The Toll
- Episode aired Jul 21, 2017
- TV-MA
- 1h 20m
IMDb RATING
9.1/10
8.3K
YOUR RATING
During his next sermon, Mason falters. Wendy and the kids are caught trying to flee their home. Marty brokers a deal between Jacob and Del.During his next sermon, Mason falters. Wendy and the kids are caught trying to flee their home. Marty brokers a deal between Jacob and Del.During his next sermon, Mason falters. Wendy and the kids are caught trying to flee their home. Marty brokers a deal between Jacob and Del.
Robert C. Treveiler
- Sheriff Nix
- (as Robert Treveiler)
Featured reviews
This season one finale, along with the preceding episode 9 flashback, made me completely rethink this series so far. Just brilliant filmmaking. Pacing, music, twists - everything gels perfectly.
The opening episode of Ozark very much hits the ground running (if you pardon the pun at the expense of one of the characters); it is urgent, impacting, and violent. It very much lives in the moment and it sums up the elements of this show that work well. Although subsequent episodes turn down the pace, it keeps that air reasonably well, and keeps the jeopardy moving, with new and altered risks and threats at each turn. On this front it is not remarkable, but it does the job well.
Ozark has had endless comparisons to Breaking Bad, which is unfair because the two are not alike where it matters. Marty is not on a journey in the way Walter was; his character is defined in the first episode and he really doesn't move from there. On the face of it, this is a family man in his neck of crime trying to get out, but it is a mire he willingly stepped into, and the skills he uses to try to get out are the same skills he used on day 1. This is a problem though - and not because it makes it less like Breaking Bad. The problem is that the show doesn't feel like it is driving down or into the story or characters, but rather that it is living on the action alone, which puts a strain on the writing to always come up with a problem, but one that can be overcome. It makes it engaging in the moment generally, but I didn't get drawn in as it could have done.
Despite this writing weakness, the cast do well, and the show benefits from a lot of talent, and a lot of people who have great presence. Bateman in particular does this, and he holds attention well. Likewise Linney is a strong bit of casting. Support is good but not perfect. For example Harner tries hard, but his character doesn't totally convince; Mullan is a terrific actor doing a character of still menace - well worn turf, and while he does well, he doesn't raise the bar. Garner is good, and is giving the most complex character - only downside is that she doesn't always come across clear to the viewer.
It is all very professionally made though, and it has more than enough incident and pace to hold the attention, although it doesn't ever have the feeling of depth or anything that would make you invest too deeply in the people. Entertainingly grim and dramatic though.
Ozark has had endless comparisons to Breaking Bad, which is unfair because the two are not alike where it matters. Marty is not on a journey in the way Walter was; his character is defined in the first episode and he really doesn't move from there. On the face of it, this is a family man in his neck of crime trying to get out, but it is a mire he willingly stepped into, and the skills he uses to try to get out are the same skills he used on day 1. This is a problem though - and not because it makes it less like Breaking Bad. The problem is that the show doesn't feel like it is driving down or into the story or characters, but rather that it is living on the action alone, which puts a strain on the writing to always come up with a problem, but one that can be overcome. It makes it engaging in the moment generally, but I didn't get drawn in as it could have done.
Despite this writing weakness, the cast do well, and the show benefits from a lot of talent, and a lot of people who have great presence. Bateman in particular does this, and he holds attention well. Likewise Linney is a strong bit of casting. Support is good but not perfect. For example Harner tries hard, but his character doesn't totally convince; Mullan is a terrific actor doing a character of still menace - well worn turf, and while he does well, he doesn't raise the bar. Garner is good, and is giving the most complex character - only downside is that she doesn't always come across clear to the viewer.
It is all very professionally made though, and it has more than enough incident and pace to hold the attention, although it doesn't ever have the feeling of depth or anything that would make you invest too deeply in the people. Entertainingly grim and dramatic though.
Best episode the entire season
Kept me on the edge of my seat the entire time!!
The writing wins !! And of course the actors performances was the bestt!!
Very unexpected thriller with the best story.. And tge ending was very emotional Sooo exited for season 2.
The writing wins !! And of course the actors performances was the bestt!!
Very unexpected thriller with the best story.. And tge ending was very emotional Sooo exited for season 2.
Best episode so far. The shocking twists. The acting, music, directing. Top notch. Reminds me of Breaking Bad.
10sabahmm
Beautifully finished this season ending. Though I am very late at this review but cannot help appreciating this twist and turn of events. Magnificently ended the season and hooked everyone for Season 2.
Did you know
- TriviaThe symbols are: Z - corpse on a gurney, A - writing on the back of a hand, R - bound feet, and K - baby in car seat.
- GoofsDespite losing two toe-nails , Marty grimaces not once during the rest of the episode. He walks around , lies on the ground during after leaving Snell's Farm. Walking around with fresh pulled out toenails is extremely painful.
- Quotes
Jacob Snell: No more talking. Too much talk and words lose their meaning.
- ConnectionsFeatured in WatchMojo: Top 10 Best TV Plot Twists You Didn't See Coming (2018)
Details
- Release date
- Country of origin
- Language
- Filming locations
- 6405 Peachtree Industrial Blvd. Norcross, Georgia, USA(Shell Station and Las Tortas Restaurant where Wendy and kids eat and where Wendy calls Buddy)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 20m(80 min)
- Color
- Sound mix
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