Future '38

It does a great job of capturing the pace, rhythm and snappy dialog of a genuine 1930s-era film, with plenty of satire and just good-old fashioned funny dialog.

Another reviewer compared it to Airplane, and I see what they mean. Both take a genre of film that has a very specific style, and honors that style while still doing a parody of it.

The short 75 minute runtime is similar to that of many films from the 1930s, back before two and a half hours become the norm. It also allows them to keep the pace up, which is a key element to this kind of film.

The twist near the end actually caught me by surprise!

All in all, a very enjoyable film. Might watch it again with friends, especially if they're movie buffs.

I'm a big fan of filmmaker Larry Blamire's work, starting with "The Lost Skeleton of Cadavra". This film is made in a similar style, showing a great appreciation and love for its genre (although, not the SAME genre). Mostly unfamiliar actors accompany Betty Gilpin in this homage, and she may be unfamiliar to most, unless you've seen GLOW or the Margaret Mitchell series from earlier this year (I haven't yet, but I will). Loved the spiffy period jargon, and the predictions of future science wonders. (Missed smartphones by THAT much!) It was also great seeing Sean Young in a small but very prominent role. As a plus, it's pleasantly short, not that it couldn't have been longer, but sometimes you don't want a 2+ hour commitment to a movie.

I won't bury the lede: this is brilliant. I had mixed expectations, not least off all on account of the small-fries nature of the production that could go either way. Rather immediately, however, 'Future '38' demonstrates just how delightfully smart and clever it is. I deeply admire the central conceit, that the film we're watching is a long-lost title from 1938. Filmmaker Jamie Greenberg worked overtime to weave in every thread that he could to emphasize and build on that notion. The dazzlingly direct storytelling and plot progression, spry runtime, and brisk pace pointedly reflect the common film-making approach of old movies from the 1930s. The plot, characters, scene writing, and especially the dialogue all very mindfully echo the language, values, customs, and cinematic standards of 80 years past. Meanwhile, props, effects, set design and decoration, and no few jokes are wonderfully intelligent as they represent a modern person's reimagination of how a 30s screenwriter might conceive the subsequent years to have unfolded. Equally witty are those instances of modern slang, innuendo, or inventions that are interpreted, through the same lens, to mean something very different. I unremittingly love 'Future '38.'

As if all this weren't enough - and it absolutely is - the other elements of the picture are just as strong. A marginally grainy image, and occasional clips in the "reel," pair with sound design that is, deliberately, ever so slightly tinny, mirroring the technological capabilities of the era and degradation of prints. The very accents and mannerisms that the cast adopt feel like they were pulled directly from movies of the 1930s. The costume design and hair and makeup work are impeccable, gorgeous, and fanciful, and like everything else in the in-universe conception of 2018 pop with lush, vivid color that's joyously fetching. The approach taken in the story to time travel is as simple and forthright as the plot progression generally, yet at that is more concise and less convoluted than what many other sci-fi flicks have tried to serve up. And the cast! One must note genre luminaries Sean Young and Ethan Phillips who fill small parts, but moreover, the principals are a blast. Among all others, Nick Westrate and Betty Gilpin are a hoot as they lean, lean, lean into the playful tomfoolery of the feature, and it's so fun to watch them work.

Gosh golly jeepers, what more can one even say, least of all without betraying plot points? 'Future '38' is exceptional. It's purposefully ham-handed, contrived, and distinctly staged in all the exact same ways that some old movies are, only with the faintest modern sensibility to greet viewers with a wink. This is a sci-fi comedy like no other that readily comes to mind - it rather seems to me as though it bridges a generation gap, wherein audiences who favor old movies may be able to enjoy it just as much as those who prefer modern titles. True, if one can't get on board with the consciously kitschy cleverness, then I can see how it won't appeal to all comers. Yet I watch this and see a far too little-known 21st century film that comes off as a loving, respectful homage to another era, while also staking its own ground in the present. I can only thank Greenfield, and his cast and crew, for a fabulously entertaining, satisfying, and rewarding viewing experience. 'Future '38' is far more than I ever could have anticipated, and I immediately want to watch it again!

Comedy is hard but the writers of Future '38 were spot on, almost. The repartee was lighting fast but the timing was still perfect and allowed the audience to keep up. There were only a few places where the laughs tapered off, but it always picked up again. The humor was respectful of today's P.C. sensibilities, passing up on some low-hanging jokes that might have crossed the line for some. With the exception of its blatant anti-Germanic bigotry and a few other stereotypes/ethnic jokes (Irish, African American, Jewish), the film is really progressive. ("They're jolly, what of it?... City hall's been hitching jollies for forty years.")

Many in the audience will miss some of the slang and early twentieth century references, but there's enough here to keep everyone laughing. Especially funny was the humorous treatment of time-travel paradoxes and the "parlor tricks" performed by Essex with Elke and others.

The acting was very well done for a comedy of this sort, and the plot was easy to follow. The cinematography was technically adequate and didn't overshadow the players/dialogue, although it would have been nice to put a little more effort into getting the color/tone to match those over-saturated, 80-year-old films. The cue marks were a wonderful touch!

Overall, well worth watching, especially for old movie buffs and scifi fans.

Triggers: Ethnic humor -- anti-Germanic bigotry, Irish, African American, Jewish ethnic jokes/stereotypes; Violence by the protagonists -- fists, gun brandishing (and the obligatory vase smash to the head).

"Isn't this a nice party?" "There is something wrong with my herring!" "ISN'T THIS A NICE PARTY?!?"

Okay, lines like that make me laugh. And there were a lot of lines like that.