Minotaur
- Episode aired Sep 10, 2017
- TV-MA
- 44m
IMDb RATING
7.3/10
3.6K
YOUR RATING
In the aftermath of the Clark family's actions, new leadership assumes control of the Ranch. Daniel assists Lola in the distribution of water.In the aftermath of the Clark family's actions, new leadership assumes control of the Ranch. Daniel assists Lola in the distribution of water.In the aftermath of the Clark family's actions, new leadership assumes control of the Ranch. Daniel assists Lola in the distribution of water.
Colman Domingo
- Victor Strand
- (credit only)
Danay Garcia
- Luciana Galvez
- (credit only)
Featured reviews
Walker's group move onto the ranch following Jeremiah's death and attempt to make peace. However, tensions remain between the ranchers and Black Hats. Troy entices a youth to avenge the Trimbals by attacking a Nation member which leads to the youth's death. Wanting to protect his people, Madison gives Walker control of the armory and raids the weapons from the ranchers. Troy refuses and attempts an assault that is stopped by Nick. He stops when Nick confesses to killing his dad. Walker demands Troy be exiled and Nick be punished for being involved with Troy. He is put in a hotbox instead. Madison takes Troy out in the wilderness chasing him away at gunpoint.
At the damn, Daniel tells Lola that she's the new boss, to be loved or despised. While distributing water the crowd turns on her and she is attacked. Despite this, she continues to travel with Daniel to distribute water while encouraging him to let go of his search for Ofelia.
"Minotaur," the ninth episode of the third season of "Fear the Walking Dead," delves into the tenuous alliances and simmering tensions that define the aftermath of the mid-season finale's explosive events. This episode skillfully navigates the delicate balance of power at the Broke Jaw Ranch as the Clark family and Walker's group attempt an uneasy coexistence, highlighting the intricacies of leadership and the weight of past sins.
The episode begins with the integration of Walker's group into the ranch, a process fraught with distrust and resentment on both sides. The confiscation of weapons becomes a focal point of tension, symbolizing the broader struggle for control and respect between the two groups. This disarmament scene is particularly well-executed, capturing the palpable tension and the underlying currents of hostility that threaten to erupt at any moment. Nick's role in this episode intensifies as he grapples with his loyalty to his family versus his growing doubts about their leadership style and decisions.
A standout moment involves Troy's resistance to the new order, which culminates in a violent confrontation that threatens to unravel the fragile peace. The portrayal of Troy's complex character - tormented, volatile, yet oddly sympathetic - is a testament to the show's depth in character development. His confrontation with Madison and subsequent exile from the ranch is a pivotal scene that not only propels the narrative forward but also deepens the moral ambiguities at play.
As the episode progresses, the ideological and practical challenges of merging two starkly different communities become evident. The leadership style of Madison, contrasted with Walker's, provides a rich ground for exploring themes of governance, justice, and survival ethics in a post-apocalyptic world. The internal strife within the ranch, exacerbated by the external threat of the approaching horde, sets the stage for dramatic developments.
At the damn, Daniel tells Lola that she's the new boss, to be loved or despised. While distributing water the crowd turns on her and she is attacked. Despite this, she continues to travel with Daniel to distribute water while encouraging him to let go of his search for Ofelia.
"Minotaur," the ninth episode of the third season of "Fear the Walking Dead," delves into the tenuous alliances and simmering tensions that define the aftermath of the mid-season finale's explosive events. This episode skillfully navigates the delicate balance of power at the Broke Jaw Ranch as the Clark family and Walker's group attempt an uneasy coexistence, highlighting the intricacies of leadership and the weight of past sins.
The episode begins with the integration of Walker's group into the ranch, a process fraught with distrust and resentment on both sides. The confiscation of weapons becomes a focal point of tension, symbolizing the broader struggle for control and respect between the two groups. This disarmament scene is particularly well-executed, capturing the palpable tension and the underlying currents of hostility that threaten to erupt at any moment. Nick's role in this episode intensifies as he grapples with his loyalty to his family versus his growing doubts about their leadership style and decisions.
A standout moment involves Troy's resistance to the new order, which culminates in a violent confrontation that threatens to unravel the fragile peace. The portrayal of Troy's complex character - tormented, volatile, yet oddly sympathetic - is a testament to the show's depth in character development. His confrontation with Madison and subsequent exile from the ranch is a pivotal scene that not only propels the narrative forward but also deepens the moral ambiguities at play.
As the episode progresses, the ideological and practical challenges of merging two starkly different communities become evident. The leadership style of Madison, contrasted with Walker's, provides a rich ground for exploring themes of governance, justice, and survival ethics in a post-apocalyptic world. The internal strife within the ranch, exacerbated by the external threat of the approaching horde, sets the stage for dramatic developments.
Stefan Schwartz directed this episode, the mid-season premiere and he did a great job at directing. The episode deals with the aftermath of Jeremiah Sr's death which was caused by Nick shooting him in the head but it was supposed to be Madison. The feud is over between Otto and Walker, but will that be enough? This episode really slows the pacing down a bit to focus more on character development and world building on the next plot we'll follow, an interesting plot point that will involve the Dam more. But saying that this episode isn't suspenseful or fast paced you're wrong as there is some characters that want the old ways to return like Troy.
There are some fine performances in this episode, Daniel Sharman is one of those that really stood out from the rest. He have truly captured Troy with his acting with the help of the great writing but mostly its his performance that captures the character, he shows that in this episode.
The ones who were mortal enemies with Walker is dead, and the rest of the people were simply scared but most of the killings was based on lies as Walker killed those responsible for his father and family's death and it was the founding members that killed all of his family members. He wanted revenge so he killed the founding members except for the one Troy killed, with killing them he had to kill the ones that were with them. It's justified in a way, the Clark family had been on the wrong side the entire time. I don't find it stupid that the two group of people share the same home now, as they didn't want to do them any harm.
There are some fine performances in this episode, Daniel Sharman is one of those that really stood out from the rest. He have truly captured Troy with his acting with the help of the great writing but mostly its his performance that captures the character, he shows that in this episode.
The ones who were mortal enemies with Walker is dead, and the rest of the people were simply scared but most of the killings was based on lies as Walker killed those responsible for his father and family's death and it was the founding members that killed all of his family members. He wanted revenge so he killed the founding members except for the one Troy killed, with killing them he had to kill the ones that were with them. It's justified in a way, the Clark family had been on the wrong side the entire time. I don't find it stupid that the two group of people share the same home now, as they didn't want to do them any harm.
It's crazy how much this season reminds me of the current state of America. And I'm even more impressed that this show is managing to include the perspectives of BOTH sides of the spectrum in a way that does not virtual signal either.
It's scary how realistic Erickson's Fear is.
Awesome midseason premiere.
It's scary how realistic Erickson's Fear is.
Awesome midseason premiere.
Did you know
- TriviaDuring the conversation between Taqa and Alicia while he's burying the bones you can hear a plane flying by.
- ConnectionsFeatured in Talking Dead: The Unveiling/Children of Wrath (2017)
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- 44m
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- Aspect ratio
- 16:9 HD
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