Hagen

II was so looking forward to seeing this old German saga made into a movie and was disappointed Language : did they always speak so stiltedly ? Since it's a fiction story, could the people involved have spoken as normal people? Screenplay: tried to be modern, not very plausible text.

Actors: trying very hard to appear "historical". What did the director tell them ? Speak nobly and behave as if you are high-born ? I don't want to offend anyone , but the director asked for too little emotion . Only Niewöhner makes an effort .

Camera : static and boring Soundtrack : without memorable melodies , when I think of the soundtrack to Gladiator for example , I have to cry . PS : the riding of the actors could have been trained instead of inserting fake pictures . It is sad how this great saga was processed . The result at the box office confirms my assessment .

A poetic homage to an immortal epic for ages retold.

Siegfried the Hero and Hagen the murderer (which is no spoilers, the story was known to us over 900 years).

The battle scenes are epic, the dialogue is a bit shakespearean, hence i can understand that the modern audience (i hate to use the word zoomers so i wont) will find it dull (i loved it: macbeth flashbacks).

I found it refreshing overall.

All classical characters of Nibelungenlied are in the movie and they are loyal to their characters in a range of extend

This one explores the psychological motives behind the characters, their endeavours and the tragic result. (or was is tragic?)

This movie is far better than presented in imdb (even the plot summary is plainly wrong). For centuries-literally centuries-Hagen von Tronje has been the villain of Germany's most famous saga (yes, Wagner and all that). This movie retells the saga from a different perspective-an apology for Hagen-that alters some details, omits certain parts, and adds others. What you get is still a saga (they travel to Iceland in what may be a 15th-century carrack, 400 years before the Vikings dared cross the gap between Sweden and England), but it all comes together coherently.

It's also well-crafted from a technical standpoint, with good visuals and entertaining scenes. It never felt "long." I believe it's solid if you don't know the story, but if you do, it's at least very good.

Kriemhild isn't a main character, nor is Brunhild or the women's quarrel; it might seem that both characters seem a bit one-dimensional. However, I'd call this a deliberate technique to clarify that the story isn't about them for viewers who might expect otherwise. Alberich the dwarf plays a larger role, and boy-they are properly creepy.

All in all, if you know the book (yes, the old one!), "Hagen" will create a tension between the adaptation and the original. This allows you to better observe themes like "old world heroics versus courtliness", "individual glory versus greater good", and "who's at fault versus who's at shame." These themes are already present in the 13th-century book but are now brought into the spotlight for discussion.

This film shows a modified version of the all too familiar NIBELUNGENLIED. No wonder, this time the original comes from the fantasy novel HAGEN VON TRONJE written by the German fantasy writer Wolfgang HOHLBEIN. A "German Game of Thrones" was not the result, but the directing duo, who have already made the German-Austrian quality series DER PASS with Julia JENTSCH and Nicholas OFCZAREK, are putting in a lot of effort.

The NIBELUNGENLIED was written around 1200 and is considered the high point of Medieval German literature. Unlike in the films by Fritz LANG (1924) and Harald REINL (1966), the story here is told from the perspective of Hagen von Tronje, who has previously been seen as the ruthless murderer of the shining hero Siegfried von Xanten.

In the current film, Hagen (Gijs NABER) is the benevolent protector of Kriemhild and her brothers, who are being challenged by the charismatic, radiant Siegfried (Jannis NIEWÖHNER) in a populist manner. This is an approach that tells the story of the Nibelungs in a less idealistic and more politically pragmatic way. There is intrigue and murder, almost like in Shakespeare's plays.

The German mini-major studio CONSTANTIN FILM has not been stingy and has delivered a real fantasy gem, which is unfortunately rather unusual for German-language cinema. Unfortunately, audiences in German-speaking countries have not quite gone along with it. So far (as of December 21, 2024), the film has only been able to attract 177,167 visitors to the cinemas, which corresponds to a box office of 1,912,444 EURO.

Hopefully the film will still be watched by many after its theatrical release! It's worth it!

I had low expectations to begin with, perhaps that made me a tad too grateful, but the film was a nice evening at the cinema - not something we get very often. Nice visuals, costumes and set are overall immersive, the music is good.

It has weak points and material was obviously cut down, giving us some loose ends and lacking a little substance at times.

On top of some scenes that just don't convince the viewer of characters' traits, making them feel rather shallow, there are a few awkward lines in some dialogues.

Keeping this in mind, provided you are able to separate this from the traditional story, Hagen is an interesting, even rare character - who is humble and loyal, despite being competent.

The anti-hero trope has been done to death, this isn't any such story, whatever the synopsis tries to tell you. I would have loved a longer, more in-depth character study, but Hagen himself was intriguing.

A good film, I would alter some things, but will definitely use the main character as inspiration for some project.