On the Beach at Night Alone

I knew nothing going into this, and perhaps that's why its sensitivity and its meticulous pacing really surprised and impressed me. Visually the film looks simple, yet it's very elegantly shot. The screenplay, in particular the intimate dialogue between characters, is fantastic. The biggest strength of the film is Min-hee Kim. She has such an ethereal quality to the way she performs, expressing the dialogue in such a natural, realistic way. The film isn't standard entertainment fare, but it sure is strong.

Was it entertaining? No. But it was a hell of a good movie. It is worth watching. The silence is powerful and I thoroughly am grateful that I watched trough it. I really do recommend it for anybody who is maybe feeling empty or lonely. If you have free time or enjoy this sort of cinematic movies you should watch it.

It isn't captivating or like the most popular mass production media, it simply holds you there.

The long shots after leaving a scene, it makes you feel like you walked into another persons life for a split second.

Watch this movie. I'm almost in tears after it ended.

Don't watch it when you are looking for time passing, watch it with intent. Because I promise you if you don't you will drop the movie during the first 13 minutes, you need to watch it from the beginning-to the end. It's not like regular movies, I'd say it's more like a...documentary? A piece of someone's life. You can't drop out, push trough it.

I know it sound strange but it's an experience, but in a new way.

I think it's worth mentioning that the movie is not like it looks on the paper, it is not colorful, it is simple.

If you've ever wondered what a film could achieve with the audacious premise of following someone who's essentially pondering the meaning of life while strolling along a beach at night, well, look no further. Hong Sang-soo's masterpiece is a cinematic ode to introspection, and it's a journey so intense that it makes a late-night snack run seem like an epic adventure. Our heroine, played brilliantly by Kim Min-hee, seems to ask the existential questions we all ponder, like, 'Should I have ordered dessert?'

While the movie is heavy on dialogue, it's all about those awkward, bumbling conversations that make you wonder if you should've brought an emotional survival kit. Kim Min-hee's character might as well have a Ph. D. in overthinking, and we get to join her on this rollercoaster of self-discovery. The beach becomes her therapist's couch, and every seagull is a silent yet judgmental observer. But hey, who needs a therapist when you have waves crashing in the background?

In conclusion, "On the Beach at Night Alone" is the film you never knew you needed. It's a deep dive into the abyss of human thoughts, set against the serene backdrop of a beach. And if you've ever considered deep conversations about life and love while munching on popcorn, this one's for you. Just don't forget your thinking cap, because you're in for a ride that's as enlightening as it is hilariously relatable. Four and a half stars for the laughs, the introspection, and the seagull therapy sessions.

I liked this film, surprisingly. The actress. The character played by the actress. Because nothing much happens I was surprised at how it held my attention. Basically, it is about a young actress getting over her affair with her director. The music helps in underlining the poetic quality of this work.

The Korean movie Bamui Haebyeoneseo Honja was shown in the U.S. with the translated title On the Beach at Night Alone (2017). It was written and directed by Sang-soo Hong.

Min-hee Kim stars as Young-hee, who was apparently a successful actor, but who now describes herself as box office poison. The reason for this is that she had an affair with a movie director, who is married.

The movie is divided into two parts. In the first part, Young-hee is visiting an older woman, who is her friend. Young-hee is waiting for her lover, who may or may not arrive. The last few frames of this part didn't make sense to me, so I don't know if he arrived or not.

In part two, Young-hee has arrived back in Korea after two years abroad. (Another reviewer says she was in Hamburg, Germany. I didn't see that in the subtitles--maybe the reviewer speaks Korean.)

What follows is an interminable hour of Young-Hee either walking on the beach (sometimes alone), sometimes with other people), but never at night.

Interspersed with her walks are conversations with friends during which Young-hee looks vacuous. Mostly they talk about each other. "You are beautiful." "Yes, but the script girl is beautiful too." The highlight of these conversations comes when a character asks Young-hee, "Are you still searching for love?" Her answer: "Where's love? It's not even visible. You need to see it in order to search for it."

Also, by the way, Young-hee is a mean drunk. Apparently that's OK, because she's a beautiful movie star.

Director Sang-soo Hong is an international darling of the film world, so his movies get shown at important festivals, and they get awards. This film was nominated for awards at the 67th Berlin International Film Festival. Min-Hee Kim won the Golden Bear award for her acting.

It's not a coincidence that she herself did, indeed, have an affair with Sang-soo Hong. So, art reflects live, or maybe vice-versa.

Fortunately, IMDb raters weren't impressed by the reputation of the director and star. The film has an anemic IMDb rating of 6.8. I didn't think it was even that good. I rated it a 5.

P.S. Normally, IMDb male raters outnumber female raters by two to one, or three to one. In this case it was five to one. My guess is that men went to see it because the title made them think it would be a sex film, a horror film, or both. For the record, it's neither.