So disappointing...
10noalygh
This is definitely one of the best episodes so far in this season to me. Angela totally dominates this episode. Her story is just such interesting and intriguing as I was having so many questions running in my head through her scenes. Whiterose, again, returns with many puzzles and mysteries but still, one of my favorite characters so far.
Another highlight in this episode is Dom's scene talking to Alexa. We can clearly see through Dom's loneliness and how she deals with it through the conversation as everyone of us sometimes experience. Elliot, using a trick in attempt to track down Mr. Robot as later results to a surprising encounter was also a satisfying part of the episode.
Overall, the vibe and story seems to go a bit peculiar and slow but I mean it in a very good way. Filled with clues and answers, we are now so close to finding out the big picture in season 2. Anyway, Sam Esmail, I totally love the cliffhangers you've been putting at the end of the episodes lately.
Another highlight in this episode is Dom's scene talking to Alexa. We can clearly see through Dom's loneliness and how she deals with it through the conversation as everyone of us sometimes experience. Elliot, using a trick in attempt to track down Mr. Robot as later results to a surprising encounter was also a satisfying part of the episode.
Overall, the vibe and story seems to go a bit peculiar and slow but I mean it in a very good way. Filled with clues and answers, we are now so close to finding out the big picture in season 2. Anyway, Sam Esmail, I totally love the cliffhangers you've been putting at the end of the episodes lately.
Man, Sam Esmail is such a tease. Each time I feel like he's setting us up to finally get an answer of some sort, he just makes it more strange and ambiguous. It's one of the things that I love about this show, but it's also growing pretty irritating in some ways this season. I've enjoyed the mystery surrounding Tyrell, but I've not enjoyed the countless times we've been set up to think we're about to get the answer only to have the rug pulled out from under us. I enjoyed the Lupe's cliffhanger from last episode, but I was furious that it was not resolved in this one. Ultimately, the problem that Mr. Robot is encountering at the moment is not exactly that they are taking too long to give us answers, but rather that it is milking the questions too hard during that wait.
The perfect example of the over-zealous milking in this episode can be found in Angela's story. She dominates the episode, with the most screen-time by far. Most of that time is spent on a really weird setup that feels very Lynchian. This is drawn out to such a degree that I was beginning to accept the idea that we were now seeing hallucinations from Angela's point of view. Finally, however, it is revealed what has been going on here, and we move on to the real purpose of the scene. As much as I enjoyed the weirdness of the lead-up, it ultimately feels very pointless. And then, the scene we've been building to this whole time with this elaborate setup... ends with ANOTHER secret being hidden from the audience. You've got to give us something, Esmail!
As always (though more than usual), there appears to be some reveal and/or advancement in the Tyrell story this episode, but even that is so strange and muddled that I don't really trust anything about it. In fact, the reveal seemed deliberately anti-climactic and side-lined as a way of making the audience realize subconsciously that it isn't entirely real. I mean, I was sitting there with bated breath, and yet when the moment came, I had literally no reaction. I have to admire the skill that went into crafting a scene that so perfectly undercuts my own intense investment. There is absolutely no doubt in my mind that Sam Esmail is succeeding 100% at doing exactly what he wanted to do with this episode. The question is whether or not what he wanted to do will push audiences beyond their threshold of patience. This still isn't the last episode, so I remain hopeful. But the final scene of this one does have me worried. I wouldn't have any problem with the finale leaving a bunch of huge questions, but if the huge questions from the season 1 finale remain unanswered, I will be very angry indeed.
The perfect example of the over-zealous milking in this episode can be found in Angela's story. She dominates the episode, with the most screen-time by far. Most of that time is spent on a really weird setup that feels very Lynchian. This is drawn out to such a degree that I was beginning to accept the idea that we were now seeing hallucinations from Angela's point of view. Finally, however, it is revealed what has been going on here, and we move on to the real purpose of the scene. As much as I enjoyed the weirdness of the lead-up, it ultimately feels very pointless. And then, the scene we've been building to this whole time with this elaborate setup... ends with ANOTHER secret being hidden from the audience. You've got to give us something, Esmail!
As always (though more than usual), there appears to be some reveal and/or advancement in the Tyrell story this episode, but even that is so strange and muddled that I don't really trust anything about it. In fact, the reveal seemed deliberately anti-climactic and side-lined as a way of making the audience realize subconsciously that it isn't entirely real. I mean, I was sitting there with bated breath, and yet when the moment came, I had literally no reaction. I have to admire the skill that went into crafting a scene that so perfectly undercuts my own intense investment. There is absolutely no doubt in my mind that Sam Esmail is succeeding 100% at doing exactly what he wanted to do with this episode. The question is whether or not what he wanted to do will push audiences beyond their threshold of patience. This still isn't the last episode, so I remain hopeful. But the final scene of this one does have me worried. I wouldn't have any problem with the finale leaving a bunch of huge questions, but if the huge questions from the season 1 finale remain unanswered, I will be very angry indeed.
This was honestly one of my least favorite episodes of season 2, but I can understand why. This was more of a set up episode, just for the next season, than a big big episode. My favorite characters in this episode were Elliot, Angela, and Whiterose. My favorite things about this episode were the Protagonist, the Cinematography, and the ending. My mom got sort of confused when he saw the person that/who was at the end. I was both shocked and confused on my first watch. I can't wait to see my mom's reaction in the third/next season of the show. That is when some of the big stuff happens in this masterpiece.
This episode is a mess. The long, pointless conversations, especially the one between Angela and the ridiculously made up White Rose made me want to just skip to the next episode. That's what I should have done, but I stuck it out and found that my original idea was the best move.
It's really getting bad when the viewer is being simultaneously bored to tears and deliberately confused. What has happened to the plot and the sharply written dialog? This episode is like a bunch of glue-huffing fans were allowed to write an episode after watching only the pilot while stoned on solvents; they know a few of the character names, but have no idea what has been happening in the story.
I really should rate this a 1 star, but I won't, on principle. One star reviews are usually written by people who aren't really viewers, but instead just shills who want to bring down the ratings.
It's really getting bad when the viewer is being simultaneously bored to tears and deliberately confused. What has happened to the plot and the sharply written dialog? This episode is like a bunch of glue-huffing fans were allowed to write an episode after watching only the pilot while stoned on solvents; they know a few of the character names, but have no idea what has been happening in the story.
I really should rate this a 1 star, but I won't, on principle. One star reviews are usually written by people who aren't really viewers, but instead just shills who want to bring down the ratings.
Did you know
- TriviaThe language spoken by the cab driver (Efraiem Hanna) was Egyptian. Rami Malek (Elliot)'s father is Egyptian and Sam Esmail's parents are Egyptian.
- Quotes
Whiterose: I've always found doors fascinating inventions. They hold the entry to unlimited imagination. Before you open any door, a world filled with possibilities sits right behind it. And it isn't until you open it they are realized. Such potential they bring to our minds. And yet a lock stopped you from all of that
- ConnectionsReferenced in Collider TV Talk: Episode #1.27 (2016)
Details
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- Country of origin
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- Production companies
- See more company credits at IMDbPro
- Runtime
- 47m
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
- 16:9 HD
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