Ten artists pay a participation fee of one million Japanese yen to enter a room together for six hours.Ten artists pay a participation fee of one million Japanese yen to enter a room together for six hours.Ten artists pay a participation fee of one million Japanese yen to enter a room together for six hours.
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Documental thrives on it's strong premise of comedians trying to not laugh at each other, but gets less funny as each season lingers on.
The psychology behind the show is quite fascinating. Some go the deadpan strait man route, some absurdist, some self-deprecating-there isn't one way to win. It's pretty apparent when a competitor is "trying too hard" to get a laugh, which is why many of the predictable props & costumes bomb hard in the later rounds.
Overall, there's some funny moments and you're likely to have a couple favorite comedians that you are rooting for by the time that it's over.
The psychology behind the show is quite fascinating. Some go the deadpan strait man route, some absurdist, some self-deprecating-there isn't one way to win. It's pretty apparent when a competitor is "trying too hard" to get a laugh, which is why many of the predictable props & costumes bomb hard in the later rounds.
Overall, there's some funny moments and you're likely to have a couple favorite comedians that you are rooting for by the time that it's over.
Language is no barrier to laugher.
Loved this show. I laughed so much. Definitely worth a look.
1st episode is just introductions but stick with it, it hots up from episode 2.
Only problem is that it gets less funny as the end gets near and all the really funny ones get eliminated but hopefully the second season is better.
Only problem is that it gets less funny as the end gets near and all the really funny ones get eliminated but hopefully the second season is better.
A Japanese friend recommended this show, and I've watched the four seasons available on Prime.
The show is interesting from a cultural perspective. As I understand it, a lot of the people in this show are from Japan's comedy elite.
If the people on this show are representative of Japanese comedy, my conclusion is that Japan is about 40-50 years behind. They rely heavily on wigs, costumes, false teeth and making funny faces, as if that would be enough to be hilarious. And the shouting. Oh the shouting. At times screaming.
In Sweden we have a form of comedy called "buskis", a type of backwater comedy stuck in the 60's enjoyed primarily by slack jawed yokels, which is similar in style.
Meanwhile the host is in the back room laughing his head off at absolutely everything, and I have absolutely no idea what he's laughing at. I've asked my friend if things are lost in translation, but apparently not.
Sure there are some wtf moments, but they're more desperate than funny.
So the show is culturally interesting. But is it good? No. Is it funny? Again, no.
The show is interesting from a cultural perspective. As I understand it, a lot of the people in this show are from Japan's comedy elite.
If the people on this show are representative of Japanese comedy, my conclusion is that Japan is about 40-50 years behind. They rely heavily on wigs, costumes, false teeth and making funny faces, as if that would be enough to be hilarious. And the shouting. Oh the shouting. At times screaming.
In Sweden we have a form of comedy called "buskis", a type of backwater comedy stuck in the 60's enjoyed primarily by slack jawed yokels, which is similar in style.
Meanwhile the host is in the back room laughing his head off at absolutely everything, and I have absolutely no idea what he's laughing at. I've asked my friend if things are lost in translation, but apparently not.
Sure there are some wtf moments, but they're more desperate than funny.
So the show is culturally interesting. But is it good? No. Is it funny? Again, no.
I have watched 5 seasons of this so far and look forward to watching more.
I have tried watching the Australian, Mexican, Indian, Spanish, German and Italian versions of this show and they are all terrible in comparison. The Japanese, although not known for comedy, do this show best.
One major problem I find with the other versions is that they include kooky music and sound effects which make the shows unnatural. The awkward silences or sounds of in Documental add to the hilariousness.
I have tried watching the Australian, Mexican, Indian, Spanish, German and Italian versions of this show and they are all terrible in comparison. The Japanese, although not known for comedy, do this show best.
One major problem I find with the other versions is that they include kooky music and sound effects which make the shows unnatural. The awkward silences or sounds of in Documental add to the hilariousness.
10troyez70
...Shin'ya Arino on the show! Some of the comics have been average to poor in their comedy, and some aren't even comedians. Every time I start a new season of Documental I'm hoping to see Shin'ya Arino walk into the room, he's always made me laugh on GameCenter CX and I know he can handle pressure (just watch Gamecanter!), why not give him a shot?! Matsumoto san, please send an invitation to Shinya Arino, he will not disappoint!
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- Hitoshi Matsumoto Presents: Documental
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