IMDb RATING
7.3/10
3.2K
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Three Palestinian women living in an apartment in Tel Aviv try to find a balance between traditional and modern culture.Three Palestinian women living in an apartment in Tel Aviv try to find a balance between traditional and modern culture.Three Palestinian women living in an apartment in Tel Aviv try to find a balance between traditional and modern culture.
- Awards
- 16 wins & 17 nominations total
Sana Jammelieh
- Salma
- (as Sana Jammalieh)
Mahmud Shalaby
- Ziad Hamdi
- (as Mahmood Shalabi)
Khawlah Hag-Debsy
- Salma's mother
- (as Khawla Haj Debsy)
Nisrin Abou-Hanna
- Nour's mother
- (as Nisrin Abou Hanna)
Shir Sterenberg
- Bartender
- (as Shir Sternberg)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This Israeli production about Palestinian roommates in Tel Aviv presents a rich and moving array of the quandaries faced by young women on the uneven ground between traditional values and self-determination in a modern, urban landscape.
Leila, a young lawyer, and Salma, who begins the story as a sous chef and then takes a job as a bartender but also moonlights as a rave DJ, are modern young party girls who drink, smoke cigarettes, and do occasional pot and coke when their male friends are offering. Into their apartment moves Noor, an ostensibly traditional Muslim girl who never appears in public without a hijab, and is affianced to an activist who works in an NGO devoted to helping Muslims get by. He's not happy that she's studying computer science at university, and hopes she'll stay at home to raise their children eventually.
All three women collide with their culture's - and especially families' - traditional expectations. Salma's parents introduce her to various unappealing bachelors; Leila meets and dates a filmmaker who has studied and worked in New York but turns out to have some sticking points about her choices. Noor hits the hardest wall, but the way her initially unsympathetic roommates come together for her is beautiful and very satisfying.
Although this story centers on young women, and most of the men are forgettable at best or unpleasant (save for a queen-y gay friend of Leila's and, surprisingly, Noor's father, in a pivotal scene late in the movie), I wouldn't call it a "chick movie." It's well written and acted, and I found it not a great stretch to recognize that some men and families oppress young women in the U.S. in ways that are not so different, even today.
"In Between" is a lovely and solid piece of work.
Leila, a young lawyer, and Salma, who begins the story as a sous chef and then takes a job as a bartender but also moonlights as a rave DJ, are modern young party girls who drink, smoke cigarettes, and do occasional pot and coke when their male friends are offering. Into their apartment moves Noor, an ostensibly traditional Muslim girl who never appears in public without a hijab, and is affianced to an activist who works in an NGO devoted to helping Muslims get by. He's not happy that she's studying computer science at university, and hopes she'll stay at home to raise their children eventually.
All three women collide with their culture's - and especially families' - traditional expectations. Salma's parents introduce her to various unappealing bachelors; Leila meets and dates a filmmaker who has studied and worked in New York but turns out to have some sticking points about her choices. Noor hits the hardest wall, but the way her initially unsympathetic roommates come together for her is beautiful and very satisfying.
Although this story centers on young women, and most of the men are forgettable at best or unpleasant (save for a queen-y gay friend of Leila's and, surprisingly, Noor's father, in a pivotal scene late in the movie), I wouldn't call it a "chick movie." It's well written and acted, and I found it not a great stretch to recognize that some men and families oppress young women in the U.S. in ways that are not so different, even today.
"In Between" is a lovely and solid piece of work.
I saw this film at the BFI on International Women's Day which was very appropriate. The film was a revelation. As an Israeli woman free to live my life as I please, I never gave a thought to the Israeli Arab women living in our midst who are increasingly integrating into the labour market though less visible in the social scene which is still largely segregated. The three women characters were believable, warm, expressing solidarity to each other despite their very different personalities and life styles. The theme of personal conflicts between tradition and modernity is not new. What makes this film different is that the issues are very real and current and those outside the tradition don't see it. All three actresses are very good, the script is believable and the direction flawless. Go and see it to get an insight into the lives of Israeli Arab women torn between tradition and personal freedom.
A study in tolerance and values as they clash - tradition vs. contemporary; old vs. new; parents vs. older children; male dominance vs. female independence. We see good/bad on both sides - rape, drugs (legal & illegal), abuse, lack of understanding. Families, men & women trying to find love & answers. Centered about a Palestinian community in Israeli Tel Aviv.
8Nozz
I don't know what "Bar Bahr" means in Arabic, but I liked the English title-- "In Between"-- less than the Hebrew, which is "Neither Here Nor There." The movie is about how its three heroines suffer from belonging neither to traditional Arab society nor to secular Westernized society. Any base that they may seem to have established for themselves "in between" seems to crumble beneath their feet.
