The Third Murder

It's interesting that Koreeda approaches an apparent thriller in the same way he approaches his family dramas. In fact, this is a drama and, as usual for him, a film about people and grey areas. Here, he addresses the difference between legal justice and what may be ethically acceptable even if a crime.

It's not an easy film, with a quite slow pace and few events that capture our interest. Despite loving thrillers and loving Koreeda's usual style, this film left me wanting much more. Nevertheless, the approach is interesting, the performances are very good, it's beautifully shot (with incredible mirror shots), and the ethical issues it raises stay with us.

The Third Murder is a gloomy courtroom drama that deals with complex topics like control, fatherhood and righteousness. The story revolves around young lawyer Shigemori who is asked to defend mysterious Misumi. His father once defended the strange man when he committed murder in the past and he managed to change his impending death penalty into a life imprisonment sentence. Soon after his release from prison, Misumi admits to have killed his former boss in order to steal his wallet and settle some gambling debts. However, Misumi soon starts offering different versions of what actually happened. Shigemori is unable to figure his client out but determined to win the case. He starts investigating the complex case himself and stumbles upon the victim's quiet wife and their handicapped daughter who seem to have something to hide. While trying to win the case, Shigemori doesn't only learn more about the lives of everyone involved but about his own family life.

The Third Murder is a movie that is quite tough to watch. Its pace is particularly slow. The investigation process is contradictory, difficult and inconclusive. The film doesn't offer any shifts in action or tension. The conclusion won't please those who are expecting a dynamic crime flick.

However, this film has an almost hypnotically gloomy atmosphere that gives it its very own style from start to finish. The characters are quite intriguing because they are difficult to figure out. Protagonist Shigemori almost pales in comparison to his fascinating client Misumi who meanders between being a manipulative madman, a calm sage in harmony with himself and a mentally broken elder. The dialogues are particularly well-written. The acting performances are quite credible and almost make the movie seem to be a documentary. The locations suit the sinister atmosphere very well as they manage to look beautiful despite their bleak darkness. The calm and precise cinematography completes the picture of this soulful drama.

In the end, you will appreciate The Third Murder if you are ready to watch a slow-paced courtroom drama with an inconclusive plot but intriguing characters and gripping atmosphere. This movie most certainly isn't for everyone but it's good at what it's attempting to be. Patient viewers will be rewarded with some intellectual food for thought.

With "The Third Murder" Hirokazu Koreeda sidepaths from the more lighthearted thematics his more recent movies like "our little sister" or "after the storm" had and reenters the realm of profound dramas in which he previously worked with in movies like "Like father like son" and one of his ealier works "after life". While the light hearted stuff is enjoyable and it is not as much of a risky "hit and miss" as a movie like "afterlife" might be, I think his more deep and serious movies are definitly more impacting and memorable, thats why I think "The third murder" is definitly one of Koreedas finest works.

In this crime thriller Koreeda explores heavily the ideas of truth, justice and especially motivation. Why do people say what they say? Can we really trust anyone? This movie was just so beautifully crafted with nearlly every scene you learn new things about character you thought you know already, just to find out how wrong you were, until you dont know what to believe anymore.

The cinematography was pretty unique to his other movies I would say. He added some emotionally driven music shots that fitted quite well with the tone of the movie and made some character interactions that were already tense and interesting even better by presenting interesting camera shots.

It was only fitting for Koreeda to give Masaharu Fukuyama the lead role given how well he did in "Like father like son" and he did a wonderful job again with this role. Also one of japans best actors "Koji Yakusho" did a perfect job, like most of the time and gave his role the exact nuance i was talking about previously, with being able to make yourself question your own judgement.

Overall I can only recommend this movie. Hirokazu Koreeda is one of Japans best living directos and "the third murder" is one of his best movies and I am already looking forward of rewatching this movie.

The defense attorney Shigemori (Masaharu Fukuyama) is summoned to help his coworkers in a murder case. The prisoner Misumi (Kôji Yakusho) has confessed the murder of his former boss and factory owner that was burnt to ashes nearby a river to rob his wallet to pay debts in gambling. Misumi will face death penalty since thirty years ago he killed another man and was defended by Shigemori´s father. Shigemori´s purpose is to change the sentence from death penalty to life. Shigemori is not satisfied with the lack of evidences of the case and notes that Misumi changes his testimony in each interview. He decides to investigate deeper the case and questions the true motive for the murder.

"Sandome no satsujin", a.k.a. "The Third Murder", is a tribunal and fatherhood drama with a screenplay with many twists. The storyline is based on a murder case with a confessing defendant and his new attorney seeking evidences to learn the truth. In common, there is the fatherhood: Shigemori is an absent father due to his dedication to his profession. Misumi is also an absent father since he has spent his last thirty years imprisoned. The victim was an abusive father and Misumi connects to his daughter as a second chance in life. In the end, was the murder to pay a debt with the Yakuza or a righteous justice act? My vote is seven.

Title (Brazil): "O Terceiro Assassinato" ("The Third Murder")

The great lawyer Shigomori accepts a delicate case, the defense of Misumi, accused of theft and murder. Misumi, who thirty years earlier had served a prison sentence for murder, is now facing the death penalty. Astonishingly, the accused does not seem to care at all about his lot, the best evidence being that he does nothing to help his defender avoid it.

A specialist in childhood and family relations, Kore-eda ventures here into unfamiliar territory, the judicial thriller. The film raises interesting questions about the relativity of justice while at the same time keeping up the mystery: why does the accused, whose guilt is far from being proven, play cat and mouse with his defender and put obstacles in his way when he does everything in his power to save him from being hanged? Unfortunately, too much chatter and slowness diminishes the effectiveness of the film. But there are undeniable good points : the subtle acting of the two main protagonists, the beautiful nostalgic music by Ludovico Einaudi as well as the end of the film, a little more tonic than what preceded it. Quite a fair work on the whole but not up to the level of " Nobody Knows " or " Like father Like Son ".