California Typewriter

I am a typewriter user and also a long time Sam Shepard fan. I found this to be a quite fascinating film. I was expecting it to be an examination of the machine, yet it was more like an examination of our current world and both the good and the bad that comes from the digital/computer revolution. That said it did more than satisfy my lust at seeing so many beautiful machines - some that I would love to own someday. The stories of the characters and especially the repairman were very rich and detailed. I have recommended this film to a number of freinds.

Greetings again from the darkness. QWERTY. Chances are you recognize that from your laptop keyboard, and have never thought about the origin or design reason. This is just one of the fascinating topics in the surprisingly interesting and entertaining documentary from Doug Nichol (former music video guru for Aerosmith, Lenny Kravitz, Sting, and The New Kids on the Block).

Did you know there are folks who collect and still use typewriters? Well there are, and you've even heard of some of them: Tom Hanks, Sam Shepard, David McCullough and John Mayer. We hear from each of these as they describe their connection to the "old school" way of producing text on a page.

Mr. Nichol began with the idea of making a short film focusing on a small typewriter repair shop in Berkeley. As the story evolved, he learned of the many facets associated with the community of typewriter enthusiasts … those who refuse to give up the old way simply because a new way exists. There is history. There is nostalgia. There is a link to creativity. The film explores all of this and more.

Christopher Latham Sholes was a believer in Women's Rights in the 1800's, and his invention of the typewriter was to create more job opportunities for women. His prototype looked more like a piano, and due to a lack of investor interest, he finally had to sell to Remington in order to get production and marketing. By 1890, there were 60 manufacturers of typewriters, and the Sholes and Glidden model remains a gem of any collection even today.

It's bittersweet to see the recently deceased Sam Shepard and hear him explain how he never got along with a computer screen, but loves the feel and sound of his typewriter. He created some of the most marvelous plays ever written, and compares loading the paper to 'saddling a horse', and notes the sound of typing has a "percussion about it".

John Mayer recalls seeing Bob Dylan "playing" a typewriter as he wrote his songs, and has since made it apart of his own songwriting process. An inordinate amount of time is spent with Mayer on screen, but it does make the point that even the generation raised on technology can find value in an object that was once an office staple, and is now a mere relic to most. Writer David McCullough claims the typewriter is the only way he can write, and Tom Hanks seems to truly enjoy talking about his typewriter obsession, and how he spends time each day typing out thank you notes and correspondence.

The repair shop is the heart of the story, and we continually come back to Ken Alexander as he lovingly restores each machine that comes in. It's with a bit of irony that we watch Ken and the store owner Herb come to realize that they must rely on today's technology of websites and social media as a last hope for survival.

In stark contrast to Ken bringing typewriters back to life, we see modern sculptor Jeremy Mayes as he scavenges for typewriter parts for his latest piece. And in an odd twist, we meet a group who makes music with typewriters and actually perform classic songs with their own vibe.

Nostalgia has brought back vinyl records, and there is a community of folks who believe the typewriter revolution is underway. The rationale is that technology is now ruling our lives and we need to step back and get in touch with what is real and produce tangible results – not just use up storage on a hard drive. While we may not be convinced that "the revolution is typewritten" (from The Typewriter Insurgency Manifesto), the film is actually thought- provoking as it tracks and connects humans-machines-technology.

This is a fully engrossing movie that uses a portrait of a small business in Berkeley, CA to examine the unique mind set of collectors, the history of the typewriter and its impact on the culture as well as being a meditation on the cost of technological progress. We meet a wide range of people who collect typewriters, including Tom Hanks. He is very charming and is very clearly passionate about these machines. It's fun to listen to him explain what he likes about his typewriters and he has a compelling philosophical outlook. The other collectors are equally interesting and diverse, though, as noted in the film, mostly men. California Typewriter focuses on a very particular segment of society, but manages to say a lot about American culture in general.

I think it's inexcusable for a documentary that features a lot of talking head interviews not to identify the speakers on camera. We all know who Tom Hanks is, and maybe John Mayer. But the other notable people interviewed are not household names or faces, even Sam Shepard, RIP. The names are listed "In order of appearance" in the end credits. Are we supposed to memorize who appeared in what order? If it weren't for this creative choice, I would have given 10 stars.

I stumbled over this documentary and was soon captured. Perhaps because I recalled 10-year-old me beginning an unwritten novel on mother's new Smith Corona portable and 14-year-old me banging on clunky manuals in middle school typing classes. I suspect that for many of the collectors featured in this show, now-impractical devices trigger nostalgic yearnings for times when life seemed less complicated and more enjoyable.

Filmmaker Doug Nichol offers both recognizable celebrities and little-known folks, each with their own level of interest in, or obsession for, fading technology. Another juxtaposition involves people preserving outdated machines and a sculptor deconstructing them to give machine parts new life in unique art forms.

As the program evolves, it becomes less about machines and more about the people who treasure them.

When this movie was released, it was reviewed as a sort of fun feature, almost an indulgence on Hanks' part. But it is so much more! It is potent and impotent! How the soul wends its way from our depths to the printed page, with a little boost from an amalgamation of moving metal parts. Magic! And indeed it is. There are so few things that we do any longer that allow us, in an expanse of time, to create and to have in hand our creation.

All of the characters are engaging and invite us to participate in their worlds as they become creators and preservers of machines or creators of art with those same machines. Design and the care and handling of that design. And love. Unfathomable, mysterious love for these odd little machines with so many moving parts and quirky sounds that let us sit down and write ourselves a letter, or to tell the world just exactly how we fell.