Possum

This was a legitimately solid movie. It somehow managed to feel strange albeit perverted without the use of any exploitive tropes. The feeling of unease definitely comes from the puppet itself; the use of old grungy synths adds to it's abrasively painful presence. The perforemances were never theatrical, but still has the edge of beingn satirical without ever being 'funny'. Expect to get creeped out//or at least uncomfortable when watching. I watched during the daytime and was still frazzled for angood 2 hours after watching. Brit Horror doesnit again. 7/10

This film was brilliant, it has a haunting charm and is the only film (other than Donnie Darko and Hereditary) that left me jaw-dropped by the time the screen cut to black and the credits rolled.

This film has beautiful cinematography, haunting soundtrack and even better acting. Seriously, Sean Harris does a fantastic job, the way he manipulates his eyes to represent the torture his character goes through is genuinely scary.

Need I talk about the uncle character? I won't spoil anything but, Jesus, his character makes me unsettled and uncomfortable everytime he is on screen.

I love this film a lot, it's not a scary film, but definitely a haunting one.

I really don't get the criticisms: I don't see how it was boring at all, it was an hour and a half long and despite feeling like a slow burn, it has a surprisingly fast pace. It's not dull, it's bleak, quiet and grey. Also, it's not a horror movie!!! Stop saying it's a bad horror because it's a thriller, it's a study on the psyche of an incredibly tortured soul. Don't go into this expecting a horror movie.

'Possum (2018)' is a psychological thriller laden with symbolism and metaphor, both of which aren't fully fathomable until the credits have rolled. Once they have, however, the piece's previously enigmatic images and implications become much more impactful. In fact, they become downright disturbing. This is the true strength of the bizarre little tale: its retrospective horror. Of course, it has in-the-moment merit, too. This includes, but isn't limited to, a fantastic lead performance from Harris, a creepily ethereal score and some successful surrealist imagery. The spidery puppet that stalks the protagonist is rather alarming, especially when it decides to move. It's not so much a 'creature' as a reflection of both the lead's long-buried trauma and film's true meaning, which collate in a truly harrowing final scene. Obviously, the flick isn't perfect. It's pretty slow and, even, repetitive, especially as it moves into its second act. It also asks quite a lot of its audience, in the sense that it requires total engagement in order for its payoff to really stick. I can see why some haven't connected with it. However, its atmosphere and general intrigue are more than enough for me. When all is said and done, it forms a cohesive and actually quite (unconventionally) scary experience. It's not a nice film, but it's undeniably an affecting one. 7/10

Found this little gem on Halloween and glad I did. Even though it's not a typical horror persae I would lump it in with Babadook. However I found this movie had more weight than Babadook. Possum is emotionally and psychologically heavy and even though it's a slow burner (some may tire easy) it does hold your attention with very few actors. The film is very atmospheric and does not rely on jump scares but paints a very sad picture indeed. Bleak and sinister af the end made me feel sick, worth a watch.

I really don't understand how this film only has a 5.6 rating on here. Are we really that desperate to get baited with a jumpscare that a good film like this will simply get overlooked and criticized for simply building up suspense?

Anyways, while the movie may tend to get a bit tedious towards the midpoint, it does tend to feed you just enough information to keep you intrigued until the last half hour, which is absolutely exceptional and possibly the most scared I've ever been watching a horror. However, that does not change that fact that if you miss a tidbit of info, you may become lost and therefore uninvested in the film from there. Sean Harris and Alun Armstrong both do exceptional jobs in their roles in this film; their performances alone are worth seeing this film. The puppet or "Possum" is pure nightmare fuel, and some of the practical affects of this film are really quite convincing in making it seem alive. The soundtrack by the Radiophonic Workshop in this film is unbelievable, and I don't think this movie would be able to succeed without it.

There's also countless metaphors throughout the movie, several shots that pay homage to movies such as Trainspotting, and an absolutely shocking ending. However, it's probably best that there are no spoilers on this review, and instead recommend that you see this film yourself. If you're into horror movies with a large level of suspense throughout, without relying on the easy satisfaction of jumpscares, this film should definitely be next on your list.