Despite the serious predicament, though, the movie is also very much about sisters doing it for themselves. There's an automatic solidarity whereby women-- at least young women of similar ages-- are all automatically soulmates; and men, it almost goes without saying, are swine. (Well, the gay guy is of course okay and a bit amusing.) Despite those stereotypes, the movie holds interest by virtue of believable acting and believable situations. My wife says it's one of the best we've seen in recent years, and she had the chance to appreciate it a little better than I did not only because she's a woman but also because she understands Arabic somewhat. For those who don't understand Arabic, though, there's still the added benefit of a look into another culture. The Israeli press was particularly impressed that not only traditional Arabic life is glimpsed, but also the small, rarely-explored community of young Arabs in Tel Aviv. (Is it possible that they all really smoke that much?) We see a succession of situations that by no means always involve much action or even much tension, although a couple of crises do come up. Mostly the appeal of the movie is in allowing us to feel like a fly on the wall among interesting people facing interesting day-to-day challenges.
Despite the serious predicament, though, the movie is also very much about sisters doing it for themselves. There's an automatic solidarity whereby women-- at least young women of similar ages-- are all automatically soulmates; and men, it almost goes without saying, are swine. (Well, the gay guy is of course okay and a bit amusing.) Despite those stereotypes, the movie holds interest by virtue of believable acting and believable situations. My wife says it's one of the best we've seen in recent years, and she had the chance to appreciate it a little better than I did not only because she's a woman but also because she understands Arabic somewhat. For those who don't understand Arabic, though, there's still the added benefit of a look into another culture. The Israeli press was particularly impressed that not only traditional Arabic life is glimpsed, but also the small, rarely-explored community of young Arabs in Tel Aviv. (Is it possible that they all really smoke that much?) We see a succession of situations that by no means always involve much action or even much tension, although a couple of crises do come up. Mostly the appeal of the movie is in allowing us to feel like a fly on the wall among interesting people facing interesting day-to-day challenges.
Got into a cinema not expecting much, but I was rewarded with refreshing story I think many can correlate in some way, disregarding the context of where the story is taking part.
It shows us three girls and their current life stories, focuses on contrast between traditional and religious on one side, and liberal on other. We follow them through Tel Aviv's nightlife where they enjoy being free, escaping their daily lives, but we also see them in front of their religious and conservative families, partners and friends. It realistically portraits a life of urban 20-somethings and their life choices and plans. It had moments where the whole cinema was laughing, and the ones when you could hear laugh from some, like-minded to the lifestyle portrayed in the scenes. But, I think everyone got disturbed by some scenes and were made to question how selfish can we be about our life choices and how much should we impose them on others.
Girls bring out the weight of their situations to the viewers throughout the film. Soundtrack is fitting greatly, giving life to scenes, but remaining an independent weaver.
Film is not exaggerating in any way, and it tastefully makes us conclude we all need to share more empathy and understanding.
It shows us three girls and their current life stories, focuses on contrast between traditional and religious on one side, and liberal on other. We follow them through Tel Aviv's nightlife where they enjoy being free, escaping their daily lives, but we also see them in front of their religious and conservative families, partners and friends. It realistically portraits a life of urban 20-somethings and their life choices and plans. It had moments where the whole cinema was laughing, and the ones when you could hear laugh from some, like-minded to the lifestyle portrayed in the scenes. But, I think everyone got disturbed by some scenes and were made to question how selfish can we be about our life choices and how much should we impose them on others.
Girls bring out the weight of their situations to the viewers throughout the film. Soundtrack is fitting greatly, giving life to scenes, but remaining an independent weaver.
Film is not exaggerating in any way, and it tastefully makes us conclude we all need to share more empathy and understanding.
Did you know
- TriviaEarly in the film, Leila stops her car in the street when a male friend hails her and asks if she want him to pick up a ticket to see the band Tiny Fingers. One of the songs on the soundtrack is by this band.
- ConnectionsFeatured in Hayom BaLayla: Episode #2.12 (2017)
- SoundtracksArab Party
Composed by M.G. Saad
Lyrics by Tamer Nafar, Mahmood Jrere & Maysa Daw
Mixed by Neal Gibbs
Performed by Dam
- How long is In Between?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Bar Bahar: Entre dos mundos
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $107,977
- Opening weekend US & Canada
- $5,888
- Jan 7, 2018
- Gross worldwide
- $1,679,952
- Runtime
- 1h 43m(103 min)
- Color
- Aspect ratio
- 2.35 : 1
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