Beautifully performed LA version of the Broadway musical. The actors, singers, dancers all on the top of their form. And the translating of the show to TV was excellent - until it came to the dance numbers. In short, these were ruined in the editing room. Just because you can cut to another shot, doesn't mean that you should. Fred Astaire had control over how his dances were filmed and insisted in full head-to-toe shots, with little or no cutting to different angles. This might seem like an austere approach, but it worked brilliantly. Gene Kelly went a step further and also produced brilliant results. It is difficult as a director to reign in the impulse to be flashy and put your mark on what you are shooting, but with dance this has to be resisted. Rob Marshall almost ruined Bob Fosse's brilliant choreography in the movie version of "Chicago". Here we have some of the world's best stage dancers giving it their all, and the director and editor got in their way. What a shame.
